Desire Me

"Desire Me" is a mess of a film. No director wanted to take credit for it. And the stars have absolutely no chemistry.

But this is supposed to be a love story about undeniable passions between a widow who steadfastly grieves her husband and a man who claims to have known him when he was alive. Unfortunately, the script makes him feel more like a bully than a lover. Greer Garson plays the object of his attentions. She is no prize herself. Her motivations are muddy, her outlook morose, and she seems to (willingly) be a victim of the gossipmongers of the town--including the local cleric--who presume to judge her.

Watching "Desire Me" is drudgery. None of the characters are very likable. And the payoff for watching the film is a final sequence that lacks the intended suspense, then concludes with an emotionally inappropriate ending, leaving the viewer with a feeling of betrayal.

None of the major players or the directors felt pride after making this film. And it shows.

In post-war France, Marise Aubert (Greer Garson) discusses her struggles with her doctor. She recounts how she found Jean Renaud (Richard Hart) playing her husband Paul Aubert (Robert Mitchum)'s song in her home. He seems to know a lot about Paul. He claims to be a friend from the POW camp and witnessed Paul's death while they were escaping.

This movie depends a lot on whether one buys the romance. I don't like Jean's stereotypical French look with his skinny moustache. The movie uses a lot of montage and yada-yada to advance the romance. I'm willing to accept it, but I'm not feeling it. She believes him too easily. If I was her, I would never accept it so willingly. The fact that she did is disappointing. Most of Robert Mitchum's screen time is concentrated on the last half hour and that is also disappointing. It's a complicated feeling. I would like a specific ending although the movie delivers something else. I do like the foggy climax. It's complicated.

Director George Cukor was so unhappy with his production of "Desire Me," that he insisted that his name be taken off the opening credits. It was the first film M-G-M had ever released without one. No happy memories about the filming for Greer Garson either. During the filming of one scene, which was by the ocean, a wave came up unexpectedly and swept the star out to sea. She nearly drowned!

"Desire Me" from 1947 was a troubled film, with everyone hating everyone else, and George Cukor having his name removed from the credits. If only some of that passion had been on the screen, we might have a movie to talk about.

As it is, "Desire Me" is the old story of a French woman, Marise (Greer Garson) who doesn't know if her husband, last heard of in a work camp, is dead or alive. A friend of his, Jean (Richard Hart) comes to see her.

Her husband Paul (Robert Mitchum) was his friend at the camp, and talked about Marise incessantly. Jean knows all about her, and he was kept alive by Paul's stories. He felt he just had to meet her. He breaks the news to her that Paul is dead. Yeah, and guess what.

First of all, you can see this plot coming a mile away. Secondly, though we hear about this great love that Paul and Marise have, we don't see any of it in flashbacks, just their wedding. Third, Jean is such an obvious phony, determined to push his way into her house and life, that it's ridiculous.

The name Richard Hart didn't conjure up much for me, and after seeing him in this, I know why. Sadly he died four years later, at the age of 35, which is awful.

I would say he was completely misdirected in this. The character of Jean (my opinion only) should have been warm, sincere, helpful, without a hint of pushiness so that he can inculcate himself into Marise's life.

Robert Mitchum ultimately doesn't have much to do. He spent most of his time eating sandwiches with onion and Roquefort when he had scenes with Greer Garson, whom he thought was stuck-up. Cukor and Garson fought, and Cukor left the film.

For all that, the film is quite atmospheric, with enough dry ice creating fog that you almost couldn't see anyone.

Greer Garson is good given the material.

If you're a fan of hers, watch this film; if not, skip it.

This is a film to be cherished for its lush cinematography, exquisite and picturesque settings, character development, and fine performances. While the story is on the surface a love triangle, there are complexities among the characters, and in their relationships with each other, that make the film compelling in spite of being typical Hollywood romance. The film shines with Cukor's touches throughout, although he was uncredited as director. The production values are first class, and appropriately polished.

While DESIRE ME is generally perceived to be one of classic Hollywood's biggest turkeys, public perception is often misleading. For those of us who are fans of the genre, of Hollywood myth, melodrama, and romance, this is a lovely, lovely film. But it seems even less likely that such a film would be appreciated in these times than in 1947.