While the leader is in jail, his leftist group is controlled by his girlfriend, but her leadership lacks conviction and perspective. When the leader commits suicide in prison, despair and co... Read allWhile the leader is in jail, his leftist group is controlled by his girlfriend, but her leadership lacks conviction and perspective. When the leader commits suicide in prison, despair and confusion rule the group and revenge and violence erupts in graphic way.While the leader is in jail, his leftist group is controlled by his girlfriend, but her leadership lacks conviction and perspective. When the leader commits suicide in prison, despair and confusion rule the group and revenge and violence erupts in graphic way.
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I really liked this film for what it is. As far as being a student film, I feel that it's very ambitious and professional. The camera-work is good, as well as the acting and storyline. KICHIKU is basically about a group of radicals whose group begins to disintegrate when their leader is arrested. The leaders girlfriend is handed control of the group, and it all goes to hell from there. KICHIKU can be dull at times, so I can see why a lot of people don't feel this film. Personally, I think that overall it is very atmospheric and dark, and has some very well done scenes of violence. If you are into non-stop blood and guts - don't bother with this one - it will be too long and tedious for you (all the violence happens in the last half hour or so...), but if you have some patience I would at least suggest this as a rental - there are definitely some good gore scenes that are worth checking out. 7 1/2 out of 10
Those who check out director Kazuyoshi Kumakiri's ambitious student film Banquet Of The Beasts (two years in the making) expecting a non-stop gore-fest might find themselves struggling to get to the good stuff, which only arrives after an hour of extremely tedious interaction between members of a radical political group, whose leader, Aizawa, is banged up in prison. Aizawa's mentally unstable girlfriend Masami takes control of the group, but her leadership is poor, resulting in tension that finally (finally) erupts into violence.
Make it past the first hour, and things do get better (and by 'better' I mean bloodier), as the action moves to a forest where Masami deals with trouble-makers in brutal fashion. It is while two men are getting a beating that the first (and best) gore effect happens: Masami shoots upstart Yasame in the head, leaving only the lower half of his face intact. As if obliterating his cranium isn't bad enough, she then fondles the brain matter oozing out of what's left of his skull. Juicy! The other guy doesn't get let off lightly either: he has his penis cut off, although this is far less graphic.
More gore comes when the group takes shelter in an abandoned building: Masami bites a man's junk off while giving him head, so he stabs her in the crotch, takes a gun, shoves it between her legs and pulls the trigger, causing her insides to explode. Then, while that guy is messing around with her entrails, another bloke enters the room and decapitates bloke #1 with a samurai sword. If this is the kind of stuff you're hungry for, then it should satisfy your cravings, but just be prepared for a long and arduous slog to get there.
3.5/10, rounded up to 4 for IMDb.
Make it past the first hour, and things do get better (and by 'better' I mean bloodier), as the action moves to a forest where Masami deals with trouble-makers in brutal fashion. It is while two men are getting a beating that the first (and best) gore effect happens: Masami shoots upstart Yasame in the head, leaving only the lower half of his face intact. As if obliterating his cranium isn't bad enough, she then fondles the brain matter oozing out of what's left of his skull. Juicy! The other guy doesn't get let off lightly either: he has his penis cut off, although this is far less graphic.
More gore comes when the group takes shelter in an abandoned building: Masami bites a man's junk off while giving him head, so he stabs her in the crotch, takes a gun, shoves it between her legs and pulls the trigger, causing her insides to explode. Then, while that guy is messing around with her entrails, another bloke enters the room and decapitates bloke #1 with a samurai sword. If this is the kind of stuff you're hungry for, then it should satisfy your cravings, but just be prepared for a long and arduous slog to get there.
3.5/10, rounded up to 4 for IMDb.
Ever read a novel with missing pages? Perhaps a vague abstraction confused you... Whatever the circumstances, ambiguity resides in relation to this films details and lack thereof; so, if you find yourself asking a lot of questions--especially during the opening half--then don't be surprised. Whether it was deliberately done or not is another debate, but this is a "student film" apparently.
