A mysterious killer known as The Fiend uses an unusual bullet as his trademark for his murders.A mysterious killer known as The Fiend uses an unusual bullet as his trademark for his murders.A mysterious killer known as The Fiend uses an unusual bullet as his trademark for his murders.
John Cowell
- Wilson
- (as Jack Cowell)
George Ball
- Ted Wallington - Adagio Dancer
- (uncredited)
Ed Cassidy
- Detective
- (uncredited)
Lane Chandler
- Policeman
- (uncredited)
Eddie Dunn
- Policeman Kelly
- (uncredited)
Olin Francis
- Insurance Investigator
- (uncredited)
Robert F. Hill
- Reporter
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Newspaperman Lloyd Hughes and newspaperwoman June Collyer want to get married, but first they need to track down the Fiend, a hunchback who's been attacking a theatrical company putting on a play by author Lawrence Gray. The fiend poisons people, but takes a break to shoot at Miss Collyer. He keeps hitting other people, who die of poisoning. The two are helped -- if that's the word -- by cameraman/comic relief Al St. John, who seems not to have read the script, but walks around with a vague, wary expression and responds to everything with "So long as you've got your health."
It's a cheap and unengaging piece of tripe, with stars who have long since lost their luster the only draw, just the sort of thing you'd expect from producer Sam Katzman. Director Robert Hill does not require his actors to speak loudly enough to reach the back row of the balcony, for which I credit sound man J.S. Westmoreland.
It's a cheap and unengaging piece of tripe, with stars who have long since lost their luster the only draw, just the sort of thing you'd expect from producer Sam Katzman. Director Robert Hill does not require his actors to speak loudly enough to reach the back row of the balcony, for which I credit sound man J.S. Westmoreland.
A Face in the Fog is a very derivative 1930's mystery movie. We have many of the staples of the genre – a mysterious black cloaked villain, a bubbly and inquisitive female journalist, a cowardly comedy character, a ridiculous murder method, etc etc. So it isn't exactly breaking the mould to say the least. However, it isn't too bad as these films go either. Unlike many mystery movies of the time, this one actually remembers to include some suspenseful moments. OK, it's hardly a white knuckle ride but it does have a reasonable villain and a good enough final confrontation; while the mystery is reasonably diverting enough. And last, and by no means least, it's very short so it never really outstays its welcome. These old Poverty Row films are for the most part extremely limited and lacking, and while this one doesn't entirely break away from that generalisation, it's one of the more entertaining ones.
"A stage company cast finds themselves terrified when a bizarre killer known as 'The Fiend' targets them for death. A pair of reporters and their clumsy photographer set out to work the story of 'The Fiend' and find themselves targets as well. Just as you think our trio of heroes has the case solved, you're thrown another twist that has you wondering who the killer really is," according to the DVD sleeve's synopsis.
Taking "The Hunchback of Notre Dame" to Hollywood, producer Sam Katzman's lack of studio settings probably helps "A Face in the Fog" look interesting, especially toward the end (1930s traffic). The direction could be improved upon; for example, the camera angle on the fight scene is not helpful. The budget appears slight. Under the circumstances, most of the silent/talkie crossover cast perform it amiably.
**** A Face in the Fog (2/1/36) Robert F. Hill ~ Lloyd Hughes, June Collyer, Al St. John
Taking "The Hunchback of Notre Dame" to Hollywood, producer Sam Katzman's lack of studio settings probably helps "A Face in the Fog" look interesting, especially toward the end (1930s traffic). The direction could be improved upon; for example, the camera angle on the fight scene is not helpful. The budget appears slight. Under the circumstances, most of the silent/talkie crossover cast perform it amiably.
**** A Face in the Fog (2/1/36) Robert F. Hill ~ Lloyd Hughes, June Collyer, Al St. John
A Face in the Fog (1936)
** (out of 4)
A masked killer known as The Fiend uses a special bullet that is guaranteed to kill his victim as well as leave his mark. Frank (Lloyd Hughes) and Jean (June Collyer) take an interest in the mystery and decide to track The Fiend down but soon they become a target.
