Thirteen Days

Poor Kevin Costner. I get the feeling that he just can't win no matter what he does. He gets slammed for being in films and not using an appropriate accent. Need we look any further than 'Robin Hood: Prince of Thieves'? When he does use an accurate accent, as he does in 'Thirteen Days,' he gets slammed for trying to elevate his game to a playing field dominated by more well liked method actors. I've heard an argument before that he should just stick to making westerns since, allegedly, they're the only films that he does well. Many would immediately argue that 'Wyatt Earp' cancels out 'Dances With Wolves.' I argue instead that people are just too hard on Kevin Costner and 'Thirteen Days' is a very good example of why he deserves a bit of a break.

'Thirteen Days' was the fastest two and a half hours that I've sat through in a long time. The film was absolutely engrossing and very tense. Everyone knows what happens (or should be able to infer it since we'd all be dead right now if things hadn't worked out so well) but the writing and direction deserve great credit. They were able to transfer the tension from the historical situation and bring it to the screen with electricity. I think it works brilliantly well for two main reasons: 1. The viewer may know what is going to happen, but the characters don't. They are stressed, terrified and at the breaking point. One wrong move and the whole world is obliterated. If that isn't good drama, I don't know what is. 2. The film makers very wisely resisted the impulse to try and show things from the Soviet point of view. The strength of the film is the peril of the situation and the terror of not knowing what the other guy is trying to do. By filming from solely an American perspective and keeping both the characters and audience in the dark, this character driven movie excels.

A second brilliant strategy employed by the film makers was in the casting. With the exception of Costner, there are no real stars. Instead there are more reliable, hard-working and chameleon-like character actors. Len Cariou, Dylan Baker, Stephen Culp, and Bruce Greenwood are just a small sampling. Greenwood plays JFK and excellently plays a man desperate for peace but surrounded by calls for swift military action. He sees the bigger picture where others don't, but may not be able to navigate the smaller picture without help. Dylan Baker is a doppelganger and his performance as McNamara is spot on.

Highly recommended.

I'm showing the film now to my history seniors so felt obliged to comment on it. Whilst the film is undeniably gripping as a political thriller, it takes considerable liberties with historical facts, thereby compromising its value as an educational resource on this critical period in Cold War history.

One of the most glaring inaccuracies in the film is the exaggerated role of Kenneth O'Donnell, played by Kevin Costner. O'Donnell, who was a special assistant to President Kennedy, is portrayed as an influential figure in the crisis, often present in high-level meetings and even influencing the President's decisions. In reality, O'Donnell was not a key player in the crisis management and was largely uninvolved in the ExComm meetings, which were attended by experts in foreign policy and military strategy. The film's focus on O'Donnell seems to be a deliberate attempt to create a relatable character for the audience, but it distorts the historical record and minimises the roles of pivotal figures like Secretary of Defence Robert McNamara and Secretary of State Dean Rusk.

Another point of contention is the film's portrayal of President Kennedy, played by Bruce Greenwood. While the film does capture Kennedy's calm and rational demeanor, it fails to delve into the complexities of his decision-making process. The President is shown as almost unilaterally steering the United States away from military action, whereas, in reality, he was under immense pressure from his military advisors to authorize an airstrike against Soviet missile sites in Cuba. The film simplifies the intricate discussions and debates that took place among the ExComm members, reducing them to a binary choice between war and peace.

Furthermore, the Soviet perspective is conspicuously absent from the narrative. The film does not delve into the motivations of Soviet Premier Nikita Khrushchev or explore the geopolitical considerations that led the Soviet Union to place missiles in Cuba. This omission perpetuates a one-sided view of the crisis and fails to provide a nuanced understanding of the complex interplay of factors that averted a nuclear catastrophe.

The film also glosses over the role of backchannel communications between the United States and the Soviet Union, which were crucial in resolving the crisis. The secret correspondence between Attorney General Robert Kennedy and Soviet Ambassador Anatoly Dobrynin played a significant role in reaching a peaceful resolution, yet this is scarcely mentioned in the film.

So whilst "Thirteen Days" succeeds as a suspenseful dramatisation of a critical moment in history, it falls short as an accurate representation of the events it depicts. The film takes liberties with historical facts, exaggerates the roles of certain individuals, and omits key aspects of the crisis, thereby providing a skewed understanding of the Cuban Missile Crisis. As such, it should be viewed as a piece of historical fiction rather than a reliable educational resource.

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The fact of JFK's assassination, and especially the highly mysterious circumstances surrounding it, has resulted in a very distinct historical niche being carved around him. However, the majority of written examinations have concerned his assassination. The man's presidency, short though it was, was fraught with fascinating events and, both in literature and in film, they remain frustratingly under-examined. Which is why "Thirteen Days" is such a treat.

