Final Cut

Jude is dead(and not in this all that much). At his funeral(note that there are almost no real introductions, you're just there and you gradually figure out what is going on, what you're seeing), his widow Sadie asks that the group of friends and couples sit down and watch the movie he was working on, and that they allow themselves to be filmed(and for some reason, while they do behave like there's a camera near them some of the time(and these operators appear to not know how to zoom, so they shove it into their subjects face instead), about half the time, they apparently completely forget it; yeah, some of this utterly falls apart beyond restoration when you stop to think about it). It turns out to be a documentary, assembled largely from footage captured with hidden recorders(there are a few interviews), and that is what we follow, as well... the two layers of fiction pretending to be fact. It'd probably work better if there were more reaction shots. Anyway, secrets come out and we see how their relationships are(are they playing themselves? Possibly). I should clarify something; this didn't bother me from the cruelty of the stunt, and the "different" style didn't ruin this for me... make your piece however you feel it should, and don't let people complain just because it isn't mainstream. The thing is, this really had potential... and still does. I'm sure this wanted to make some significant point, though it didn't get there. Yes, this is nihilistic and cynical... I didn't mind that. Others will. The pace is uneven and this comes off rather unfocused. You know, what little exposure to reality shows(yes, I hate them; that wasn't my issue with this) I've had, they actually do have plot lines and encourage continued viewing... this comes off as not wanting you to watch. I mean, you feel bad about it. OK, maybe that was the idea. If it was either real, or credible through the entire thing, maybe it would still work. Or if it didn't eventually go for a coherent story structure, at the end when it also stops being believable(and don't get me started on the anti-climax). The "twist" is so predictable you're sitting there wondering if they're serious. Winstone dominates this unchallenged... and yes, he(and the other men in this) delivers a great performance(good thing, because the women do *not*). The man is quite imposing... but you need counterweight. Some of these characters *really* don't need to be there, you could cut them out and you wouldn't miss them at all. None of them are wholly likable. This has a lot of improvisation and they used the first takes(they would add content if something was reshot... it shows). The editing is reasonable. This has odd framing and this feels "natural"(...a bit of the way, at least), with fast talking and slang(you'd better be British or have better subtitles than the copy I got as a gift did). There is a ton of strong language, a little bloody violence, disturbing content(this is gross at times) and sexuality and brief male nudity in this. The DVD comes with 8 trailers for different flicks, one of them for this. I recommend this low-budget 87 minute(sans credits) indie to those who merely want to see the concept of witnessing humanity's true ugliness... regardless of how well-executed it is. 6/10

There is one word I can use to sum up this film: weird. It's one of those films that, even though you're thinking it's really quite slow and boring, you can't actually get up and walk out of it because it is nevertheless still gripping. Not a film I would particularly recommend for anyone to spend their hard earned cash on, but not as bad as some reviews have made out. It would probably be better watching it in the comfort of your own home.

I knew nothing at all about this film before I went to see it, so I was very surprised by it's content. Basically, a group of friends gather at the wake of one of their friends who has died. At this wake, they are shown a video that he has produced consisting of secret film taken of them all. This video gives away some of their deepest and darkest secrets, as well as giving an insight into what they really think of each other. For about the first fifteen minutes I found myself lost as to what was going on, but then it all starts to become clear and leads up to the sting at the end. Be aware though that the language is very strong and some of the actions in it are quite explicit. Despite this, though, I found it very enjoyable and I was absolutely hooked to it for most of the time. As an aside, if you've ever watched 'Operation Good Guys' on BBC you will recognise a lot of the cast.

This film is utter, utter tripe.

Self indulgent nonsense - how on earth did they get anyone to finance this? Or did they do it themselves? I would guess the latter - if anyone other than cast has invested in this rubbish then I would imagine they are, quite literally, sick as a dog.

I can just imagine them all sitting down together saying 'Oh, we're the cream of the British film industry - let's do something all together! Don't care about script or plot - let's make it up as we go along! As long as Jude and Ray are in it, the public will pay to see it!'

And Law and Winstone really do give the only half-decent performances in this crap. Winstone almost looks embarrassed - as he well should.

0 out of 10.

It's a simple idea, get some actors together and improvise a film. Get them to use their real names, give them basic outlines of what to do and involve a camera crew in the story line and you've got yourself covered.

Does it work? Hell yes. This is something else. The acting is simply stunning all round, but Ray Winstone does stand out - when doesn't he?

A very simple story, Jude has been secretly videotaping his friends and at his funeral they get to see themselves on TV. Their reactions complete Jude's final film.

The interaction of the characters is very well played. It's believable, sad, funny, intense and fascinating.

I can't recommend this film any higher, except that there's a lot of swearing - it's supposed to have the highest amount of swearwords submitted to the BBFC - mainly courtesy of Mr Winstone in one very memorable scene (some of the couplings I've never heard before, yet they seem so natural streaming from Ray Winstone's mouth)