A FACE IN THE FOG is an early producer credit for Sam Katzman who would become one of the most prolific producers in Hollywood. This Poverty Row film is certainly far from bad but at the same time there's really nothing here that sets it apart from the dozens of other "old dark house" type thrillers that were released throughout the decade. While there are a few interesting things here in the end it's pretty forgettable.
Both Collyer and Hughes are decent in their roles and they at least keep the film entertaining. Al St. John, former co-star of Roscoe 'Fatty' Arbuckle, is the comic relief friend but takes away more than he adds. At just a hour the film moves fairly quickly and as I said it's interesting enough to hold your attention. I will say that I liked the look of the killer and the opening sequence is also quite good. Still, A FACE IN THE FOG really doesn't stand out in a crowded field so it's only for die-hards of the genre.
** (out of 4)
A masked killer known as The Fiend uses a special bullet that is guaranteed to kill his victim as well as leave his mark. Frank (Lloyd Hughes) and Jean (June Collyer) take an interest in the mystery and decide to track The Fiend down but soon they become a target.
A FACE IN THE FOG is an early producer credit for Sam Katzman who would become one of the most prolific producers in Hollywood. This Poverty Row film is certainly far from bad but at the same time there's really nothing here that sets it apart from the dozens of other "old dark house" type thrillers that were released throughout the decade. While there are a few interesting things here in the end it's pretty forgettable.
Both Collyer and Hughes are decent in their roles and they at least keep the film entertaining. Al St. John, former co-star of Roscoe 'Fatty' Arbuckle, is the comic relief friend but takes away more than he adds. At just a hour the film moves fairly quickly and as I said it's interesting enough to hold your attention. I will say that I liked the look of the killer and the opening sequence is also quite good. Still, A FACE IN THE FOG really doesn't stand out in a crowded field so it's only for die-hards of the genre.
I've always been a fan of films where the killer is disguised in some way.....usually hunchbacked, a long cloak, a hat pulled down over his face, and a decided limp. That's why i LOVE this film! :)
(Other films with "disfigured murderers" are The Bat Whispers, Miss Pinkerton & the Cat & the Canary).
This film also uses a stock music track that was most noticeably used in "The Clutching Hand" serial...........viewing this film, it's difficult to believe that this film is a LATE 30's entry!!!
A weird-looking killer, known as "The Fiend" is out to murder the members of a Broadway show, with a most unusual weapon (no spoiler here!).
The lites go out, and the person is dead....they've been poisoned, but without a mark on them!
Two newpaper employees try to track 'em down (to get the scoop and the reward money for their honeymoon----they do, of course!).
Despite what the "trivia" says, this film IS NOT "LOST" !!!!!!!!!!!!! I have a copy of it, and i imagine that there are others out there somewhere.
This is a MUST SEE........IF you're lucky enuff to find it!
Norm
(Other films with "disfigured murderers" are The Bat Whispers, Miss Pinkerton & the Cat & the Canary).
This film also uses a stock music track that was most noticeably used in "The Clutching Hand" serial...........viewing this film, it's difficult to believe that this film is a LATE 30's entry!!!
A weird-looking killer, known as "The Fiend" is out to murder the members of a Broadway show, with a most unusual weapon (no spoiler here!).
The lites go out, and the person is dead....they've been poisoned, but without a mark on them!
Two newpaper employees try to track 'em down (to get the scoop and the reward money for their honeymoon----they do, of course!).
Despite what the "trivia" says, this film IS NOT "LOST" !!!!!!!!!!!!! I have a copy of it, and i imagine that there are others out there somewhere.
This is a MUST SEE........IF you're lucky enuff to find it!
Norm
Did you know
- TriviaThis film's earliest documented telecasts took place in Chicago Monday 30 January 1950 on WENR (Channel 7) in Los Angeles Saturday 25 March 1950 on KNBH (Channel 4), in New York City Wednesday 2 August 1950 on WABD (Channel 5), and in Philadelphia Sunday 15 October 1950 on WFIL (Channel 6).
- Quotes
Harrison - Newspaper Editor: The coroner is so confused he almost did a post mortem on himself.
- ConnectionsReferenced in They Came from Beyond - Sam Katzman at Columbia (2023)
Details
- Runtime
- 1h 1m(61 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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