A college student suspects a series of bizarre deaths are connected to certain urban legends.A college student suspects a series of bizarre deaths are connected to certain urban legends.A college student suspects a series of bizarre deaths are connected to certain urban legends.
- Awards
- 1 win & 2 nominations total
Vince Corazza
- David Evans
- (as Vince Corrazza)
Balázs Koós
- Nerdy Guy
- (as Balazs Koos)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Like Scream but less self aware
Urban Legend is pretty much like Scream, but a lot less meta and a bit more atmosphere, unfolding as you'd expect it to, with a group of college kids getting killed in bizarre circumstances that all relate to half whispered local myths. One of their professors is Freddy Krueger himself, Robert Englund, and who better to lay down the tongue in cheek groundwork than such a familiar face and expressive, dynamic presence like him. Looking back on this it's fairly shocking how terrific of a cast it has and how it's been mostly forgotten in the annals of slasher archives. Jared Leto, Alicia Witt, Rebecca Gayheart, Joshua Jackson, Tara Reid, Natasha Gregson Warner and Danielle Harris headline as the varied campus rats, with Harris a standout as the obnoxious bitchy goth stereotype, far from her timid Jamie Lloyd in the Halloween films. There's a prologue cameo from horror vet Brad Dourif as well as appearances from Loretta Devine, Julian Richings, Michael Rosenbaum and a priceless John Neville, getting all the best lines as the college's salty Dean. The kills are all done in high 90's style, the story takes a Scream-esque twisty turn in the third act and as far as atmosphere goes, it pretty much outdoes the ol' ghostface franchise. Spooky good time.
Stylish addition to the teen-horror cycle
URBAN LEGEND
Aspect ratio: 2.39:1
Sound formats: Dolby Digital / SDDS
A serial killer descends on a New Hampshire college where he/she kills a number of students in the manner of various urban legends.
History has a habit of repeating itself. In the early 1980's, a series of low budget 'slasher' movies emerged in the wake of HALLOWEEN (1978) and "Friday the 13th" (1980), most of which were condemned as substandard imitators by critics and horror fans alike. The same thing happened in 1996, following the success of Wes Craven's SCREAM, a smug reworking of genre clichés which allowed 'sophisticated' multiplex audiences to indulge an attitude of superiority over those 'crappy' old horror flicks and the 'unsophisticated' viewers who once supported them. The subsequent wave of teenage horror pics were flashy, sexy and ramped to the max, and - true to form - virtually all of them were (ho hum) trashed by critics and horror fans alike. And yet, most of them made a profit, perhaps BECAUSE they were flashier and sexier than those earlier pictures, and because they were designed for a wider demographic than 'mere' horror fans.
Jamie Blanks' URBAN LEGEND is a case in point: Most reviews ran the gamut from harsh dismissal to faint praise, yet the movie is a visual treat, as creepy and atmospheric as any of the films which inspired it. Furthermore, Silvio Horta's unassuming screenplay confounds expectations with its solid narrative arc, recognizable characters and dynamic set-pieces, not to mention a climactic 'reveal' which offers a robust motive for the killer's devastating onslaught. There are a few embarrassing lapses along the way (such as the murder which takes place in full view of heroine Alicia Witt, which she ignores because she thinks it's a couple having sex!), and Horta can't resist a handful of cop-out contrivances (eg. the killer slashes the wrists of a girl known for her depressive tendencies, causing authorities to dismiss her death as suicide, though a routine forensic examination would have revealed the cuts were administered post mortem, AFTER she was strangled to death!), but these occasional blunders are redeemed by the movie's fast-paced editing, neo-Gothic visual scheme and clever plot developments. Blanks orchestrates proceedings with consummate skill, but he refuses to indulge the kind of transgressive gore that once distinguished this downmarket subgenre (where's Tom Savini when you really need him?!).
