IMDb RATING
7.2/10
3.9K
YOUR RATING
The secretary of an affably suave radio mystery host mysteriously commits suicide after his wealthy young niece disappears.The secretary of an affably suave radio mystery host mysteriously commits suicide after his wealthy young niece disappears.The secretary of an affably suave radio mystery host mysteriously commits suicide after his wealthy young niece disappears.
- Director
- Writers
- Stars
- Awards
- 1 win total
Ted North
- Steven Francis Howard
- (as Michael North)
Charles Horvath
- Cab Driver
- (unconfirmed)
Jean Andren
- Bride's Mother
- (uncredited)
Mary Bayless
- Party Guest
- (uncredited)
Brooks Benedict
- Party Guest
- (uncredited)
Edward Biby
- Radio Program Coordinator
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I liked this bit of film noir. The story is a bit confusing and it lacks a solid foundation for introducing and developing characters. Unlike most films, this film might have been over edited. Another 10-15 minutes of character development might have helped.
Now having said all that, what I truly liked about this film is that it is set during the golden age of radio. Its nice to have a contemporary view of this now lost and long forgotten world. We get to see a production of an "old time radio" program. We see how sound was recorded before taping became practical. Claude Rains' character is a narrator of a spooky, murder mystery radio show very much along the lines of popular radio programs such as "The Whistler" or "Suspense" or "Lights Out." Rains was perfectly cast in this role. His "radio voice" hearkens back to the day when "the Man in Black" or "the Whistler" kept millions of Americans entranced by the glowing dial in their darkened den or bedroom.
Now having said all that, what I truly liked about this film is that it is set during the golden age of radio. Its nice to have a contemporary view of this now lost and long forgotten world. We get to see a production of an "old time radio" program. We see how sound was recorded before taping became practical. Claude Rains' character is a narrator of a spooky, murder mystery radio show very much along the lines of popular radio programs such as "The Whistler" or "Suspense" or "Lights Out." Rains was perfectly cast in this role. His "radio voice" hearkens back to the day when "the Man in Black" or "the Whistler" kept millions of Americans entranced by the glowing dial in their darkened den or bedroom.
Nice atmospheric thriller with excellent black and white photography and with chilling use of shadows! The film is inspired by both "Rebecca" and "Laura", and maybe "Suspicion" i suspect... The murderer is obvious but it is still entertaining with a good script!
Loveley performances by Hollywood pros like Claude Rains, Constance Bennet and the underrated Audrey Totter always worth seeing!
This was my first Joan Caulfield movie, apparently a starlet at the end of the 40s, a good actress but a bit forgettable. I love these film noirs from the golden age of Hollywood. Golden age of filmmaking, actually...
Loveley performances by Hollywood pros like Claude Rains, Constance Bennet and the underrated Audrey Totter always worth seeing!
This was my first Joan Caulfield movie, apparently a starlet at the end of the 40s, a good actress but a bit forgettable. I love these film noirs from the golden age of Hollywood. Golden age of filmmaking, actually...
One of the fine mystery thrillers from 40's and near the top of the film noir lists. The Unsuspected is a showcase for one of Hollywood's real accomplished actors of that era, Claude Rains. Though more widely remembered for "Casablanca", "Notorius", and "Mr. Skeffington," Rains gets to show off his versatility in a starring role. As the charming but malevolent lead, Rains comes up with a very professional turn as the respected radio announcer and suspect. Pairing with him is a "femme fatale" from that time, Joan Caulfield. The bosomy, sexy blonde is more convincing here than in the light comedies she played during her career. This film dates well and will keep your interest. It's one I would like to see once more. Any readers know where a VCR copy can be purchased?
