IMDb RATING
5.6/10
8.2K
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An undercover agent relies on the support of an unstable therapy group while working a sting operation.An undercover agent relies on the support of an unstable therapy group while working a sting operation.An undercover agent relies on the support of an unstable therapy group while working a sting operation.
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GUN SHY is a peculiar movie, one that purports to have a significant storyline but one that splinters ideas all over the place, leaving the viewer wondering what all the fuss is about.
'Charlie' Mayeaux (Liam Neeson) is a bummed out DEA agent fresh from a bungled case yet given an important assignment to break a Columbian drug cartel represented by Fidel (José Zúñiga) and his boyfriend Estuvio (Michael DeLorenzo). Also caught up in this mélange is the Mafia represented, however reluctantly, by Fulvio Nestra (Oliver Platt), a nerdy but vicious bungler whose temper is uncontrollable, partly due to his insipid belittling wife Gloria (Mary McCormack) whose father demands Fulvio's crime life importance. Charlie is a mess, meets a psychologist who introduces him to group therapy (where Charlie idiotically relates all the DEA secrets openly) and to gastroenterology where nurse Judy (Sandra Bullock) administers a barium enema then other more herbal-sided treatments while she and Charlie become bonded. People are maimed (gunshot castration), killed, made to look foolish, all to the end of supposedly belly laughs on the part of the audience.
True, Neeson shows a flair for comedy and Platt manages to convey a breakthrough role for him, but the rest is a jumbled mess. Made in 2000 with the Twin Towers of New York frequently visible during talk against Arabs and the Middle East, it is easy to see why the timing of this 'yet another Mafia vs law' film contributed to its short theater run (how many have even heard of it?). But in the final analysis it probably failed on its own merits - sad for a film filled to the brim with very fine actors. Grady Harp
'Charlie' Mayeaux (Liam Neeson) is a bummed out DEA agent fresh from a bungled case yet given an important assignment to break a Columbian drug cartel represented by Fidel (José Zúñiga) and his boyfriend Estuvio (Michael DeLorenzo). Also caught up in this mélange is the Mafia represented, however reluctantly, by Fulvio Nestra (Oliver Platt), a nerdy but vicious bungler whose temper is uncontrollable, partly due to his insipid belittling wife Gloria (Mary McCormack) whose father demands Fulvio's crime life importance. Charlie is a mess, meets a psychologist who introduces him to group therapy (where Charlie idiotically relates all the DEA secrets openly) and to gastroenterology where nurse Judy (Sandra Bullock) administers a barium enema then other more herbal-sided treatments while she and Charlie become bonded. People are maimed (gunshot castration), killed, made to look foolish, all to the end of supposedly belly laughs on the part of the audience.
True, Neeson shows a flair for comedy and Platt manages to convey a breakthrough role for him, but the rest is a jumbled mess. Made in 2000 with the Twin Towers of New York frequently visible during talk against Arabs and the Middle East, it is easy to see why the timing of this 'yet another Mafia vs law' film contributed to its short theater run (how many have even heard of it?). But in the final analysis it probably failed on its own merits - sad for a film filled to the brim with very fine actors. Grady Harp
what is wrong with this film? absolutely nothing. the story is MORE believable than analyze this to which this has been compared but there is no comparison-they're both great movies in there own right and totally different genres. analyze this is a straight up fantastical farce where gun shy is a dramatic romantic comedy more in the same vein as whole nine yards (but done much better). the soundtrack is excellent (you can't lose with tom waites!)the editing is wonderful(liam's "perception" in the 1st scene is hysterical) and the storyline flows.
charlie and fulvio's developing fiendship shows insight to the harshness of choosing a dangerous perfession and being born into it. either way you look at it, they are just two guys that hate their jobs just like the guys in the group sessions. wheather your a cop, thug, banker, lawyer, or stockbroker; life gets to a point where it all blends into an unfulfilling mess and you feel as if your drowning.