As expected, the talented young cast - including Jared Leto, Rebecca Gayheart and Tara Reid - is pleasingly photogenic, and there are lengthy appearances by TV favorites Michael Rosenbaum ("Smallville") and Joshua Jackson (watch out for the terrific "Dawson's Creek" gag!). Major co-stars include Robert Englund (Freddy Krueger himself!), John Neville and an uncredited Brad Dourif, who features heavily in a powerful opening sequence where Blanks and Horta pull a major switcheroo on the audience (I'll say no more). Loretta Devine is amusing as the campus security guard who views herself as a modern-day Coffy/Pam Grier (her fantasy is rudely curtailed by a climactic encounter with the rampaging maniac), and there's a brief appearance by Danielle Harris, the former child star of HALLOWEEN 4: THE RETURN OF MICHAEL MYERS (1988) and HALLOWEEN 5 (1989), playing an adult character FAR removed from the angelic poppet of those earlier pictures! Beautiful, fairy-tale score by Christopher Young. Followed by the largely unrelated URBAN LEGENDS: FINAL CUT (2000).
Aspect ratio: 2.39:1
Sound formats: Dolby Digital / SDDS
A serial killer descends on a New Hampshire college where he/she kills a number of students in the manner of various urban legends.
History has a habit of repeating itself. In the early 1980's, a series of low budget 'slasher' movies emerged in the wake of HALLOWEEN (1978) and "Friday the 13th" (1980), most of which were condemned as substandard imitators by critics and horror fans alike. The same thing happened in 1996, following the success of Wes Craven's SCREAM, a smug reworking of genre clichés which allowed 'sophisticated' multiplex audiences to indulge an attitude of superiority over those 'crappy' old horror flicks and the 'unsophisticated' viewers who once supported them. The subsequent wave of teenage horror pics were flashy, sexy and ramped to the max, and - true to form - virtually all of them were (ho hum) trashed by critics and horror fans alike. And yet, most of them made a profit, perhaps BECAUSE they were flashier and sexier than those earlier pictures, and because they were designed for a wider demographic than 'mere' horror fans.
Jamie Blanks' URBAN LEGEND is a case in point: Most reviews ran the gamut from harsh dismissal to faint praise, yet the movie is a visual treat, as creepy and atmospheric as any of the films which inspired it. Furthermore, Silvio Horta's unassuming screenplay confounds expectations with its solid narrative arc, recognizable characters and dynamic set-pieces, not to mention a climactic 'reveal' which offers a robust motive for the killer's devastating onslaught. There are a few embarrassing lapses along the way (such as the murder which takes place in full view of heroine Alicia Witt, which she ignores because she thinks it's a couple having sex!), and Horta can't resist a handful of cop-out contrivances (eg. the killer slashes the wrists of a girl known for her depressive tendencies, causing authorities to dismiss her death as suicide, though a routine forensic examination would have revealed the cuts were administered post mortem, AFTER she was strangled to death!), but these occasional blunders are redeemed by the movie's fast-paced editing, neo-Gothic visual scheme and clever plot developments. Blanks orchestrates proceedings with consummate skill, but he refuses to indulge the kind of transgressive gore that once distinguished this downmarket subgenre (where's Tom Savini when you really need him?!).
As expected, the talented young cast - including Jared Leto, Rebecca Gayheart and Tara Reid - is pleasingly photogenic, and there are lengthy appearances by TV favorites Michael Rosenbaum ("Smallville") and Joshua Jackson (watch out for the terrific "Dawson's Creek" gag!). Major co-stars include Robert Englund (Freddy Krueger himself!), John Neville and an uncredited Brad Dourif, who features heavily in a powerful opening sequence where Blanks and Horta pull a major switcheroo on the audience (I'll say no more). Loretta Devine is amusing as the campus security guard who views herself as a modern-day Coffy/Pam Grier (her fantasy is rudely curtailed by a climactic encounter with the rampaging maniac), and there's a brief appearance by Danielle Harris, the former child star of HALLOWEEN 4: THE RETURN OF MICHAEL MYERS (1988) and HALLOWEEN 5 (1989), playing an adult character FAR removed from the angelic poppet of those earlier pictures! Beautiful, fairy-tale score by Christopher Young. Followed by the largely unrelated URBAN LEGENDS: FINAL CUT (2000).
