Images in a Convent

During the 70's sleazy cycle numerous short lived sub-genres popped up to turn heads and enrage moralists every where. None were quite as offensive as nunsploitation and no nunsploitation was as trashy as this.

At a convent in Italy, a man arrives and the nuns begin feeling urges against their calling. It soon becomes clear that the devil has come and the nuns are under his control.

Though the plot suggests some exorcist-style horror, the film plays out much more like a quiet drama. A drama that includes oodles of explicit sexual activity. As the nuns fall into depravity the sexual stakes begin to rise. Of the assorted sored acts, viewers get to see some whippings, rape, oral sex, masturbation, hetero and homo couplings.

For a D'amato flick, it's surprisingly well made. Camera angles, lighting, pacing are all fairly good. Even the scripting and acting are better than the norm. So well is it made that I find myself wishing that all D'amato flicks looked this quality.

On a side note, it's interesting that with the exception of a short fellatio bit the hetero scenes are strictly soft-core while the lesbian scenes are fully explicit.

A well constructed piece of erotica, if one can get past the sacrilegious content.

7/10

Set in a convent long ago, Isabella is sent there to punish her, as her choice of men did not pass muster. There, she is told she won't have to take the vows, as her lifestyle would desecrate the convent, and she wouldn't obey them anyway. Interestingly, one of the nuns has the mark on her arm of having received the smallpox vaccination. (Yes, the camera gets very close at times.) There is a statue in the garden, and the convent was built upon 'troubled' soil, evil deeds in its day. One day, in the garden, a man is found wounded. It is forbidden to have a man in the convent, but they are a very poor convent, and far from any village, so the Mother Superior allows the man to be treated, trusting the one nun to not ever be tempted. Isabella sees a chance to get the man to get word out that she is locked away at the convent. There is a lot of nudity, and a couple of scenes are very explicit. But the presence of the man turns a lot of the nuns into very randy women. Yes, there is a connection with the appearance of the man and the statue.

The jury is still out as far as nunsploitation and I are concerned; it's not that I don't appreciate sleaze in movies, just that the idea of a load of God-fearing women living behind convent walls doesn't really appeal to me all that much. It's lucky, then, that cult cinema God Joe D'Amato is on hand to spice this theme up a little, with a load of nymphomaniac 'nuns' getting up to all-sorts with each other and any man that that happens to stop by. It's obvious that D'Amato was far more interested in making a porn movie than a film about nuns and their beliefs, and this shines through as the focus is always on the sexual antics, and any whisper of a plot line exists only to string more sex scenes together. There is a plot, however, and it follows a convent full of nuns. After taking in a wounded man against all the convent rules, the nuns soon find themselves making this man the focus of all their desires. However, he has also brought with him the devil (in the form of a statue), and this leads the local priest to visit the convent in order to expel the demon, only he ends up featuring in the nuns' desires also...

At first, I didn't think this movie was going to work as a porn film because the first couple of sex scenes are far too rigid and it seems like the actresses are just doing what they're told. However, D'Amato soon bucks this trend with a plethora of tender and perverted scenes that feature some of the most buxom nuns I've ever seen! D'Amato makes great use of his actresses' bodies, and this is a big bonus for the film; as it's much more full on than a lot of the nunsploitation sleaze. Despite the fact that this is a low quality sleaze movie, the production values are really good! The picture is crystal clear, and most of the acting is passable even when they've got their clothes on. The soundtrack courtesy of Nico Fidenco is infectious, and helps to make the overall film more erotic. This film is also bound to appeal to anyone that loves sleazy trash movies, as D'Amato is happy to go a little further than just showing your basic sex scenes, and the film also features lesbians, rape and wooden dildo's... Overall, Images in a Convent is a surprisingly good slice of nunsploitation and comes highly recommended to fans of this type of movie.

Yes friends, D'Amato does it again with another sleaze film that is sure to burrow it's way into all TRUE trash lovers hearts...IMAGES IN A CONVENT is that rare kinda film that D'Amato is sooooo good at. A good mix of atmosphere and filth that works well on both levels. I found the story a little convoluted, but here goes:

A girl is brought into a convent against her will to keep her Uncle from abducting her. Around the same time a wounded male traveler is allowed to stay in the convent to recuperate from his wounds. He tries to bone everyone in sight. There's a Pan-like statue that means something - maybe it's the Devil, maybe it's not. The nuns all touch each other inappropriately. A head nun is sent to fetch a Father to expel the Devil and is raped along the way. The Father comes to the convent anyway because he "felt" that he was needed and all the nuns try to screw him...The End.

Honestly, I couldn't really make heads or tails of the storyline, but there is enough tits, ass, and 70's puss-fros to not really care what the hell is going on plot-wise. The dual assault on the traveling nun is suitably sleazy as she's subjected to some graphic forced fellatio. The nuns all going' buck at the end is cool as one of 'em is ravaged with a wooden dildo. I don't know if this film had any real "point" - but it sure delivered some "goods". Not as "well-done" as some of the other nunsploit films, and doesn't quite beat out my favorite, SCHOOL OF THE HOLY BEAST...but it comes close if for nothing else than pure sleaziness. I love you Joe D'Amato...8/10

Set within the cloistered confines of a convent, the film explores themes of forbidden desire, sin, and the supernatural. The nuns, portrayed by an ensemble cast, find themselves entangled in a web of lust and eerie occurrences that challenge their faith and morality. D'Amato's direction creates an atmosphere thick with tension and sensuality, making the convent setting both a place of repression and hidden passions.

The cinematography is one of the film's stronger points. The use of lighting and shadow plays a crucial role in establishing the mood, with candlelit scenes and dark corridors enhancing the sense of mystery and intrigue. The soundtrack, a mix of haunting melodies and period-appropriate music, further immerses the audience in the film's unique atmosphere.

However, Immagini di un convento is not without its shortcomings. The plot often feels secondary to the film's erotic elements, resulting in a narrative that lacks depth and coherence. The characters, while intriguing in their initial setup, are not fully developed, leaving their motivations and transformations somewhat superficial. The balance between the thriller and erotic aspects is uneven, with the latter sometimes overshadowing the former to the detriment of the story.

The performances are a mixed bag as well. Some actors deliver compelling portrayals that draw the viewer in, while others appear wooden and detached, detracting from the overall impact of the film. Additionally, certain scenes intended to shock or titillate may come across as gratuitous or exploitative, which could alienate some viewers.

In conclusion, Immagini di un convento is an atmospheric and visually striking film that struggles to maintain a consistent and engaging narrative. Its blend of eroticism and thriller elements offers moments of intrigue and intensity but ultimately fails to coalesce into a satisfying whole. Fans of Joe D'Amato's work and those interested in 1970s erotic cinema may find it worth a watch, but it may not appeal to a broader audience seeking a more balanced and coherent thriller.