IMDb RATING
7.0/10
5.5K
YOUR RATING
British police are after a serial killer who lures his female victims through newspaper personal ads and sends cryptic poem clues to the cops.British police are after a serial killer who lures his female victims through newspaper personal ads and sends cryptic poem clues to the cops.British police are after a serial killer who lures his female victims through newspaper personal ads and sends cryptic poem clues to the cops.
Cedric Hardwicke
- Julian Wilde
- (as Sir Cedric Hardwicke)
John Alban
- Concertgoer
- (uncredited)
Jimmy Aubrey
- Nelson
- (uncredited)
Brooks Benedict
- Concertgoer
- (uncredited)
Wilson Benge
- Police Criminologist
- (uncredited)
Paul Bradley
- Concertgoer
- (uncredited)
Colin Campbell
- Wilberforce
- (uncredited)
Jack Chefe
- Pierre the Headwaiter
- (uncredited)
Featured reviews
I was 'lured' into this one by its cast - Lucille Ball in a dramatic role, opposite George Sanders, and with Charles Coburn and Boris Karloff in supporting roles. I wasn't disappointed. It's a nice mystery/drama where a serial killer in London finds his victims through personal ads, and then boasts about it to the police with poetry reminiscent of Charles Baudelaire. Ball plays an American working in a dancehall who begins working undercover for the police when one of her friends becomes a victim. That bit is a little contrived, but I liked her pluckiness and how she stands up to a variety of creepy male behavior (in the dancehall, various ogling, and with some of the men she meets via the personal ads). There are some standard tropes - Ball's extraordinary powers of observation, Coburn being the distinguished sleuth who engages in a cat and mouse game with the criminal, etc - but the script is intelligent and has some interesting turns. Just don't go into it with the expectation that it's film noir, and enjoy the performances.
Great, atmospheric tale of a struggling chorus girl (Lucille Ball)who is used as bait by London police to catch a serial killer who preys on women through newspaper personal advertisements.
Douglas Sirk is the Director of the Moment due to the release of the superb Far from Heaven -a remake of Sirk's All That Heaven Allows- and his films are now being rented and talked about as if they never existed. This film is a beautiful showcase for the almost larger-than-life characters, incredibly detailed sets, and use of lighting that would become trademarks for his later films.
Lucille Ball makes a great 'dame' and her dramatic abilities were sensational. Boris Karloff takes his one scene and plays it to the creepy hilt while George Sanders was a rather cool and sexy guy before he sealed his film fate as Addison DeWitt in All About Eve.
Lured maybe hard to find in most video stores but give it a chance if you come across it.
Douglas Sirk is the Director of the Moment due to the release of the superb Far from Heaven -a remake of Sirk's All That Heaven Allows- and his films are now being rented and talked about as if they never existed. This film is a beautiful showcase for the almost larger-than-life characters, incredibly detailed sets, and use of lighting that would become trademarks for his later films.
Lucille Ball makes a great 'dame' and her dramatic abilities were sensational. Boris Karloff takes his one scene and plays it to the creepy hilt while George Sanders was a rather cool and sexy guy before he sealed his film fate as Addison DeWitt in All About Eve.
Lured maybe hard to find in most video stores but give it a chance if you come across it.
For those of you who only know Ms. Ball as the "dizzy redhead" in the 50's sitcoms, you're in for a TREAT!
Before making the above, she was in many films -- Marx Brothers, The "Annabel" series, and this great film.
Backed by a solid cast (Zucco, Sanders, Karloff, Napier, Coburn), she acts as the "bait" to lure a London killer out of hiding.
Even tho (at least to ME) it was obvious who the killer is, it is fascinating watching her in a non-comedy role! And, she certainly was lovely!
If you get a chance to see this, DO SO! You won't be disappointed! It's a shame that she didn't make more films in this genre.
Before making the above, she was in many films -- Marx Brothers, The "Annabel" series, and this great film.
Backed by a solid cast (Zucco, Sanders, Karloff, Napier, Coburn), she acts as the "bait" to lure a London killer out of hiding.
Even tho (at least to ME) it was obvious who the killer is, it is fascinating watching her in a non-comedy role! And, she certainly was lovely!
If you get a chance to see this, DO SO! You won't be disappointed! It's a shame that she didn't make more films in this genre.
Another noir film starring of all people Lucille Ball. A serial killer is on the loose in England who uses the personals column to lure his victims. Ball, who is an ex-pat in Blighty working as a dancehall companion, has a friend who goes missing so while giving her account to the local constabulary, the chief investigator strikes upon an idea to have Ball go undercover to see if the killer can be caught. Directed by the future king of the 50's melodramas Douglas Sirk, he manages to make a light noir feel fun & engaging w/o the prerequisite baggage which usually comes w/this sort of material. Aiding Ball admirably are the supporting cast of actors which includes George Sanders, Charles Coburn, Cedric Hardwicke & a scene stealer from Frankenstein himself, Boris Karloff.
As an user has pointed out,"lured" is the remake of Robert Siodmak's movie "Pièges" (1939) starring Marie Dea (Lucille Ball's part),Maurice Chevalier (Sanders' part) ,Erich Von Stroheim (Karloff's) and Pierre Renoir (Cedric Hardwicke's) Both versions are good.If ,like me,you've seen Siodmak's version first ,you'll probably find Sirk's work less interesting and vice versa . The differences between the treatments are minimal.
-George Sanders is a better choice than Maurice Chevalier ,cause we do believe he might be a serial killer,which is difficult with the French chanteur.
-On the other hand the scene featuring Boris Karloff is weaker than its French equivalent where Stroheim was more disturbing.
-In both movies,the weakest link is the part of the story where the heroine is a servant in a shady house.
-George Sanders is a better choice than Maurice Chevalier ,cause we do believe he might be a serial killer,which is difficult with the French chanteur.
-On the other hand the scene featuring Boris Karloff is weaker than its French equivalent where Stroheim was more disturbing.
-In both movies,the weakest link is the part of the story where the heroine is a servant in a shady house.
Did you know
- TriviaThe title was changed to "Personal Column" midway through the original U.S. theatrical release because staff at the Production Code Administration thought the word "lured" sounded too much like "lurid". Director Douglas Sirk felt the title change confused potential audiences and led to the film's box-office failure.
- GoofsSandra's British Scotland Yard ID describes her eye and hair colors. They are referenced as "color", which is the American spelling, instead of the British spelling, "colour".
- Quotes
Sandra Carpenter: What is it tonight? A sweepstakes for zombies? I hope you two will be very happy.
- Crazy creditsOpening credits: a flashlight pans along the side of a building, and the credits are written on the side of the wall.
- ConnectionsFeatured in Vampira Returns: Lured 1947 (1956)
- How long is Lured?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Poesia en el crimen
- Filming locations
- Piccadilly Circus, Piccadilly, London, England, UK(opening establishing shots - archive footage)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $700,000
- Runtime
- 1h 42m(102 min)
- Color
- Aspect ratio
- 1.37 : 1
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