Trapped Alive

I give this film a 7 only as an enjoyably bad movie - so it gets that score for being cheesy and fun. To its credit, you never know what is going to happen next - it seems like five screenplays were thrown into a blender and they filmed that. Escaped prisoners, two innocent girls driving home late at night, abandoned mines, sleazy cops, cannibal miners, a little gore, ta-da! We laughed and enjoyed how bad it was. Everything you would want in a 80's horror/action movie. Veteran actor Cameron Mitchell (who was on Broadway in the original cast of Death Of A Salesman and then became an International B-movie actor) plays a worried father of one of the kidnapped girls but he's hardly in it. He must of had a mortgage payment due. Check out this bizarre cheesefest. You Will Be Trapped & Entertained!

I first saw this in the late 90s on a vhs. Revisited it recently aft reading Ba_harrison's hilarious review. This movie is indeed unintentionally funny. The old geezer's/monster's white hair, the girl's out dated undergarments, the end speech and Mongo's face n guts. On a snowy Christmas nite, three convicts break outta prison n they carjack taking two women as hostages but things turn ugly when the car plummets down a mine shaft, trapping all the five fellas down. Well, like they say outta the frying pan into the fire. Unknown to em, an ol Alexander Pearce with snowy hair has been inhabiting the mine. The film lacks tension n the twist is very predictable. The kills r very few n nothing gory, except for the offscreen one. I thot that Mongo the Rubeus Hagrid lookalike will put up some fight man. Cameron Mitchell is totally wasted.

The most frustrating thing about this film is that it had all the right pieces to be so much better. A creepy abandoned mine setting, a deformed cannibal hunting unsuspecting victims... but we end up with maybe five minutes of that promised premise at the most, with the film wasting 95% of its run time on multiple storylines of unrelated, unentertaining drama. It could have been up there as a classic, memorable slasher, had it done away with all the unnecessary filler in favour of bloody kills and more cannibal action, but unfortunately we're just left with a brief taste of what could have been in the end. The acting and production value are decent enough at least, but those things are wasted on a film as boring as this.

The 80s have spawned countless low-budget slashers, and many of them are so terrible that you wonder how anyone even considered investing money in them. When you then bump into a late 80s slasher that apparently remained on the shelf until the 90s before it was released, you are even more wary. Is this slasher so disastrous that producers thought it was too bad to release even in the 80s?

"Trapped Alive" is one of them, but I can immediately reassure everyone: it is not worse than your average 80s slasher, and certainly not after the splendid restoration for BluRay. Of course, it's not good, either. The plot is about two beautiful young ladies who want to go out on Christmas Eve but are taken hostage by three escaped and very dangerous convicts. By avoiding a roadblock, they get stuck in an old abandoned mine, which turns out to be inhabited by a bewildered and cannibalistic monstrosity Talk about bad luck, right?

The script is full of annoying clichés. One of the gangsters - a pretty boy - is actually kind-hearted, the owner of the mine is all too aware of the presence of the creature, the inevitable Stockholm syndrome plot twist, etc. Of course, it also takes way too long before we get to see the monster, BUT ... He is worth the wait! "Trapped Alive" contains quite a bit of unsavory gore and a few wonderfully absurd dialogues. To make the film a bit more appealing, there's a touch of nudity, and the presence of genre veteran Cameron Mitchell (although his scenes are the dullest and most redundant ones). Certainly not mandatory viewing, but worthwhile for slasher fans.

Three convicts escape from a maximum security prison on Christmas eve, and hijack a vehicle on a snowbound backwoods road holding the two women hostage. In trying to avoid a roadblock, they go off road and crash through a rotting cover over an old mine shaft. The survivors now find themselves trapped in a maze of old tunnels, but soon realise they might not be alone. Meanwhile a local deputy sheriff is on their trail.

I don't know what to say... this is an odd genre film trying to balance a whole range of genre elements. I kind of like it, yet still felt somewhat disappointed. There's something there, but I don't think it fully taps into it and the lack of a budget adds to it. It's schlock material, but it doesn't entirely act like it. Well, not exuberantly so... with the exception of one character sub-plot. Story starts off straightforward with quite a long-winded setup, where the acting, and dialogues are ham-fisted in their serious delivery. For the first hour you got deal with a lot of it. Plenty of predictable character arches, and restless friction between unwanted company in the caves to move the story forward, but when the underground cannibal hermit (a wrinkly old man with scraggy white hair and a beard) makes himself known to the group. It sort picks up the pace, the dark is no longer playing tricks and what develops is downright nonsensical and unhinged, especially the events surrounding the mysterious women that lives nearby and the cartoonish nature of her inclusion. There are a couple eerie, and unpleasant jolts with decent looking make-up FX... just not enough when it came to shove.

One thing though that had me bug-eyed, and probably the most effective horror moments are the scenes where a mechanical claw (like out of a plush toys machine?!), would come down and clamp down on his meals. Quite a pro too, as it only took him one go each time.

For star power Cameron Mitchell sleeps through his tiny part, where he spends a good part of his role literally doing just that, and when not rolling around in bed, there's a Christmas party to host at the beginning, or talking on the telephone in his best attempt to look worried about his missing daughter. Oh, he wasn't even trying. Go back to sleep Cameron.