The Chinese Ring

Blow darts and air rifles seem to abound in the Charlie Chan series. It seems that those most vulnerable are not protected very well. So often, someone dies with a cop standing guard outside the door. People are able to shoot through windows or off balconies without any trouble. They then escape without a trace. Even if they are caught, the person lies dead. In this one, a Chinese princess has come to see Charlie with what appears to be important information. Birmingham goes to get Charlie and while they are putzing around, the unfortunate lady gets shot with a dart. It turns out that there is some big money involved with airplane contracts. A Chinese ship and some banking mishaps are at the center. Enter another of those dull 1940's policemen and an overly aggressive female beat reporter who has the hots for him and Chan is left having to handle the situation. As usual, Mantan Moreland and Tommy Chan get in the way for the most part. Roland Winters has replaced the late Sidney Toler and doesn't seem to have any chemistry with the secondary characters. Several people die as a result of carelessness. One thing I have noted before is the general insensitivity of Charlie and the gang. But then it's not Shakespeare.

A Chinese princess (Barbara Jean Wong) visits Charlie Chan (Roland Winters) on a matter of urgency where she says her life is in danger. She is then murdered by a blow dart.

Screenwriter Scott Darling re-cycles his own script from MR WONG IN CHINATOWN (1939) here. This was Winters first of five outings as the famous Chinese detective and is an okay end of franchise addition.

This is exactly the kind of movie that used to get shown late at night on local TV stations, or on weekend afternoons, in the 1970's. I watched all the Basil Rathbone Sherlock Holmes movies that way. This was the first time that Roland Winters played Chan. I think he was probably trying to decide how to play the character, and didn't want to come off as attempting to Imitate Sidney Toler. He underplays the humor, but it is still there. I think he was trying to be a bit more subtle and low-key about it than Toler was. Mantan Moreland is in this one; he's in all the Roland Winter Chan movies, and he's in 9 of the 11 Toler-Monogram films. He's a fine comic actor and his presence is always an asset. There were so many B-movies of the late 1940's that tried and failed to mix in humor successfully. This is a relaxing way to spend an hour. Nice period clothes, and at one point, I think I saw a beautiful Pierce Arrow sedan, pre-WWII. The movie is well worth seeing. Monogram gets a bad rap from viewers who are always pining for the higher-budget Fox film period. Charlie Chan is always worth watching.

As Chans go, not the best, but the story itself is fine. Roland Winters is a perfectly good Chan - the role was defined by the time this episode in the series was made, so he basically just had to show up and recite the lines to get the job done. Although Victor Sen Young shows up as Tommy, he plays a very small part in the film - a good thing in my opinion. Birmingham Brown is present as comic relief, but doesn't shine in this one. Sargent Bill Davidson and plucky girl reporter Peggy Cartwright play the clichéd role of battling couple with unfortunate results. After the third or fourth exclamation of "Bill Davidson!" by our intrepid girl reporter, I was ready to strangle her. By the sixth or seventh time, I was ready to strangle myself. You'd think the writers were paid to keep the word count down. Worse, while the two argue in Davidson's office, he grabs her and shakes her in a rage, nearly knocking her off her feet. Of course, that's what men do to women they love, right? Don't worry, it all ends up in a kiss. Good God.

That's what you have to deal with when watching sixty year old movies - sometimes there's a real culture shock.

Winters' debut as Chan is okay, but film is a near line-by-line remake of MR. WONG IN CHINATOWN, and the story wasn't great then. Foulger has meaty part as nervous banker, Ahn looks inscrutable, Moreland rolls his eyes, and Louise Currie is gorgeous, but pedestrian direction and cheapo production sink this for all but Chan fans.