Dick Tracy Meets Gruesome

This is the fourth and final of the RKO Dick Tracy films. It's also the best. Why is it the best? Well, look no further than the cast. Horror great Boris Karloff plays the villain Gruesome. Karloff could do no wrong and he elevates this whole picture. The plot involves a paralyzing nerve gas and a bank robbery. Skelton Knaggs is also in this as Gruesome's cohort in crime, X-Ray. More characters with fun names like a piano player named Melody and several doctors (Dr. L.E. Thal, Dr. A. Tomic, Dr. I.M. Learned). These movies weren't "A" productions. They were turned out quickly and cheaply. But still, they are fun, fast-paced detective stories with mystery, action, and humor. This one, like I said, is the best of the lot. Karloff fans will love it.

Ralph Byrd is well-suited to the role of Dick Tracy, and this is a solid B-feature overall. But it is Boris Karloff, in the role of "Gruesome", who lifts the movie above the norm for its genre. He makes his character come vividly to life, and makes him into a believable and formidable foe for Tracy.

The story is enjoyable, if a bit on the wacky side, with a gang of criminals taking advantage of a gas that is supposed to cause temporary paralysis in anyone who breathes it. Tess and Pat also get their moments as they help Tracy track down the gang.

Karloff was an impressive and unusual talent, using his appearance, voice, and mannerisms in all kinds of ways, generally relying on the little things and on understated actions to create his character. He was certainly in a number of movies of far greater stature than this one, but in this, as in almost all of his roles, he is very interesting to watch, and he adds a great deal to the movie.

I tuned into this movie expecting a very badly done work, but I was pleasantly surprised. The first half hour is a real kick with more laughs than suspense. The remainder of the movie is more akin to what I expected. Boris Karloff was wonderful as "Gruesome" and kept the second half moving. I have to say that some of those guys were incredible shots with a tire shot out with one shot at about 100 yards and police officer killed "instantly" with a quick shot from a getaway car. Like the movie, the marksmanship declined markedly as the movie progressed. All in all, I recommend you watch it if you enjoy the old "B" movies. I plan to look for more in this series and see how they stack up.

Dick Tracy and his exploits step into the world of science fiction Ralph Byrd as animation's favorite square jawed police detective gets involved with none other than Boris Karloff as Gruesome in Dick Tracy Meets Gruesome.

Usually Boris Karloff is the mad scientist concocting such things as a paralysis nerve gas which leaves folks paralyzed so that others think they could be dead. But here he's a ruthless career criminal who gets a dose of the stuff outside a waterfront dive and appear so dead that he's brought to the morgue by Lyle Latell as Tracy's sidekick Pat Patton. When he gets up and walks out of the morgue making Latell the victim of a horse laugh that's only the beginning.

Karloff realizes the possibilities as does the inventor of the paralysis gas for criminal enterprise and he uses it in several bank jobs. But it was his hard luck to have Tess Trueheart in the bank on the first job and in a telephone booth so that the paralysis wouldn't effect her. She recognizes the robbers and Karloff as Gruesome is not hard to miss. Hell Boris Karloff isn't hard to miss. Tess played by B movie queen Anne Gwynne.

Byrd is put in some real harm's way in the final confrontation with Karloff. Gruesome is pretty ruthless in eliminating witnesses and Byrd is almost caught in the trap he set for him.

Boris Karloff as Gruesome lifts Dick Tracy Meets Gruesome a notch over a lot of B films.

If we sometimes pay lip service to the notion that Boris Karloff was a fine actor, we are hard-pressed to offer examples - unless we mean his memorable gallery of monsters, mummies, mad scientists and assorted grotesques. In this unlikely film can be found one of the best performances of his career: that of a criminal, to be sure, but an ominous character who projects menace rather than horror. Karloff underplays the ruthless, single-minded social misfit whose manner is close enough to the norm to enable him to move among commonplace types without attracting undue attention, but is at the same time sufficiently glowering to intimidate even his henchmen. Among the latter is a perfectly contrasted ally in the person of Skelton Knaggs.

About the rest (apart from the tantalizing opening shot)...the less said, the better. But here is a B picture raised to the level of B+ by the solid work of a genuine professional.