A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.
- Directors
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Charles Philip Moore
- Self
- (as Chuck Moore)
Melissa Moore
- Self
- (as Melissa Ann Moore)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I caught this documentary by chance, and it was an eyeopener into the world of B-Movies. This genre being nothing more than filmsy scripts, mediocre acting, and of course the all important sex(nudity,and all that encompasses) and violence. Some may say that how is that different from a Hollywood movie. I would argue mainly that it is the budget that is different. But apart from that this documentary looks at how hard it is for women particularly to move from the world of showing their body to actual decent to good acting in the mainstream cinema. Anyone who sees it, will think twice when viewing these movies.
Director's look at the B-Movie industry is thought-provoking, at its best, but spends a good deal more time with her own interpretations of her experience than really trying to show us what the industry is like.
Odette Springer is in many ways embarrassed about her involvement in the industry, and attempts to explain both her attraction to such work and the involvement of people in the industry in terms of personal weakness.
A great deal of time is spent making the argument that women are 1) discriminated against based on looks 2) intentionally kept out of good roles and 3) only like the industry if they are mentally disturbed.
This documentary (which watches like a TV movie for Lifetime TV) really, really begs some questions, such as: Did any of the "exploited" women portrayed take any acting classes? Did any of these women explore other, more "tasteful" options like dinner theater?
The underlying, unquestioned premise here is that "Any woman should be able to get tasteful roles which do not require nudity in 'A' grade films." Had the director worked on questioning this a bit (by interviewing women with acting ability or in live theater), this would be a 7. Without ever explaining or questioning that, it is a 5.
Odette Springer is in many ways embarrassed about her involvement in the industry, and attempts to explain both her attraction to such work and the involvement of people in the industry in terms of personal weakness.
A great deal of time is spent making the argument that women are 1) discriminated against based on looks 2) intentionally kept out of good roles and 3) only like the industry if they are mentally disturbed.
This documentary (which watches like a TV movie for Lifetime TV) really, really begs some questions, such as: Did any of the "exploited" women portrayed take any acting classes? Did any of these women explore other, more "tasteful" options like dinner theater?
The underlying, unquestioned premise here is that "Any woman should be able to get tasteful roles which do not require nudity in 'A' grade films." Had the director worked on questioning this a bit (by interviewing women with acting ability or in live theater), this would be a 7. Without ever explaining or questioning that, it is a 5.
When i saw this documentary some time ago, i found it really irritating. It is in many parts Odette Springer's annoying tribute to Odette Springer with it's to many "i'm-a-extremely-fantastic-and-talented-person-but-nobody-understands-it" scenes. What makes it more annoying is that Springer looks down on the people she wants to depict (Except Maria Ford who is "a-extremely-fantastic-and-talented-person-but-nobody-understands-it".) and sometimes steps on them. It is also filled with faked documentary scenes like the ridiculous scene where Springer looks at a violent video and gets "excited" what leads us to the scene that gave me a bade taste in my mouth- in the end of the movie tries Odette Springer to find a reason to why she got "excited" when she saw the violent video and from the clear blue sky the truth falls over her (and the poor audience)- all of a sudden she remembers that she was subjected to sexual abuse by her grand parents. What makes me feel bad about that scene is that she don't presents any real evidence and that the grand parents both are dead so they don't have any chance to defend themselves from the accusation.
Hack directors/producers like Jim Wynorski, Dave DeCoteau, and Fred Olen Ray have long been guilty of substituting bare breasts for skilled or even competent filmmaking. And the women who own these breasts, either naturally or through silicone enhancement, are no less guilty. Are these women exploited? Yes, probably, but so are the male viewers who waste their money and their Friday nights watching this crap rather than developing relationships with real women. And while Wynorski, Olen Ray et. al. may be laughing all the way to the bank, they're no more likely to win an Academy Award than actresses like Maria Ford. They're equally trapped in a soul-less industry that exploits their dubious talents. But while this documentary preaches about the exploitation of women it nevertheless contains rampant female nudity and appeals to the sort of male viewer who will watch it with the sound down and/or one hand on the fast forward button. It is truly a sad state of affairs that low-budget filmmaking today has become almost completely synonymous with softcore porn, but this hypocritical doc. does little to remedy that situation. I was particularly offended with the way the documentary (or at least some of the interviewees)seems to equate horror/exploitation movies with snuff and sexual sadism. The truth is the"erotic thriller" is the domain of people who don't have the talent to make horror movies yet are a tad too respectable for hardcore "adult" industry. And the less said of the co-director's tastelessly self-indulgent revelations of child sexual abuse the better. Why can't all these self-loathing industry types just find another line of work?
Some Nudity Required is one of those documentaries that reveal as much as the person trying to create the documentary as it does the subject. What does it reveal about B movies? Odette Springer's focus is definitely negative about the industry, but it's the words of the B-movie mavens that do the most damage, revealing the rampant and violent mysogyny prevalent among makers of B movies. What does it reveal about Odette? A lot...and proves she has a lot that she has a lot that she wants to let out.
The story of Maria Ford was also telling, and another great reason to see the movie.
The story of Maria Ford was also telling, and another great reason to see the movie.
Did you know
- TriviaIn interviews, Odette Springer said that while working on the documentary, she realized the true nature of the business' alarming fascination. It was not until she was well into production that she realized her excursion into this "over-the-top world that Fellini couldn't have made up" was taking a personal toll. Compiling the clips, she found herself inexplicably obsessed with and aroused by the very images she considered violent and degrading. "First, I was irate at some of this stuff," she said. "I watched these movies and I hated them. But my body was telling me something different. I didn't realize I had such a shadow side to my own sexuality. I found myself getting turned on, and it horrified me." The clips also awakened long-suppressed memories of being sexually molested as a child, the pleasure of being touched coupled with the fear of being controlled by adults. This connection is made clear in the movie by home movie footage of her as a young girl cavorting about naked. The irony was not lost on Springer that movies she considered damaging helped her to grow and "become stronger." "That's a very confusing thing," she said. "This is the last place I would have looked for healing, believe me."
- ConnectionsFeatures The She-Creature (1956)
- How long is Some Nudity Required?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Hollywood avklätt
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,853
- Opening weekend US & Canada
- $3,082
- Oct 18, 1998
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