What the film essentially does is offer us a clearly partly-fictionalised but fairly true to the events account of the thirteen days of the Cuban Missile Crisis in 1962. It's a fascinating close-up on a fascinating man, who might have been a truly great president if he had gotten a proper chance. Of course, the filmic portrayal of JFK may be just a tad overly sympathetic, and the treatment of the military a tad overly harsh, and the importance of Kenny O'Donnell, played by Kevin Costner, is probably exaggerated, but these are minor quibbles. What this film really does is show us just how complicated and multi-faceted was the problem of Russian nuclear missiles being installed in Cuba. Not only did the president have to face the dim and distant threat of a faceless Russian bureaucracy, he had to deal with the multiple and conflicting options constantly being advanced to him, the dangers posed by certain special interests in military and intelligence and the popular opinion of the American people. The repercussions of any number of different courses of action were almost unthinkable. Tilting the hand seemingly in the American favour in one place, say in Cuba, would destabilise another danger zone, such as Berlin. Despite the fact that we all know how the events played out in the end, it can't be denied that this film keeps adding to the tension constantly, occasionally letting off a little and then piling on a whole lot more. It's a wonderful portrayal.

At its core, however, the film is an intelligent study of the ultimately paralysing effects of power, and the stark horror of mutual destruction as made possible by the harnessing of atomic power. The discovery of nuclear fission reactions has forever changed the face of warfare, because there now exists an ultimate solution so terrible it is almost beyond contemplation. In the comparatively safer times in which we now live, it is easy to forget how possible, perhaps even likely, the threat of nuclear war. America was then, and remains now, the most powerful nation on the planet, and yet a single wrong move could have ended all that, and at the cost of millions of innocent lives. Bearing the weight of decisions which could cost so much must have been a horrible burden to Kennedy, and, if nothing else, we should thank our lucky stars that he didn't buckle under the multifarious pressures placed on him. This film is a tribute to reason over hotheadedness, and peace over war. We should not forget the lessons that time has to impart, and if this represents a way to remember, then everyone ought to watch it.

The 1962 Cuban Missile Crisis seen through the eyes of President assistant Kenny O'Donnell (Kevin Costner who hands perfectly the role )as trusted confidante and with significance importance of Robert Kennedy ( Steven Culp who bears remarkable resemblance )and of course President John F . Kennedy ( a solid Bruce Greenwood ) . This interesting film widely develops the Cuban Missile Crisis that was a confrontation between the Soviet Union, Cuba and the United States in October 1962, during the Cold War. The picture is packed with suspense , drama , historical deeds and is quite entertaining . It's correctly based on facts and the few sacrifices of accuracy are realized in the sense of of dramatic license . The motion picture is very well directed by Roger Donaldson who formerly worked with Costner in another suspenseful movie and also plenty of political intrigue titled ¨No way out (87) ¨ .

Adding more details over the widely depicted on the movie the events happened of the following manner : In September 1962, the Cuban and Soviet governments began to surreptitiously build bases in Cuba for a number of medium- and intermediate-range ballistic nuclear missiles (MRBMs and IRBMs) with the ability to strike most of the continental United States. This action was subsequent to the 1958 deployment of Thor IRBMs in the UK and Jupiter IRBMs to Italy and Turkey in 1961; more than 100 U.S.-built missiles having the capability to strike Moscow with nuclear warheads. On October 14, 1962, a United States U-2 photo-reconnaissance plane captured photographic proof of Soviet missile bases under construction in Cuba.The ensuing crisis ranks with the Berlin Blockade as one of the major confrontations of the Cold War and is generally regarded as the moment in which the Cold War came closest to turning into a nuclear conflict .The US President ( Bruce Greenwood) , Attorney General Robert Kennedy (Steven Culp ),State Secretary Robert McNamara ( Dylan Baker ) and his military staff ( Bill Smitrovich , Ed Lauter , James Karen , Len Cariou) and general Curtis LeMay (Kevin Conway ) considered attacking Cuba via air and sea and settled on a "quarantine" of Cuba. The U.S. announced that it would not permit offensive weapons to be delivered to Cuba and demanded that the Soviets dismantle the missile bases already under construction or completed in Cuba and remove all offensive weapons. The Kennedy administration held a slim hope that the Kremlin would agree to their demands, and expected a military confrontation. On the Soviet end, Nikita Khrushchev wrote Kennedy that his quarantine of "navigation in international waters and air space to constitute an act of aggression propelling humankind into the abyss of a world nuclear-missile war." Fidel Castro encouraged Khrushchev to launch a preemptive first-strike nuclear attack on the U.S. The Soviets publicly balked at the U.S. demands, but in secret back-channel communications initiated a proposal to resolve the crisis. The confrontation ended on October 28, 1962 when President John F. Kennedy and United Nations Secretary-General U Thant reached an agreement with Soviet Premier Nikita Khrushchev to dismantle the offensive weapons and return them to the Soviet Union, subject to United Nations verification, in exchange for an agreement by the United States to never invade Cuba. The Soviets removed the missile systems and their support equipment, loading them onto eight Soviet ships from November 5–9. A month later, on December 5 and 6, the Soviet IL-28 bombers were loaded onto three Soviet ships and shipped back to Russia. The quarantine was formally ended previously on November 20, 1962. As a secret part of the agreement, all US-built Thor and Jupiter IRBMs deployed in Europe were deactivated by September 1963.The Cuban Missile Crisis spurred the creation of the Hotline Agreement and the Moscow-Washington hot line, a direct communications link between Moscow and Washington .

