The Terrorist

I just finished teaching a course in northern Thailand called "Understanding Cultures Through Cinema." This movie was the favorite of the class (and I had some great titles in there!). The students were very moved by the movie, and wrote great papers in response. This short line is my favorite example: "I liked (reviewer) because (that reviewer) doesn't say whether a terrorist who wanted to sacrifice her life was right or wrong. When your country is controlled by others, you want to have freedom." And this from a young sophomore who loves romantic comedies! Talk about a breakthrough!!! Culturally, the students tuned in to some important aspects that don't get noticed: Malli sharing meals with Mr. Vasu, the important moral role played by Lotus/Sorya, and the visual irony of the belt. I gave them a study guide question: How would YOU end this movie? The answers were poignant, and of course, they all mentioned the prevailing motif (which I won't mention here because that would be a spoiler, yes?).

When I first saw this movie, I gave it 9. After seeing it several times since, and especially seeing the reaction of my Thai students, I gladly raise it to 10. This is one of my top ten movies of all time.

"The Terrorist" is a non-violent film about violence and the subtlety of its camera work and overall direction might remind you of a travelogue rather than a searing drama about political fanaticism. The film takes place in India and yet we don't have any information on what the conflict is nor do we see the rebel leader whose hand controls all the subversion. That really isn't important but what is important is studying the assassin, Malli, who has so many close-ups that it border on obsession as the filmmakers try to reveal the conflicts she has to resolve in her mind, from her eyes blinking at the drops of rain to her face to face encounter with her lover soldier to her final makeup before meeting her destiny. Three men reveal themselves to Malli at pivotal points and the film underscores it with a technique of keeping the background unfocused until it is called for - the lover soldier who sees Malli as an obscured vision, the boy Lotus who stands too late to see his fate, and the VIP as he is greeted by the young women. Never are explosions seen nor direct killings exposed, we only hear gun shots or the splatter of blood on the murderer's face or the bloodied machete. The film seems to tip its hand by introducing the likeable 'Mad Vasu' and his comatose wife with her outstretched hand of comfort but, in truth, we had no way of anticipating the ending. You might want to compare "The Terrorist" to "Day of the Jackal" or even "La Femme Nikita" but such comparisons would be unfair. "The Terrorist" is a much better film because it allows the audience to unravel the mind of an assassin, in isolation, without the prejudice of killed bodies or self-serving violence. "The Terrorist" is a powerful adventure into the lonely paths of the human soul.

This movie should be seen, if for any other reason than to see a story told with minimal dialogue. The script couldn't have been more than 30 pages. Great visuals, and great acting using expression and editing. The only problem is that the ending should have been cut by about 5 seconds. Once you see it you will know what I am talking about. With little dialogue I was suprised how enthralled I was. I never once remember feeling like the movie should move faster. Worth a view.

the terrorist is one of the best movies ever to come out of india. the movie is totally unlike the normal indian bollywood movie. part-inspired by the events surrounding the assassination of late prime-minister rajiv gandhi, terrorist takes a look into the minds of an assassin.

the movie moves at a steady pace giving us time to understand the protagonist and sympathise with her. this bond is accentuated by ayesha dharkar's terrific acting, she clearly is a unique talent and hopefully the whole world will get to appreciate her in star wars II.

santosh sivan who is essentially a cinematographer takes to directing and comes up with a gripping tale. the movie shines with his brilliant work behind the camera as well, capturing every beautiful raindrop & the subtleties in dharkar's expressions.

the movie stands out as special, intelligent & warm, among its peers. a truly significant movie

a fantastic 10!!

Santosh Sivan, best known for directing a spectacular historical saga "Asoka," directed this Tamil film. Storywise, the film is similar to "Dil Se," also cinematographed by Santosh Sivan. The story delves into the psychological dilemma of a young girl, training herself to be a suicide bomber. With the minimalist dialogues and twists in the story, the film just moves tautly. The acting of Ayesha Dharker is perfect, and the photography is mesmerizing. Avoiding the Bollywood gimmicks and songs, the narration and the photography carry the film to a stupendous level. Perhaps, unheard and unwatched among the Bollywood lovers, it takes an Indian story to the international cinema, which "Dil Se" fails to do.

Rating: 2 stars out of 4