Let's hack into the meat of the celluloid now, shall we?!?
After losing their leader (Aizawa) to jail time, A group of leftist stalwarts (whose true cause we're never quite sure of, aside from the fact they're seemingly at odds with the prevailing authoritative paradigms, and who may be displeased with the Vietnam war, as one reviewer mentioned), set forth on what becomes a violent power struggle with catastrophic and sanguinary consequences. The aftermath of the aforementioned imprisonment results in an order from Aizawa that his girlfriend is to head the group until his release. A decision that's met with some resistance, but things really turn when the head of the snake is cut off, so to speak. Witness the descent spiral into the abyss of oblivion (barring, you have the patience.)
Character-wise, a somewhat diverse ensemble, the rebels are made up of. A nerdy fellow newcomer, A strong silent type with a sword, an annoying female lead with an unsightly countenance, one underling to the incarcerated who asserts his bravado, and a few tag-alongs.
*Urgent bulletin*: The first hour is S-L-O-W. *End bulletin*.
Well, with the introductory information out of the way, you're probably wondering about the political allegory, symbolism, and profuse gore Kichiku is noted for. Fret not, for there are some impressions--a few drenched in crimson--that this reviewer would like to notify the reader about.
-The last member to join the group before its complete and utter combustion seemed to represent traditional values, to an extent. The mute observer seemingly skirting the precipice. Somewhat like he belongs to a bygone samurai age (He wields a nice blade), while those around him represent a new-world pariah mindset. One of youth & contempt for control/authority. Perhaps a product of what they hate (the latter); thus, making them mere reactionaries unsure of what they really want. Are they confused? Eh, maybe.
-A Japanese flag with a bloodstain on it, subject to 'stabbings'. I don't think I need to explain that...
-Related: Anarchists? Anti-war demonstrators? Te**o*ists? You figure it out.
-You'll be forced to reconsider the context of rifles in relation to female genitalia. Heh.
-Related: A scene in the mountains, it reminds of Scanners. What a mess of that cranium! Bloody hell! Literally!
-Lastly, We see the self destruction of powermongering and the hysteria it brings. Regardless of status or political persuasion, the cycle always ends the same way. Leftist, Reactionary, Staunch Right-Winger, it's all the same when infighting & an inherent lack of discipline clash with egodrama over that elusive thing called control. The affiliations and labels of such cabals render themselves irrelevant in the face of human savagery and animalistic thrashings.
Anyways, Kumakiri made a decent flick with both shock appeal and political leanings. Give it a look you cast iron stomachs, you.
Let's hack into the meat of the celluloid now, shall we?!?
After losing their leader (Aizawa) to jail time, A group of leftist stalwarts (whose true cause we're never quite sure of, aside from the fact they're seemingly at odds with the prevailing authoritative paradigms, and who may be displeased with the Vietnam war, as one reviewer mentioned), set forth on what becomes a violent power struggle with catastrophic and sanguinary consequences. The aftermath of the aforementioned imprisonment results in an order from Aizawa that his girlfriend is to head the group until his release. A decision that's met with some resistance, but things really turn when the head of the snake is cut off, so to speak. Witness the descent spiral into the abyss of oblivion (barring, you have the patience.)
Character-wise, a somewhat diverse ensemble, the rebels are made up of. A nerdy fellow newcomer, A strong silent type with a sword, an annoying female lead with an unsightly countenance, one underling to the incarcerated who asserts his bravado, and a few tag-alongs.
*Urgent bulletin*: The first hour is S-L-O-W. *End bulletin*.
Well, with the introductory information out of the way, you're probably wondering about the political allegory, symbolism, and profuse gore Kichiku is noted for. Fret not, for there are some impressions--a few drenched in crimson--that this reviewer would like to notify the reader about.