In 1962, the world stood on the brink of World War III for "Thirteen Days," a 2000 film starring Kevin Costner, Bruce Greenwood, Steven Culp and Dylan Baker, with direction by Roger Donaldson. The story concerns the "Cuban Missile Crisis," when the U.S. discovered that the Soviets had placed missiles aimed at the U.S. in Cuba.

As someone who remembers the situation well, watching this was a profound experience in more ways than one. A good deal of dialogue was taken from actual Presidential transcripts, which made watching it even more impressive. Looking at it from today's eyes, "Thirteen Days" is a knockout.

Donaldson focuses the film right where it should be - in the White House and in conference rooms, giving us only the subplot of Kenny O'Donnell's family life. For those posters who commented that O'Donnell was perhaps not a real person, yes, he was. It's impossible for me to believe that with a film that goes into so much detail and strove to be so factual, someone thought there was a made-up character. Try Google next time. Ken O'Donnell headed up Kennedy's presidential campaign and was appointed his Special Assistant when Kennedy won the White House. He was the most powerful of the President's advisers.

Several things become clear about the goings-on at the White House in 1962: None of the military leaders thought the Kennedy administration belonged in the White House; if it had been up to the military leaders, the situation would have caused World War III; JFK turned himself into a pretzel in order to pursue a diplomatic solution to the potential conflict. Though discouraged almost at every turn, JFK still would not allow the shooting to begin, pushing instead for an embargo against Cuba.

There is plenty of tension and excitement in this film. One of the best scenes is Commander Eckerd (Christopher Lawford) and his team low-flying over Cuba taking photos, and a U-2 pilot trying to avoid missiles chasing him. But most of the tension and excitement takes place in the meetings as the President and RFK struggle for answers and play for time. The mix is therefore ideal: drama, some aerial excitement, and a little humor as Adlai Stevenson gets the better of the Russians in an OAS meeting.

There's also a look at the reaction of the country - also very accurate. Yes, people piled into church, cleared the grocery shelves of everything, and stocked fallout shelters. We all watched the President on television. In fact, as he talked, my mother thought he was about to declare war. It was a terrifying time.

Kenny O'Donnell's role in all of this may have been somewhat exaggerated to make it a palatable role for Kevin Costner. Costner does okay in the part. Boston accents are very difficult to do without them sounding put on. It's very difficult to do accents in general and make them organic to the character. A few have succeeded: Anne Bancroft in "The Miracle Worker," Paul Newman in "Somebody Up There Likes Me," little Natalie Wood in "Tomorrow is Forever," Travolta in "Saturday Night Fever," and of course there are others. Jane Seymour and Joan Collins can easily pull off being Americans. All British actors can do a southern accent, since the southern accent started off as a British accent. Costner lays it on too thick and it's a distraction. But he certainly isn't bad in the role.

The casting people merely wanted to suggest JFK and RFK. In Steven Culp, they found a young actor with similar features to RFK. He does an effective job, given that it's tough going to portray such a famous person. The most successful in the film is Bruce Greenwood as JFK, who tries to keep the accent from overpowering the dialogue. In the President's television speech, I'm sure he imitated JFK's every single inflection and pause, and it's perfect. His JFK is a listener, very dependent on his brother's advice, and one who takes the burdens of the country on his shoulders like a cross. One of the posters here mentioned something to the effect that "we are led to believe that JFK leaned heavily on his advisors" as if this is a negative. Of course he did. Of course any President does or should. The final decisions belonged to him, and he had to be sure of all of the ramifications. Only an idiot doesn't hear every single opinion of value before he decides to launch World War III.

The camaraderie between RFK, JFK, and O'Donnell is as unmistakable as their arguments and frustrations.

Thirteen months after the Cuban Missile Crisis, JFK would be dead and O'Donnell would be riding behind him in the Secret Service Car. After a particularly tough meeting with the Joint Chiefs of Staff, O'Donnell insists that JFK sit for a minute, and JFK finally does. Worn out and not sleeping well, he laments about being President. "I just thought there would be more good days." In the end, we - and he - would have settled for just MORE days.