A Map of the World

Stage director Scott Elliott had his hands full with this story, and while it has its moments, overall his choices didn't really add up to a winner. Some people have sleighted this movie because of how "quickly" the trial is taken care of near the end, but in fact the book is the same way, and for good reason: the trial is not what the story is about. Unfortunately, as with so many book-to-film translations, the poetry of the prose and thus some of the deeper meanings are lost. Some of the changes between the film and the book work effectively to condense dozens of pages into one idea (the "wall of baby pictures" in the jail helps quickly convey Alice's changing relationship with her unit mates), but other changes only serve to hammer home a point that was made with much more subtlety in the book. (Did we really need angry graffiti on the side of the Goodwin's house? WE GET IT -- the town didn't like them!) Pat Metheny's original soundtrack was beautifully melodic, as he usually is, but it didn't fit in with the feel of the movie, and surprisingly, it didn't have much of the Midwest sensibilities one would expect from a composer from Missouri. Nonetheless, this movie will at least be worth a video rental, especially if you are a Sigourney Weaver fan and want to see her doing something other than an _Alien_ pic. While it took me awhile to warm to it, her portrayal of Alice in the end is stunning, and much more complex than anything else in this movie.

kudos to Sigourney Weaver for yet another outstanding and sympathetic performance. David Straithairn also is effective as the husband, caught in a web of chaos; Weaver as a school nurse is accused of child abuse in a small Wisconsin town; this after a child she is babysitting accidentally drowns. (The mother of the drowned child is portrayed by Julianne Moore).

Look for an excellent part with Arliss Howard as the defense attorney; it is a shocking surprise that 5 other children come forward accusing Weaver; it develops into a sort of witch hunt- and the actress playing the prosecutor is quite odious.

"A Map of the World" is not an easy story to take to; there are many complicated and also malicious sides of several characters; The character Weaver portrays is complex; guilty, and angry about a child accidentally dying, she accepts prison as an appropriate sentence, and even injures herself; She remains sympathetic however, throughout this film, and that is a rare talent that many actors could NEVER carry off. A must see. 9/10.

Sigourney Weaver offers a marvellous performance in this film, playing mother and school nurse Alice Goodwin, whose world is torn apart after the death of a friend's child on her property, and the lodging of a sexual assault charge by the mother of one of the students she deals with on a regular basis.

This is most definitely NOT a light movie. It has adult themes, and some very troubling subject matter. As good as Weaver is, the supporting cast also offers some very powerful moments. David Strathairn portrays Howard Goodwin, Alice's husband, as he helplessly watches the community turn against the entire family, and as he struggles with the decisions that need to be made to free Alice. Julianna Moore (as Theresa Collins, the mother whose child died while being watched by Alice) is very believable as the grieving mother, struggling with her anger toward Alice over her daughter's death, and yet also convinced that the assault charges against her are ridiculous. The scenes between Strathairn and Collins, both playing vulnerable characters dealing with circumstances completely beyond their control, are raw with emotion. The only performance I found truly disappointing was that of Arliss Howard as attorney Paul Reverdy. I didn't find him believable in the role.

All in all, though, this is a strong movie, and well deserves an 8/10.

Here's yet another nod to composer, arranger and musician/performer Pat Metheny (sans the Group, as was incorrectly identified in another review). On this soundtrack, Metheny is accompanied by an unidentified chamber orchestra (percussion, violin, harp, flute, viola, cello, horn, bass, clarinet and the talented Gil Goldstein on organ).

Mostly variations on the title track, these melodic interpretations are quite eloquent (as one would come to expect from both Metheny & PMG), but arranged such that they never overtake the scene in which they are scored. Metheny contributes his own brilliant lead acoustic guitars, as well as piano and keyboards, with an overall combined feel of his previous Secret Story and Beyond the Missouri Sky releases.

A warm, introspective journey, this set of 28 tunes (6 less than a minute long and another 10 less than 2 minutes) are well-crafted and are worthy for a listen on a Sunday morning with coffee, in front of the fireplace with a nice bottle of wine or a drive in the country, esp. for those in the midwestern US.

It is a pity that "A Map of the World" was not better directed. It had it all, a wonderful story, brilliant actors but the movie somehow lacked guidance. In spite of this problem, Sigourney Weaver was nothing short of magnificent, her performance did deserve an Academy Award nomination. It is astonishing how well she plays roles that range from comedy to drama, always doing it beautifully. If "A Map of the World" were to be directed by somebody else, it would have been a masterpiece.