Rear Window

This movie was painful to watch! I thought I would be in for a treat when it showed up on a Saturday afternoon on the Lifetime Network. Boy, was I in for a load of crap. The dialog is the worst I've heard in a long time...even worse than most TV movies. The acting was atrocious, the camera angles were amazingly bad and, overall, there was nothing believable about the entire thing. And yeah, hey, I know Reeve is REALLY paralyzed and in a wheelchair but does that mean he should be given rave reviews because he brilliantly plays a paralyzed man? Okay, I feel for the guy...but this is a really bad movie and I'm not going to pretend it's not for sentimental reasons. Thankfully, the movie just ended. And, though I'm grateful, the ending was so off I didn't even know it was the ending....I would have begun a wave through my living room had I known! Why didn't I change the channel?..something about watching a trainwreck...what do they call it...morbid curiosity.

A paralyzed architect, who spends his time spying on his neighbours, convinces itself that one of them is a murderer. By freeing itself from the single room location, this new version of one of the Hitchcock classics lose in dramatic intensity. What remains is the emotional test of re-encountering Christopher Reeve.

This movie wasn't really bad... of course it wasn't really good either but Hitchcock remakes are always so bad, and can never equal his original work. This movie pretty much messed up the whole concept of the original "Rear Window", which was excellent.

I only watched this film to the end as I wanted to see how it would end. I wish I hadn't bothered. A really disappointing finale. Reeve is fine but the script is hopeless. Why couldn't his neighbours simply have drew the curtains? Reeve's character's likeablilty goes out the window as he invades everyone's privacy. Hope he can do better than this in the future.

It is many years since I saw Jimmy Stewart in the original "Rear Window" but if my memory serves me right I feel that this re-make for TV comes nowhere near the original. It lacks the terror, the fear, the excitement that the first "Rear Window" brought to the screen. In the first version it was a simple photographer armed with a camera and flashlight, but here we have an architect with computer and digital camera. A photographic studio has now been become a lavish apartment and there is plenty of room for the electronic chair (formerly a simple wheelchair). In the updating I feel that much of the atmosphere has been lost. While I admire Christopher Reeve's attempt to return to the screen in his paralyzed condition, I feel his acting ability is definitely restrained. There is not much response from or interest in the other actors either. The best that can be said is that this film is a therapeutic exercise for Christopher Reeve. I found the result rather dull and lacking the excitement necessary to make up for the immobility and frustration of the central character.