What Lies Beneath

Robert Zemeckis's "What Lies Beneath," released in 2000, is a compelling blend of supernatural horror and suspenseful thriller. Anchored by stellar performances from Michelle Pfeiffer and Harrison Ford, the film delivers an atmospheric, spine-chilling experience despite a few plot contrivances.

"What Lies Beneath" centers on Claire Spencer (Michelle Pfeiffer), who starts experiencing strange occurrences in her Vermont home after her daughter leaves for college. Her husband, Norman (Harrison Ford), dismisses her fears as empty nest syndrome. But as the ghostly encounters escalate, Claire is pulled into a terrifying mystery that reveals shocking secrets about her life and marriage.

Michelle Pfeiffer's performance is the beating heart of the movie. As Claire, she expertly conveys a wide spectrum of emotions - from initial unease to sheer terror, and finally, desperate resolve. Pfeiffer's nuanced portrayal of a woman grappling with inexplicable supernatural events while also questioning her sanity keeps the viewers rooted in the narrative. Harrison Ford, diverging from his typical heroic roles, delivers a surprisingly subdued yet effective performance as the aloof and somewhat dismissive husband.

The film's strengths lie in its masterful build-up of suspense. Zemeckis, known for his work on films like "Back to the Future" and "Forrest Gump," shows a flair for creating an atmosphere of mounting dread. The use of slow, tension-filled sequences, chilling music score, and artful cinematography makes the most of the spooky New England setting, resulting in numerous effective jump scares.

However, "What Lies Beneath" does have its weaknesses. The plot relies heavily on some genre tropes and contrivances, with a few twists that may feel predictable for avid thriller or horror viewers. The pacing is uneven at times, with the film taking a while to get going, and some plot points feel somewhat rushed or underdeveloped.

The supernatural elements and the focus on character-driven tension give "What Lies Beneath" a Hitchcockian feel. However, the narrative doesn't always maintain this subtlety, occasionally veering into more conventional horror territory, especially towards the end.

In conclusion, "What Lies Beneath" is an engaging supernatural thriller that benefits from strong performances and a creepy, suspense-filled atmosphere. Despite some plot and pacing issues, it offers a gripping and occasionally terrifying viewing experience that will appeal to fans of the genre.

Not having been to the real movies for some time. Many of them were catered towards the younger group, this one had Harrison Ford (58) and Michele Pfeiffer (43) still young in our books, but much older than the Heather Locklear Group. Our movie theatre is quite new, and the screen is enormous, with the sound almost blasting your eardrums, so we were in the right setting for this mystery thriller. I read the good comments of the previous members, and have to agree with them. Part of the story is given away. Don't know why they do that. I prefer not knowing too much, but they want to rope us into the seats, I guess. So without giving too much away, it was exciting to watch Pfeiffer work her way through this mystery.

Harrison Ford is certainly in fantastic shape for a 58 year old, and with a nice tan, was very easy on the eye; mine anyway! While my husband enjoyed looking at Michelle Pfeiffer. We did jump in our seats quite a few times. Watching Michelle dive into the water would make you run and take diving lessons, if that was truly her!

Their acting made the story believable, and when the story's believable I always enjoy it. Harrison Ford can be a bit on the wooden side at times. My husband's impersonation of him is to turn his mouth up to one side keeping his mouth straight. Pretty good! As you look at the wonderful house they live in, in this movie, it makes you wish you had one just like it, without the ghost, of course! For those who like suspense, I don't think you'll be disappointed.

I sat down to watch this film with basically no pre-conceived notions concerning its plotline (or quality, for that matter.) A little over two hours later, I was still shivering and shaking. Robert Zemeckis has taken what is undoubtedly a good (though maybe somewhat predictable) screenplay, and has lifted it to the level of Hitchcockian genius. My eyes bugged out, my skin crawled, my breath got short, and I couldn't have torn myself away even if the Publisher's Clearing House Prize Patrol was at my door.

Along with a great story and masterful directing, this movie features the superb performance of Michelle Pfeiffer. Ambivalent about her acting skills in the past, I am now a full-fledged Pfeiffer fan. Harrison Ford is certainly adequate, and this role is a refreshing change for him, but Michelle steals the show.

Good ghost stories are few and far between. Even "Stir Of Echoes" and "The Sixth Sense", fine films that they are, don't compare to the perfect blend of soundtrack, plot twists, camerawork and performance that make up "What Lies Beneath". If goosebumps are your thing, don't miss this one.

Zemeckis approaches a Hitchcockian style in 'What Lies Beneath'. The film itself is a sort of horror-chiller film. The story certainly is not original but while there is a ghost in the movie, Zemeckis also creates a very tense atmosphere relying purely on silence and simplistic sounds (like the wind blowing the door open etc) and cinematography. The camera-work is stupendous as it follows Michelle Pfeiffer (who is very much in every single shot). I particularly liked the shots in the house when the camera would move slowly (as though tiptoeing) with Pfeiffer's suspicious character.

Of course there are jump moments and twists which are usual in this genre but they're far from ridiculous. Some seem to be bothered with the Miranda Otto track arguing that it had little relevance to the main plot. However, this didn't bother me as much and it actually does make sense that Claire would believe her neighbour to be in trouble...(I'll refrain from giving out more spoilers).

Another high point of 'What Lies Beneath' is indeed Michelle Pfeiffer. I think this was her comeback film after she took a short break to take care of her children. From being a vulnerable housewife, who had been through an accident and is now lonely in the house since her daughter (with whom she was very close) moved to college campus and her husband works long hours, to a stronger woman who follows her instincts and discovers dark secrets that bring her to make difficult decisions, Pfeiffer's understated portrayal is amazing to say the least. I can't say much about Harrison Ford's role without hinting spoilers but he does a commendable job.

I enjoyed 'What Lies Beneath' much more during my second viewing than the first time (which was more than five years ago) but I think the main reason was that I was able to pay more attention to other parts of the movie other than just the story, such as the technical aspects (like camera-work and sound effects), and also see and enjoy the homage to so many classics (mostly Hitchcock's films). That is not to say that the story itself doesn't work. Quite the contrary because even though it's not exactly original, it is suspenseful and the events are well put together. 'What Lies Beneath' is an enjoyable chiller thriller with supernatural elements.

This is the most suspenseful thriller I have seen in the past year. As a refreshing change to more formulaic chillers, WLB takes its time to build the suspense. It is allowed to do this by virtue of Harrison Ford, and, especially, Michelle Pfeiffer, who, I feel, deserved an Oscar nomination for her convincing portrayal of a happy, but suddenly lonely, wife. It is just about as Hitchcockian as you can get, and I rate the bath sequence as gripping (pardon the pun) as taking a shower at the Bates Motel. The plot is thin and the action is played out sedately. Yet it seems perfectly timed in setting the mood of the whole piece. I particularly liked the music,and the supporting actress Diana Scarwid, whose lighthearted attitude during the seance scene made it all the more chilling. A perfect example of good film-making with only a slight plot. I am sure this movie will mature with age until it is rightfully regarded as a modern classic. Count the number of times you jump!