-The last member to join the group before its complete and utter combustion seemed to represent traditional values, to an extent. The mute observer seemingly skirting the precipice. Somewhat like he belongs to a bygone samurai age (He wields a nice blade), while those around him represent a new-world pariah mindset. One of youth & contempt for control/authority. Perhaps a product of what they hate (the latter); thus, making them mere reactionaries unsure of what they really want. Are they confused? Eh, maybe.
-A Japanese flag with a bloodstain on it, subject to 'stabbings'. I don't think I need to explain that...
-Related: Anarchists? Anti-war demonstrators? Te**o*ists? You figure it out.
-You'll be forced to reconsider the context of rifles in relation to female genitalia. Heh.
-Related: A scene in the mountains, it reminds of Scanners. What a mess of that cranium! Bloody hell! Literally!
-Lastly, We see the self destruction of powermongering and the hysteria it brings. Regardless of status or political persuasion, the cycle always ends the same way. Leftist, Reactionary, Staunch Right-Winger, it's all the same when infighting & an inherent lack of discipline clash with egodrama over that elusive thing called control. The affiliations and labels of such cabals render themselves irrelevant in the face of human savagery and animalistic thrashings.
Anyways, Kumakiri made a decent flick with both shock appeal and political leanings. Give it a look you cast iron stomachs, you.
i enjoyed this film. A lot of people give this movie a lot of flack due to the fact it can get kind of pretentious at moments and about the first 75% of the film moves VERY slowly. The end in my opinion was very gratifying, the gore was well done....the whole thing is shot well, yes it is quite hoke....but everyone downing this movie fails to realize that it's a STUDENT FILM made on absolutely no budget whatsoever. The term student film gets overused quite often, no, kumakiri made this film as his thesis in film school, he actually was in an extra year and a half trying to scrounge the money to finish. So, it's nothing earth shattering...but it is quite impressive considering the context, situation, and budget, and it is quite brutal in the end. If you are a fan of underground/indie cinema chances are you'll at the least enjoy this little nasty.
This is a very weird flick. Were as the first part is extremely boring the second part is full of gore. The thing that makes it almost not watchable is the fact that it was filmed badly and the translation in the subtitles came too late or wasn't done for some parts.
It's easy to spot that it's all about politics and that one crazy girl has the lead. She bangs everyone that she come across and she even give head with a chickens head. Further she does that again with a man but unlucky for him she bites his weener off. And that's were the gore comes in. She's as mad as hell and shoots one in the head in a gory way to perform some kind of necrophilia with the corps.
I wasn't really into it because the first part is as stated rather boring. But I was told about the extreme gore and I must admit that that was done in a pure old school way. But still, even as I like gore this isn't one of my favourites due the way it was shot and the bad acting. If one is ready to be killed you just don't care or the girl being opened in different ways, who cares.
But gorehounds will adore it but please skip to the 40 minute to see it slowly come in all the glory gore.
Gore 4/5 Nudity 1,5/5 Effects 4/5 Story 2/5 Comedy 0/5
It's easy to spot that it's all about politics and that one crazy girl has the lead. She bangs everyone that she come across and she even give head with a chickens head. Further she does that again with a man but unlucky for him she bites his weener off. And that's were the gore comes in. She's as mad as hell and shoots one in the head in a gory way to perform some kind of necrophilia with the corps.
I wasn't really into it because the first part is as stated rather boring. But I was told about the extreme gore and I must admit that that was done in a pure old school way. But still, even as I like gore this isn't one of my favourites due the way it was shot and the bad acting. If one is ready to be killed you just don't care or the girl being opened in different ways, who cares.
But gorehounds will adore it but please skip to the 40 minute to see it slowly come in all the glory gore.
Gore 4/5 Nudity 1,5/5 Effects 4/5 Story 2/5 Comedy 0/5
Did you know
- TriviaThe directorial debut of Kazuyoshi Kumakiri.
- ConnectionsFeatured in Horrible Reviews: Best Movies I've Seen In 2021 (2022)
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