The Whale Who Wanted to Sing at the Met

This cartoon was featured in a Disney movie called "Make Mine Music" that had different segments. It's now shown as a separate cartoon most of the time, because it was the best of the segments. I saw this as a child; I remember Willie the Whale singing and thinking it was so cute and adorable. I was so rooting for Willie. And then came the ending, which was to say the least, shocking. Really, it was like getting kicked in the stomach. There was talk of "heaven" but that didn't make things any better. This cartoon is entertaining the but ending is something that might upset some children. It sure upset me. Really, it broke my heart, and it affects me the same way still.

A Walt Disney Cartoon.

Endowed with tremendous vocal powers, WILLIE THE OPERATIC WHALE dreams of leaving his ocean home and becoming a success on the stage of the New York Met.

This heart touching little film, originally the closing segment of MAKE MINE MUSIC (1946), is buoyed along by the colorful animation and a prodigious vocal performance by Nelson Eddy who enacts all the roles - young & old, male & female, human & animal. The ending couldn't be better.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.

As a tiny child, I liked this, but found it incredibly sad. Now, I still enjoy it, for many reasons. It is a fifteen minute cartoon to love and treasure. It has a fun, quite exciting storyline, cute Disney animation, good opera and the emotion and the warmness this creates in your heart are incredibly good as well.

The cartoon starts with newspaper headings - and continues with quite a few of these every now and again. Someone has heard someone singing way out to sea and eventually someone finds the singing is coming from a whale. The professors and ordinary people are baffled, until one scientist makes his last decision, an opera singer is stuck inside the whale. He goes out to try and find the whale, with interesting consequences...

Before you watch it, you should make sure you can cope with opera, if you closed your eyes and just listened to this cartoon, most of what you would hear is opera. That is one of the beautiful things about this cartoon. I also recommend this to people who like Disney things and to people who are passionate about cartoons. Enjoy "Willie the Operatic Whale"! :-)

P.S Another extraordinary thing about this is that all of the voices are done by one man, he does the narrating, the three kinds of opera and even some woman voices.

Originally part of the movie Make Mine Music, this cartoon was released later on its own as a theatrical short. This is a showcase for Nelson Eddy, who does the narration, voices of the characters, and all the singing. The story is about a whale named Willie that is heard singing by the crew of a ship at sea. As reports spread about Willie, opera impresario Tetti-Tatti is convinced the singing is actually coming from an opera singer the whale must have swallowed. He sets out to hunt and kill Willie to prove this. What follows is a bittersweet and somewhat allegorical story with a surprisingly dark end. It's a good cartoon with nice animation and impressive vocals from Eddy. Not sure how the ending will play for little ones, though.

When I was 8 or so, I used to watch Willie the Operatic Whale a lot and loved it. I am 17 now, and watching it again, brings back all those good memories. The cartoon is very short, but is so sweet and charming you can't help but like it. I absolutely love anything to do with classical music, and would love to train to be a singer in a few years time, and this cartoon was the one where I drew my inspiration from. The animation is really lovely considering it was made in 1946, especially Willie in heaven, and Nelson Eddy, from films such as the Chocolate Soldier, narrates with feeling and passion, and sang the soundtrack wonderfully. The story, is simple, about a whale who sings opera with three voices tenor, baritone and bass, and there are attempts to kill Willie, as people think he swallowed an opera singer, and in the end he does get killed and that was sad. The ending was really sad, seeing that seagull like that, made me want to reach into the television and hug him. I think the real star was the music, wonderful choices, from the hilarious Largo Al Factotum from Barber of Seville, Mephistopheles' terrifying aria from Mephistophele, the sextet from Lucia Di Lamemoor(a beautiful piece too) and a duet from Wagner's masterpiece Tristan and Isolde. Overall, a beautiful cartoon, that has made me appreciate classical music more over the years. 10/10 Bethany Cox.