The Macomber Affair

This Zoltan Korda adaptation of Hemingway's bitter tale of big game hunting and marital infidelity is the best movie adaptation of this author's work I have ever seen. Only Gregory Peck seems miscast in what is basically a Trevor Howard part, but this doesn't bring the movie down, it merely limits it. As the superficially charming, boyish, gregarious and basically not very nice Macomber, Robert Preston is brilliant, and he gives a daring, emotionally open performance. Joan Bennett is good as his wife, better than Peck but not perfect casting, either. What makes the movie work is its nasty story, and Casey Robinson's excellent and correct interpretation of it. The Hemingway mood, macho and misogynist, and misanthropic more than anything else, is caught to such perfection one might almost suspect that he was technical adviser (he wasn't). British East Africa is given the Tarzan treatment on screen, typical of the forties but for some difficult to take now. I find that it works, as Tarzan and Hemingway weren't a million miles apart in temperament and values, though I imagine that Tarzan was nicer fellow to get along with.

Based on a Hemingway short story. And Hemingway knew how to craft stories that epitomized realms of male supremacy. His world was one of combat, African safaris, bull rings… all the places where "real men" constantly had to prove masculine courage. Women were an accessory… the old "Can't live with them, Can't live without them" philosophy.

In this movie, all that comes across in spades. Robert Preston is Francis Mocamber, led around by the nose on a chain by his wife Margaret, played by Joan Bennett. They hire great white hunter Robert Wilson, portrayed by Gregory Peck, to guide them on safari. In the Mocamber marriage it's the wife who wears both the pants and the skirt. The trip is no picnic in the jungle but a miserable, forced emotional trek where the two men just get worn out by Margaret's constant authoritarianism and general bitchiness. Tragedy ensues…who woulda guessed it?!

Not much more to be said. If you subscribe to the Hemingway universe, this movie is for you.

I did not read the short story, so i can only go by what i saw and heard in the movie. It is possible I missed some dialogue along the way that would tell me how long this couple ( Bennett and Preston ) were on the safari, for Peck's character to fall in love with Bennett, who showed a side of contempt of her husband in front of him...now that really should turn a man on, right? The leads do well in their parts, but it was Bennett that surprised me...she was really a 'bitch' as they say. I couldn't see her in this role as her usual natural Blond, but since her transformation of the Hedy Lamarr look ( she dyed her hair black ) cause she was enamored of the Hedy face, as millions of others had at that time, her career got a boost. That said, and the ambiguous ending made an interesting hour and a half for me.

Taking into account the shortcomings of the period: rear projection and non location filming this is a solid adventure film. Really a three person chamber piece the success or failure of the film rests on the performances of its leads and there it's on solid ground. Both Peck and Preston do good work but the standout is the under-appreciated Joan Bennett. Always at her best as a conflicted character here as a woman turned into a hard article by a bad marriage though subtle gestures and sly looks she gives the film a tough grounded center and she has rarely looked so beautiful. Not having read the book I'm not sure how closely it follows but the film does have a Hemingway feel.

THE MACOMBER AFFAIR has to be rated a success for the mere fact that it finally brings a Hemingway story to the screen pretty much intact and the way he wrote it. GREGORY PECK may not be the perfect choice to play the guide escorting a quarrelsome JOAN BENNETT and ROBERT PRESTON on a safari, but he acquits himself well enough in the role.

I found it a lot more satisfying than the later SNOWS OF KILIMINJARO in which Peck again was cast in the lead as a Hemingway white hunter in Africa. Although that film had the advantage of Technicolor and more expensive trappings, THE MACOMBER AFFAIR achieves more of an edge by being photographed in somber B&W, even though some of the stock footage and backgrounds are obviously studio shots.

Bennett is fascinating as the woman full of scorn for her husband and gradually showing her interest in Peck while Preston's resentment begins to turn paranoid. Miklos Rozsa's score gives it a film noir feeling despite the jungle setting--and it becomes a war of nerves before the satisfying conclusion.

Well worth watching for some interesting performances.