Fun Horror Film
Urban Legend provides great value as it laughs, cries and scares it way through its running time. A really enjoyable addition to the 'horror smart' teen genre such as Scream and I Know What You Did...
The cast is pretty good as well which helps the film enormously.
Adding Robert Englund to the cast was an inspired choice.
Its good fun like its supposed to be :)
The cast is pretty good as well which helps the film enormously.
Adding Robert Englund to the cast was an inspired choice.
Its good fun like its supposed to be :)
Good premise wasted in tepid horror film
The days of low-budget slasher films appear to be back with Urban Legend, a mildly entertaining but mostly lame variation on Scream with an attractive cast of young TV stars.
The plot centers on a series of campus murders in the mold of urban legends, most of which will be familiar even to the younger audience this is pandering to. What little suspense there is comes from the anticipation of these scenes, since the surrounding story is almost as ridiculous as the film itself.
If the screenwriters had concentrated less on incorporating the whodunit aspect into the plot and more on the legends themselves, they might have had something here. Experienced viewers will spot the killer's identity (and motive) early on, and those that don't will be fooled only because the conclusion is so completely ludicrous, not to mention mostly impossible.
Of course, most of this would be easily overlooked if Urban Legend was scary, but time and again, director Jamie Banks telegraphs the surprises far ahead, and doesn't know how to time the shocks. Over and over we get the sudden burst of loud music followed by a character running into another character, but it doesn't work. And that gets annoying after the third or fourth try. Occasionally Banks does get something eerie going, but the style is more suited to an action flick.
Of the cast, most of the actors more or less get by despite a less-than-clever script, though it's disheartening to see a talented young actor like Jared Leto wasting his time with a nothing role as the reporter. Horror favorites Robert Englund and Brad Douriff pop up in cameos, adding a nice touch to their brief scenes.
What we're left with is an intriguing idea undone by cliche after cliche. The legends are potent enough to hold your attention to the end, and horror fans will find a few gruesome goodies to amuse themselves. And even though the script needs to be about three times again as clever as it is, there is a great in-joke at the end about one of the actresses and a commercial.
That clever scene might have been the first scene of a clever movie. It's the last scene of this one.
The plot centers on a series of campus murders in the mold of urban legends, most of which will be familiar even to the younger audience this is pandering to. What little suspense there is comes from the anticipation of these scenes, since the surrounding story is almost as ridiculous as the film itself.
If the screenwriters had concentrated less on incorporating the whodunit aspect into the plot and more on the legends themselves, they might have had something here. Experienced viewers will spot the killer's identity (and motive) early on, and those that don't will be fooled only because the conclusion is so completely ludicrous, not to mention mostly impossible.
Of course, most of this would be easily overlooked if Urban Legend was scary, but time and again, director Jamie Banks telegraphs the surprises far ahead, and doesn't know how to time the shocks. Over and over we get the sudden burst of loud music followed by a character running into another character, but it doesn't work. And that gets annoying after the third or fourth try. Occasionally Banks does get something eerie going, but the style is more suited to an action flick.
Of the cast, most of the actors more or less get by despite a less-than-clever script, though it's disheartening to see a talented young actor like Jared Leto wasting his time with a nothing role as the reporter. Horror favorites Robert Englund and Brad Douriff pop up in cameos, adding a nice touch to their brief scenes.
What we're left with is an intriguing idea undone by cliche after cliche. The legends are potent enough to hold your attention to the end, and horror fans will find a few gruesome goodies to amuse themselves. And even though the script needs to be about three times again as clever as it is, there is a great in-joke at the end about one of the actresses and a commercial.
That clever scene might have been the first scene of a clever movie. It's the last scene of this one.
Full of clichés...
