The Howdy Doody Show

I first saw "Puppet Playhouse" at the age of 5 on a neighbor's 5-inch GE TV (with a magnifying glass over the screen so that we could all see it). At that time, I lived near Buffalo, NY. Buffalo Bob's constant references to places around Buffalo brought the context a little closer. Then there were the old time movies, featuring Mickey McGuire and the Tons of Fun.

I also watched The Camel News Caravan, I Remember Mama, Milton Berle and all sorts of programs which stimulated my curiosity and imagination. And all this without the benefit of special effects that are now available. And, more importantly, a lot more imagination at play, than one would find in later years.

Years later when I'm watching my children watch cartoon characters flying around with devastating rays coming from their bare hands, I quickly devise ways to get the kids away from this stuff. My opinion is that (like another commenter) is that my kids missed some pretty neat stuff.

This show is a good example of how children have changed since the halcyon haze of the 1950s. Back then, this show and its characters were beloved to seemingly most children, but now, children would be frightened by evil-looking puppets and clowns.

It's hard to believe that a children's show, much less one like this, could endure for nearly 2500 episodes. Oh well. I suppose children's television hasn't changed that much since the 1950s, after all -- Mr. Rogers is still around, as he was in the 50s, and modern children's shows have retained their simple, mindless guile, while at the same time keeping kids glued to their TVs for a few hours each day.

Catchy jingle at the beginning of the end of each episode is sure to have you bounding around the house singing. I like the interaction with the kids in the audience. There's some coaching but often kids give some very creative and funny responses. The old timey movie in the show is some goofy fun thrown into the mix. Puzzles and games provide interactive fun.

There was a bit of showboating the network which seemed awkward, but better than modern TV ads. The theme for the show tends to get a little lost in all the hoopla, but there is an attempt to tie it in and bring the theme back to the point. We can see how this definitely a template for future children's television programming.

With that greeting came the arrival of Howdy Doody, a marionette boy and leading citizen of Doodyville. Later on that name was the subject of much scatalogical humor.

The show's cast divided between marionette creations and some live players in roles. Chief villain of the show was one Phineas T. Bluster the mayor of Doodyville who probably stuffed the ballot boxes. He was a marionette and looked like a Scrooge character. Bluster had all kinds of nefarious schemes which always came up short. A worthy antagonist for the All American Howdy Doody.

Presiding over all of this was Buffalo Bob Smith who hailed from Buffalo, New York. He did it with grace and tact and never talked down to the kid audience. I remember that he had a real heart attack at one point in the 50s. A guy named Bison Bill came in for a bit and Smith's return was welcomed.

Buffalo Bob was assisted by Clarabelle The Clown played by Bob Keeshan who went straight into Captain Kangaroo when Howdy Doody finished its run of 13 years. Clarabelle the Clown usually ended quarrels with those oldfashioned seltzer bottles with the spritzers.

It was a great kid's show, just about in the boomer generation saw it.

I don't think some of those reviewing this show understand that TV was in the process of being born in the late 1940s and early 1950s. You have to take into account that this was the first experiment in kids' TV programming - the very first attempt to do a show that would entertain kids. Radio people, being the only "broadcasters" around, were basically trying to do their thing - but with cameras suddenly on them. Buffalo Bob Smith invented the Howdy Doody character on radio - the puppet we usually see as Howdy was the second version, the first one having been horribly crude. Budgets were next to nothing. When Buffalo Bob asked NBC to add a clown to the show, they turned him down. He hired Bob Keeshan (who later played Captain Kangaroo on his own program) to play Clarabelle the clown and paid him $5 a week out of his own pocket. To appreciate the impact of this show you need to close your eyes and listen to the content. Doodyville is an imperfect world with many surprises. Phineas T. Bluster is the mayor and the authority figure. He frequently does thoughtless things but often comes to see the error of his ways. Watch practically any episode of the hit show NORTHERN EXPOSURE and see the same character interactions! Contrary to several internet posts, Smith was not a ventriloquist. He simply voiced the puppet, Howdy Doody, when he himself was off-camera. At some point, actor Allen Swift took over the voicing of Howdy to facilitate more live interaction between Bob and Howdy. Those who know the reality of the early days of TV recognize Bob Smith as one of TV's founding geniuses for his insight into children's entertainment.