A demon raised from infancy after being conjured by and rescued from the Nazis, grows up to become a defender against the forces of darkness.A demon raised from infancy after being conjured by and rescued from the Nazis, grows up to become a defender against the forces of darkness.A demon raised from infancy after being conjured by and rescued from the Nazis, grows up to become a defender against the forces of darkness.
- Awards
- 3 wins & 23 nominations total
Biddy Hodson
- Ilsa Haupstein
- (as Bridget Hodson)
Featured reviews
What a cracking little film this is, haven't seen it since the cinema in 04' and it's better now than then with some sensational effects. Great script with Ron doing a splendid job. I've never read comics as I don't like them, but I'd go so far as to say, apart from Batman, this is the best comic book to movie tie in ages... not cheesy, just the right amount of comedy in it and good solid acting. Music could've done with a alittle more inspriation, but this film looks great with some lovely lit scenes especially when hellboy is in the snow, he looks fanastic ;-)
Can't wait for the sequel Pug
Can't wait for the sequel Pug
Hell Boy is a near classic of great proportion as played by the underrated Ron Perlman(Beauty and the Beast ) Perlman is an actor you probabley wouldn't recognize as he has had to wear so much facial make up in his career but he imbues 'Hell Boy' with a real humanity and a scathing wit ."How am I ever gonna get a girl when I drive around in a garbage truck ? " John Hurt as his father has little to do but that he loves Hell Boy there is no doubt having rescued him on the night he came from hell . Dr. Broom adopts the boy and they live at the Center For Paranormal Studies in New Jersey with a fish like creature and a fire starter girl who Hell Boy loves to pieces . I hope that this becomes a tent pole series for the studio as I would like to see Hell Boy in other situations . Five of 5 stars for 'Hell Boy'
Guillermo Del Toro's "Hellboy" is really the sort of comic book adaptation that should be commonplace- a film that feels every bit like a comic book in its energy, style, and visual feel, but is entirely worthy on a cinematic level as well.
Sadly, "Hellboy" doesn't really have much of a plot, at least for half of its running time. Its first hour is Hellboy fighting squids and the mandatory character introductions, and its second hour feels pretty rushed as a result, having to introduce and resolve the bulk of the film's story. Thankfully, however, "Hellboy" avoids the comic book-to-film cliché of basing the first film of any given franchise on the 'superhero origin story' (not that Hellboy is much of a superhero, he's really just a smartass with a gun, except he's from hell), instead keeping all that to a short and dazzling pre-credits sequence. Other than the somewhat rushed and oddly-placed plot aspects, Del Toro's screenplay is fairly impressive, providing plenty of nods towards the comics and a good amount of wit and humor, also echoing the nature of Mike Mignola's work.
The most impressive aspects of "Hellboy" are Del Toro's direction and Guillermo Navarro's photography. Del Toro was always a superb director in terms of visuals, although I've had issues with several of his scripts. His most accomplished film to date in this regard would probably be the superb "The Devil's Backbone", but "Hellboy" shows that he has a surprising knack for directing action in a fluid manner without resorting to the cheap method of quick cutting. Also notable in terms of Del Toro's work here is how he subtly manages to pay homage to the memorable artwork of the comics, for example the overhead shots of Hellboy.
The CGI effects are quite good considering the film's relatively modest budget, and thankfully they don't form the basis for much of this film. The cast are all solid if not fantastic, although Ron Perlman is probably the best actor I can think of to play Hellboy. The final shot is beautiful and perfectly in keeping with the pulp poetry of not only this film but also the comics it is based on.
8/10
Sadly, "Hellboy" doesn't really have much of a plot, at least for half of its running time. Its first hour is Hellboy fighting squids and the mandatory character introductions, and its second hour feels pretty rushed as a result, having to introduce and resolve the bulk of the film's story. Thankfully, however, "Hellboy" avoids the comic book-to-film cliché of basing the first film of any given franchise on the 'superhero origin story' (not that Hellboy is much of a superhero, he's really just a smartass with a gun, except he's from hell), instead keeping all that to a short and dazzling pre-credits sequence. Other than the somewhat rushed and oddly-placed plot aspects, Del Toro's screenplay is fairly impressive, providing plenty of nods towards the comics and a good amount of wit and humor, also echoing the nature of Mike Mignola's work.
The most impressive aspects of "Hellboy" are Del Toro's direction and Guillermo Navarro's photography. Del Toro was always a superb director in terms of visuals, although I've had issues with several of his scripts. His most accomplished film to date in this regard would probably be the superb "The Devil's Backbone", but "Hellboy" shows that he has a surprising knack for directing action in a fluid manner without resorting to the cheap method of quick cutting. Also notable in terms of Del Toro's work here is how he subtly manages to pay homage to the memorable artwork of the comics, for example the overhead shots of Hellboy.
The CGI effects are quite good considering the film's relatively modest budget, and thankfully they don't form the basis for much of this film. The cast are all solid if not fantastic, although Ron Perlman is probably the best actor I can think of to play Hellboy. The final shot is beautiful and perfectly in keeping with the pulp poetry of not only this film but also the comics it is based on.
8/10
80U
I've been slowly making my way through Guillermo del Toro's catalogue of movies and this is my first time watching Hell Boy. If you're a Del Toro fan, then this one won't disappoint. He's such a superior director - he adds artistry to this action film through his use of shot making, pacing and colour. At times, the dialogue attempts to be a bit too cute and the love story adds little to the plot, but overall, it's a fun movie that doesn't try to overextend itself.
Alright, so seeing as how I'm comment #430, I don't imagine that anyone is going to read my review, or that anyone will be encouraged to watch Hellboy because of anything that I'll say. There are others who have written short novels on IMDb about what a great movie this is, so there's no point in me doing more of the same.
Suffice it to say that this movie is beautifully shot, well acted (with the exception of the kid who plays the FBI agent) and directed by masterful Guillermo Del Toro with style and grace. It's not for everyone, and those who are fans of the comic will probably enjoy it more than your average moviegoer. But if you like movies like The Crow or Darkman, this one is right down your dark little alley.
Suffice it to say that this movie is beautifully shot, well acted (with the exception of the kid who plays the FBI agent) and directed by masterful Guillermo Del Toro with style and grace. It's not for everyone, and those who are fans of the comic will probably enjoy it more than your average moviegoer. But if you like movies like The Crow or Darkman, this one is right down your dark little alley.
Did you know
- TriviaDoug Jones only played Abe Sapien physically, while his voice was dubbed by David Hyde Pierce. However, Pierce refused a credit because he felt that Abe was entirely Jones' creation, and did not wish to detract from his performance. Jones himself provided Abe's voice in Hellboy II: The Golden Army (2008).
- GoofsOn the Bridge scene under the graveyard, Tom Manning is thrown and slides under the door just before it closes. However Hellboy also slides under later in the scene when the door should have already been closed.
- Quotes
John Myers: My uncle used to say that we like people for their qualities but we love them for their defects.
- Crazy creditsUnder the "Special Thanks To" - Erik Irastorza who was born during our shoot.
- Alternate versionsThe Hellboy 3-disc director's cut DVD is ten minutes longer. (132 minute director's cut versus 122 minute regular version). Restores a few deleted/extended scenes back into the movie.
- SoundtracksHeart Attack and Vine
Written and Performed by Tom Waits
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Strategic Marketing
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Hellboy 1
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $66,000,000 (estimated)
- Gross US & Canada
- $59,623,958
- Opening weekend US & Canada
- $23,172,440
- Apr 4, 2004
- Gross worldwide
- $99,378,985
- Runtime
- 2h 2m(122 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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