Blood, Guts, Bullets and Octane

Either this is one genius piece of filmwork or someone owes a debt of gratitude to Oliver Stone & Quentin Tarantino. Either way, the film takes off like a super jet and you better do some serious 100 meter dashing just to keep up. With more witty dialogue than 3 Lock Stocks, 2 Trainspottings, and a Pulp Fiction in a pear tree. This little flik here is what independent filmmaking is all about. I heard they made it on only $8,000. Shoot, you give em 8 mil, turn it into a polished up mainstream remake, and you got a cult-classic that will stand the test of time A+++

Two used car lot owners, who we know nothing about, get involved with numerous shady characters, who we know nothing about, while being paid to watch a Pontiac convertible, which we know nothing about. Why would anyone be interested in a movie that explains nothing, and has zero character development? The obvious answer is you wouldn't. Throw in unending closeups of meaningless dialog, a "surprise" ending that is so ridiculous, it will leave you wondering if it didn't come from a different film, and other trivial nonsense that does nothing to explain this confused mess. Forget even considering seeing B.G.B. & O, instead seek out "Suckers", another low budget crime drama centering around a used car operation, that is absolutely brilliant. - MERK

The teaser on the front of the movie box said, "better than The Usual Suspects!" I couldn't disagree more. This movie solely lacked any character development, was poorly acted, and had a dumb storyline. Don't waste your time.

I just watched Blood, Guts, Bullets, and Octane on DVD last night, and found myself rather bored from start to finish. The camera work is sloppy, slipping in and out of focus as it pans back and forth from character to character, zooming in and out, and so on...The dialogue scenes are way too long, and the action scenes leave you feeling cheated, due to the shaky-cam, fast editing style that tries to conceal the lack of blanks and squibs. A good action sequence is created by the actual action onscreen rather than jerky camera work and loud sound effects. This film shows very little real action. The story takes way too long to get started, and once it does, it becomes boring, with very little pay off at the end. However, I have to give Joe Carnahan credit for making this film on such a low budget; regardless of the story, simply planning and executing this shoot is an impressive achievement. Robert Rodriguez's El Mariachi still remains the most legendary low-budget action film ever made, with better writing, directing, cinematography, and special effects than Blood, Guts, Bullets and Octane. So to sum it up, check this movie out, but don't expect too much; it is what it is.

Well, you have hand it to the filmmakers on this one. How they managed to hypnotize Lions Gates into releasing this low-budget piece of crap must be an amazing story. Too bad they don't give out Oscars for chutzpah. These guys would be a shoe-in. Why don't I like this movie? Well, for one thing the plot makes no sense at all (how many weeks does raw, nonrefrigerated blood last in the trunk of a car?), the dialogue is horribly overdone and annoying, and the acting is grade C throughout. I actually saw someone praise the cinematography in this movie. Heck, even to use the work cinematography to describe the camera work in the film is laughable, and an insult to real filmmakers everywhere. The film's entire `style' consists of close-up shots of the actors in poorly lit and badly decorated sets. Do these guys know what a wide-angle lens is? The only time it gets a passable grade is in the final 2 or 3 minutes of the movie. It might have been fun if they had made it into a goofy comedy. Actually, Ed Wood fans might find this one a treat. I just saw this one in a theater, so it might look less cheap on television. Hey, I'm trying to find SOME pluses here. Seeya.