I definitely feel that this film gave me nothing. Really nothing. It was full of clichés, as I've mentioned, and there wasn't a plot twist (at least to me).
Firstly, the clichés. I felt that I was watching a film, that desperately wanted to be better than "Scream" and to get all of its cult following. The concept, although it was about urban legends, something that I appreciated, it had many vibes from other slasher films, so I think that it lacks of authenticity.
Second, I knew who was going to die, and I could tell easily, during the film, which deaths were "fake", the ones that wanted to shock you a little bit.
Third, the characters. I mean, they managed to make even the characters to act in a cliché way. There was the serious final girl, the one whom they try to mislead you that he or she is the killer, but he's or she's not. The over the top excited person, the idiot prank boy, the blonde bimbo, the goth, and the a*****e! Nothing new, nothing creative.
As I've said, I knew 90% of what was going to be happen, so I haven't felt any thrilling moment. Except one scene.
Let's say the things that I liked about this film. First of all, the concept of the urban legends it was cool, and maybe the only prototypical. I also liked the first scene. It was actually very thrilling and gave me a very good first impression. The person who played the killer was cool and had good acting skills.
To conclude this review, I want to mention that this film is not necessarily bad, but to me it wasn't good either. It was something between "Scream" and "I Know what you did Last Summer". Plus urban legends. As a person that have seen many many similar Films, I have to say that I kind of knew the flow of the plot, so I did not found it thrilling. If you've never seen similar Films, maybe you'll like it. It's a fun film to watch, if you don't have anything to do.
Firstly, the clichés. I felt that I was watching a film, that desperately wanted to be better than "Scream" and to get all of its cult following. The concept, although it was about urban legends, something that I appreciated, it had many vibes from other slasher films, so I think that it lacks of authenticity.
Second, I knew who was going to die, and I could tell easily, during the film, which deaths were "fake", the ones that wanted to shock you a little bit.
Third, the characters. I mean, they managed to make even the characters to act in a cliché way. There was the serious final girl, the one whom they try to mislead you that he or she is the killer, but he's or she's not. The over the top excited person, the idiot prank boy, the blonde bimbo, the goth, and the a*****e! Nothing new, nothing creative.
As I've said, I knew 90% of what was going to be happen, so I haven't felt any thrilling moment. Except one scene.
Let's say the things that I liked about this film. First of all, the concept of the urban legends it was cool, and maybe the only prototypical. I also liked the first scene. It was actually very thrilling and gave me a very good first impression. The person who played the killer was cool and had good acting skills.
To conclude this review, I want to mention that this film is not necessarily bad, but to me it wasn't good either. It was something between "Scream" and "I Know what you did Last Summer". Plus urban legends. As a person that have seen many many similar Films, I have to say that I kind of knew the flow of the plot, so I did not found it thrilling. If you've never seen similar Films, maybe you'll like it. It's a fun film to watch, if you don't have anything to do.
Did you know
- TriviaDanielle Harris (Tosh) was a smoker at the time and thrilled to be allowed to smoke while working. She quickly realized that shooting scenes while smoking meant that she was going to have to smoke cigarettes for hours all day while they shot. She eventually got sick of it and quit smoking.
- GoofsIn the opening scene, the killer hiding in the back seat of her car' murders the driver of a speeding vehicle during a rainstorm. It is impossible to gain control and stop the car before it crashes.
- Alternate versionsThe version of the film shown on the USA network keeps onscreen violence to a minimum. All violence is shown very quickly, while the sound effects during killings have been removed entirely, and any shots of a dead body have been trimmed to show only a flash of what the body looks like.
- ConnectionsEdited into Urban Legend: Deleted Scene (1999)
- SoundtracksTotal Eclipse of the Heart
Written by Jim Steinman (as James Steinman)
Performed by Bonnie Tyler
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Details
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $38,072,438
- Opening weekend US & Canada
- $10,515,444
- Sep 27, 1998
- Gross worldwide
- $72,527,595
- Runtime
- 1h 39m(99 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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