Manhunt

This series about the French resistance deserves to be seen and praised. The acting and writing is outstanding. The historical background is very good. This is a 1970 British tv production but it looks less dated than productions of similar vintage. I first saw this as an 11 year old,amazed my parents left me watch this. I can't praise it highly enough,even better than the better known Secret Army.

Excellent (1969) series with dialogue and meaning well before its time....low budget but the crew and actors made the most of it.

Never got to see this when first broadcast, so was keen to watch, when advertised on Talking Pictures TV (UK) Freeview Channel 82.

Unfortunately you cannot blame the age of the broadcast, it is just not up to any standard.

The three main characters the series is all about, should have shot them in the first episode, put us all out of our misery.

I've seen more character development in Captain Pugwash (Google It)

I am surprised it manage to make so many episodes, I am sadisticly working my way through them, hopefully they may get better, not very confident.

Don't let me put you off, have a look, make your own mind up.

This is a great example of what can be done on a small budget.

A great cast, including a sleazy pre-Blakey Stephen Lewis are set adrift somewhere in France. Set work is minimal, with the three main protagonists usually running through what appears to be the same field.

In one episode, there is a nod to Greek tragedies, in that the action is taking place outside, with only the actors narrative telling the cast and viewers what is happening.

I remember parts of this series first time round and wanted to see how it panned out. Time fades the memories.

Some may be shocked mainly by Jimmy's misogynistic attitude and Nina's acceptance of what he says.

That noted, good to see a well written drama, with some great acting.

Some reviewers have panned this series, but it is theatre, FGS, not a documentary. What I love about it is the dialogue - a long gone cultured English that is intelligible - whether the action is in French, German, or English it remains in English - and that suits me. The performance of Robert Hardy as the ambivalent Abweht sergeant Gratz is a tour de force. He is moving, funny, frightening and human. Poor Nina (the gorgeous Cyd Hayman) ! Men either want to sleep, torture, or kill her. And the sinister Obersturmbanführer played by Philip Madec (don't tell him Pike) is terrifying.

There are of course, to our contemporary sophisticated eyes sole ludicrous. Moments, but you have to expect that is dramas of that period - think of Olivier's performance as Othello that evokes laughter today with its West Indian mimicry. The dialogue written for Gratz never varies in its brilliant portrayal of his wit and cunning.

I recommend it heartily,-you do not need subtitles to clarify the sloppy diction of today's actors, or the risible portrayal of the upper classes by bit players from East Enders.