Great Expectations

This is Charles Dicken's bleakest story by far, and for that reason alone I've always detested it. I made a point of seeing this production because Ioan Gruffudd was in it. I was not disappointed.

Once again, Mr. Gruffudd shows his ability to become the character, with a talent far beyond many better known young actors. His voice is so musical that one can avoid the story line and simply enjoy the sound.

Charlotte Rampling was a far more interesting Haversham than others I've seen. She had a slightly sinister quality just under the surface that was quite delicious.

Watch the production for the talent within. It's well worth your time.

I have always enjoyed the old David Lean version in spite of the fact that it is so abridged and has a "Hollywood" happy ending. This version of 'Great Expectations' knocked me back by its fidelity to the original book... I had not expected to see it filmed with the bittersweet and ambiguous ending that is employed here with such a powerful effect.

There is nothing in the nature of the usual cinematic mawkishness that so often accompanies adaptations of Dickens books to film. Nothing exaggerated, nothing glossed over. The characters are flesh and blood and their emotions are vividly characterized by a wonderful cast of performers.

Ioan Gruffudd, Justine Waddell and Charlotte Rampling are fabulous as Pip, Estella and Miss Havisham. Rampling's Havisham is terrifying in her quiet way, like the ghost of a dead princess haunting her huge Satis House. Waddell's Estella is the truly tragic figure, as in the book. She has been prevented from developing the "loving mechanism" found in most human beings. Waddell's conveyance of this dilemma is profoundly moving. Gruffudd's highly responsive Pip is also deeply felt. Their younger counterparts, played by two wonderful young actors, Gabriel Thompson and Gemma Gregory, possess uncanny resemblances to Gruffudd and Waddell. One of the best transitions in time, as far as character development, I've ever seen.

The photography is utterly beautiful, the music haunting and memorable in its stark simplicity. It is rare that I notice the editing but this film is so perfectly put together that I took clear notice of the artistry at work in that department.

For Dickens addicts this film is a must for your collection; for lovers of great cinema I would say the same thing. This version of 'Great Expectations' SHOULD have been a major film release in the theaters. Even if it had been more than the four hours it takes in the TV adaption, longer even, I think it would have had a greater following than it enjoys.

Julian Jerrold's 'Great Expectations' joins the short list of the finest productions out of Masterpiece Theatre's stables, along with 'I Claudius', 'The Jewel in the Crown' and 'Brideshead Revisited.'

See it!

Whilst it has not stuck to the text word for word, it has not veered greatly from it. The film covers everything that needs to be covered on the whole, and where it has altered things, I think it has done so for the better. The film still paints and amazing picture of this excellent piece of literary work!

The casting was simply spectacular, the idea of sexing up Miss Havesham with the delectable Charlotte Rampling was perhaps the most unique and welcomed aspect of this production, which does anything but suffer from it. Waddell, Hill, Gruffudd, and Evans all give stellar performances and carry the film. The score is extremely haunting and so spectacular that I went out and bought the CD (which we were very lucky the BBC released). How Peter Salem has not been snapped up by Hollywood yet I don't know!

The score on top of the direction and production design make this a mouth watering feature that I'd recommend to anyone! The film got me through A-Level English.

As a classic, Great Expectations is hardly done any justice with this film. I have seen the mini-series film on Pride & Prejudice and it was an almost literal reproduction of the novel. In contrast, this film just about assumes one has read the novel and pretty much depends upon it as well. There is absolutely no introduction, and as such, the tight relationship between Pip and Joe is entirely skipped over. The characterizations of the young Pip and Estella are altogether unbelievable, and there are many instances of this film veering from the text. Jaggers's most identifying property, his finger-biting and pointing/shaking is essentially deleted from the novel, and there is, in addition to that, a lot more left out for, I suppose, the sake of cutting the feature length.

I've seen some three or four adaptations of this classic novel, and I honestly think that this is one of the best out there. The settings are appropriately dark and in keeping with Dickens' bleak writing, a shining example being Miss Havisham's mansion. The acting is perfectly superb; Ioan Gruffudd is most definitely one of the best finds of the past few years. Ian McDiaramid is wonderful as usual, and Gruffudd's Titanic castmate Bernard Hill (that movie's Captain EJ Smith) is a great Magwitch. Keep your eye on Ioan, I predict great things! His performance is outstanding, down to the replacing of his own Welsh accent with Pip's distinctive lower-class English one. Lovely filming, great direction and wonderful acting make this a great addition to the already distinguished collection of the BBC.