Bravo, TCM, for showing this. I haven't seen it since I was in my teens thirty years ago. It is similar but in many ways superior to Laura. The major flaw of Laura is that it is impossible to believe that Clifton Webb has a great, overriding physical passion for Gene Tierney. There is no such nonsense in The Unsuspected. This is a highly atmospheric, evocative and literate noir set in the sophisticated world of radio and literary circles. We have a powerful, understated performance from Rains alternating between the likeable and sinister. He was one of the very few actors who could pull this kind of thing off (i.e. Notorious, Deception).I take great exception to a previous comment here about a "throwaway cast." Throwaway? Audrey Totter? Constance Bennett? Hurd Hatfield? The too little seen Fred Clark? Hardly throwaway! Totter's performance is etched in acid and this, with her job in Tension, is the best of this fabulous lady's career! She and Bennett here play both sides of the bitch coin. Totter is the nasty side, Bennett the amusing and brittle side. Both of theses dames bring life to dialogue that even on paper would be smart. If you love Warner Brothers, Rains, Totter, Bennett, or noir in general, this is a tasty treat.
'The Unsuspected's' main attraction was the cast, especially the rarely, if ever, less than great Claude Rains who is reason enough to watch any film on his own. Also the director Michael Curtiz, responsible for directing two of my favourite films 'The Adventures of Robin Hood' and particularly 'Casablanca'.
Loved 'The Unsuspected's' concept, the sort of film that has always been right up my alley, and it looked like it would be a little gem. Although it was not quite a gem, 'The Unsuspected' has a lot going for it and is a very good film sadly undervalued today, it deserves much more than relatively unknown status. It could have been better, but it is far from a waste of potential and the things that made me watch it in the first place don't disappoint.
It's not perfect. It does try to do too much in the plot, meaning that some parts are over-stuffed and convoluted. This sometimes hurts the plausibility.
Joan Caulfield also seemed a little bland to me in a slightly colourless role, but that is partly down to that the rest of the cast are stronger and their characters more interesting.
Especially true to this are Rains, who is as commanding and urbane as ever, and Audrey Totter on deliciously acidic form. Constance Bennett has the right touch of brittle and it was interesting to see Hurd Hatfield.
Curtiz directs with ease and control, never letting the pace let up, so the film is never dull and always absorbing despite some story flaws, and with great direction of the actors. It is a lavish-looking film and is rich in atmosphere and evocative mood. The action sequences are deft, especially the climax, the noir-ish suspense is nail-biting and the workings of radio aspects are very insightful. The script is always clever and literate, which is a big plus.
All in all, very good but could have been great. 7/10 Bethany Cox
Loved 'The Unsuspected's' concept, the sort of film that has always been right up my alley, and it looked like it would be a little gem. Although it was not quite a gem, 'The Unsuspected' has a lot going for it and is a very good film sadly undervalued today, it deserves much more than relatively unknown status. It could have been better, but it is far from a waste of potential and the things that made me watch it in the first place don't disappoint.
It's not perfect. It does try to do too much in the plot, meaning that some parts are over-stuffed and convoluted. This sometimes hurts the plausibility.
Joan Caulfield also seemed a little bland to me in a slightly colourless role, but that is partly down to that the rest of the cast are stronger and their characters more interesting.
Especially true to this are Rains, who is as commanding and urbane as ever, and Audrey Totter on deliciously acidic form. Constance Bennett has the right touch of brittle and it was interesting to see Hurd Hatfield.
Curtiz directs with ease and control, never letting the pace let up, so the film is never dull and always absorbing despite some story flaws, and with great direction of the actors. It is a lavish-looking film and is rich in atmosphere and evocative mood. The action sequences are deft, especially the climax, the noir-ish suspense is nail-biting and the workings of radio aspects are very insightful. The script is always clever and literate, which is a big plus.
All in all, very good but could have been great. 7/10 Bethany Cox
Did you know
- TriviaThe radio station call letters, WMCB, were created by inserting Michael Curtiz's initials into those of Warner Bros.
- GoofsAs in so many run-away, car-without-brakes scenes of the 1930's & 1940's every driver "forgets" that the automobile has an ignition that can be turned off with the key. It can also be down-shifted to further slow the careening car.
- Quotes
Jane Moynihan: After slaving all day over a hot typewriter, there's nothing I like better than a swan dive into a bottle of bourbon.
- Crazy creditsOpening titles and closing credits are typed in a bound manuscript, and gloved hands can be seen flipping the pages. This is a nod to the scripts that Grandison writes for his radio show.
- ConnectionsReferences The Picture of Dorian Gray (1945)
- How long is The Unsuspected?Powered by Alexa
Details
- Runtime
- 1h 43m(103 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content