The Voice of the Turtle

With snow falling softly over a back-lot Manhattan, and a French boîte where a Benedictine bottle holds the shade for a table lamp, how can anybody resist The Voice of the Turtle (Irving Rapper's adaptation of the John Van Druten stage hit, reissued as One for the Book)? It's a bit of romantic fluff set on the home front during the Second World War that somehow survives into the new millennium with much of its artifice and most of its charm intact.

Circumstances throw together struggling young actress Eleanor Parker, on the rebound, and furloughed serviceman Ronald Reagan, who has just been daintily dumped by Eve Arden. Since hotel rooms are hard to come by on rainy nights in wartime, Reagan ends up spending the night on a studio bed in Parker's apartment. And the inevitable happens – they fall in love.

That's just about all there is to it, allowing for some excursions into the New York theater world. But the cast, none of whom was on Hollywood's A-list at the time, gives it their best. This was the sort of amiable, easy-going role that Reagan played best, from the movies to the White House. Parker (in a dreadful hairdo) seems a little tense in the ditzy part of an ingenue with a slight obsessive-compulsive disorder, but ultimately she wins us over. Best of all is Arden, for once not a vinegar virgin but a high-fashion woman-about-town who's possessive about the multiple men in her life only when she's about to lose them. All told, The Voice of the Turtle is a somewhat faded sachet that brings back nostalgic memories of a 1940s Manhattan that probably never existed – but makes it fun to daydream that maybe once it did.

I find The Voice of the Turtle (One For the Book) to be one of the most endearing movies of all time, perhaps even more so than The Petrified Forest with young Bette Davis. Despite its colorless and unimaginative title, I find it most exhilarating for at least two reasons: 1. Eleanor Parker's charmingly seductive role constantly reminds one of a playful kitten forever running around after a ball of wool. 2. The excellent humorous scenes and dialogues continue unabated throughout the movie to the very end. I shall never get tired of watching this movie again and again.

John Van Druten opens up his play in brilliant fashion for the screen by introducing a number of interesting characters. The film is romantic comedy at its best and it is shameful that this charming movie is not on tape or DVD and is not better known. Ronald Reagan is at his affable best and Eve Arden excels as always; the supporting cast includes Wayne Morris (in real life a true war hero), Kent Smith and John Emory. The real delight, however, is the performance of Eleanor Parker. To put it simply, she is completely captivating! Doug McClelland, in his book ELEANOR PARKER:WOMAN OF A THOUSAND FACES, is right on target when he comments on her versatility and her dazzling range as an actress of unsurpassed gifts. VOICE OF THE TURTLE is a complete delight no matter how many times it is viewed.

this comment is being written on June 11, 2004--in which the nation pays homage to Ronald Reagen, who died six days ago. The post office and government buildings are closed, flags are at half mast, and the media are playing and replaying footage of Mr. Reagen.

Turner Classic Movies offers its tribute: a 1947 film that starred Reagen, first released as "The Voice of the Turtle" (original play title) then re-released as "One for the Book." Neither title really did much for the movie.

However, the film itself contains one of Reagen's best performances, right there with his impressive dramatic turn in "King's Row." In this case, the role calls for a pretty light hearted chap--a service man--and one who isn't particularly gifted in any area and doesn't make any bones about it.

It's a good role for Ronnie, and with the support of the enormously talented Eleanor Parker as love interest--and the always spiffy work of comedienne Eve Arden--Reagen manages to come out looking quite well.

Yet who would have thought, watching this film, that an entire nation would be declaring a day in his honor? Goes to show, one shouldn't underestimate the potential power of actors, especially those who manage to stick to "nice guy" roles throughout their career.

Irving Rapper directs this fluffy romantic farce with flair, and the viewer's rewarded with a most amusing diversion.

Irving Rapper's 1947 wartime comedy 'One For the Book,' is based on John Van Druten's Broadway play, 'The Voice of the Turtle.'

Eleanor Parker plays a young, struggling NY stage actress who's been disappointed with love, but agrees to go out with a soldier on leave (Ronald Reagan) after he's stood up by her friend (Eve Arden). They spend the weekend together and fall in love.

I don't think there was a prettier girl in all the movies then Eleanor Parker, who also had one of the loveliest speaking voices, so distinct and individual. On top of that, she's a marvelous screen actress, and this is one of her best early films, in Margaret Sullavan's famous stage role. (She even wears Sullavan's hairstyle with her trademark bangs.) Though she's usually at her best playing strong, domineering women, she's very charming in this entertaining romantic comedy.

Ronald Reagan, too, had one of his better film roles, and working with Parker brought out the best in him. With the exception of his dramatic role in 'Kings Row,' he's rarely this appealing, and his love scenes with lovely Eleanor are very romantic.

And Eve Arden is terrific as always as Parker's man-chasing friend.

A very bright, enjoyable romantic comedy, well directed and acted.