i noticed a lot of negitive reviews and am surprised at that. (like the gay thing-no one in this film is what they seem - get it?) maybe this is too complicated of a movie for everyone to enjoy. maybe hollywood has been putting out too much mission impossible eye candy that thinking about a movie and an underlying concept just shouldn't be expected anymore. this is a funny, sweet, real film. give it a chance.
charlie and fulvio's developing fiendship shows insight to the harshness of choosing a dangerous perfession and being born into it. either way you look at it, they are just two guys that hate their jobs just like the guys in the group sessions. wheather your a cop, thug, banker, lawyer, or stockbroker; life gets to a point where it all blends into an unfulfilling mess and you feel as if your drowning.
i noticed a lot of negitive reviews and am surprised at that. (like the gay thing-no one in this film is what they seem - get it?) maybe this is too complicated of a movie for everyone to enjoy. maybe hollywood has been putting out too much mission impossible eye candy that thinking about a movie and an underlying concept just shouldn't be expected anymore. this is a funny, sweet, real film. give it a chance.
No wonder Charlie, the man at the center of the film is suffering from the pressures of his job. He has too many things to worry about and all his problems affects his stomach functions producing funny noises at the worst moments. What's an undercover man to do? He gets involved more deeply into trying to do a decent job and in the process, he falls in love with the woman who understands what has to be done to relieve his symptoms.
Erik Blakeney has written and directed a film that should have been seen by a wider audience, yet, this movie came and went without fanfare. It deserved a better fate because of the funny screen play Mr. Blakeney created and the wonderful cast that was gathered for the picture. The problem seems to have been in the marketing. This is clearly not a Sandra Bullock vehicle at all!
Liam Neeson and Oliver Platt are about the best thing going for the movie. Liam Neeson's Charlie is one of the funniest roles he has done in his career. Mr. Neeson tends to gravitate toward more dramatic fare, but as Charlie, he proves he is an accomplished comedian. The same goes for Oliver Platt who plays a bad guy interested in domestic activities such as cleaning a messy kitchen, or even thinking about a life in Italy growing tomatoes.
The minor roles are equally good. Jose Zuniga and Micahel DeLorenzo are hilarious as a pair of gay drug dealers. Sandra Bullock doesn't get as many opportunities in the movie, but she is seen in the pivotal role of Judy. The group therapy sessions involving Charlie and other law enforcing people are fun to watch.
Erik Blakeney shows he can do good work if only he could have the right studio people behind him.
Erik Blakeney has written and directed a film that should have been seen by a wider audience, yet, this movie came and went without fanfare. It deserved a better fate because of the funny screen play Mr. Blakeney created and the wonderful cast that was gathered for the picture. The problem seems to have been in the marketing. This is clearly not a Sandra Bullock vehicle at all!
Liam Neeson and Oliver Platt are about the best thing going for the movie. Liam Neeson's Charlie is one of the funniest roles he has done in his career. Mr. Neeson tends to gravitate toward more dramatic fare, but as Charlie, he proves he is an accomplished comedian. The same goes for Oliver Platt who plays a bad guy interested in domestic activities such as cleaning a messy kitchen, or even thinking about a life in Italy growing tomatoes.
The minor roles are equally good. Jose Zuniga and Micahel DeLorenzo are hilarious as a pair of gay drug dealers. Sandra Bullock doesn't get as many opportunities in the movie, but she is seen in the pivotal role of Judy. The group therapy sessions involving Charlie and other law enforcing people are fun to watch.
Erik Blakeney shows he can do good work if only he could have the right studio people behind him.
Liam Neeson in a silly comedy? That didnt work out too well.
The bad: this story is simply too silly for my taste. There is a limit to how much silliness I can stumach and this movie crosses that line.
More bad: it's lacking in good jokes as well, although some of the dialogues are quite witty.
Not any good? It has it moments, but only a few good moments. I think actor Oiver Platt was the real comedy actor that made me smile a few times. The rest of the acting performances were mediocre.
The story: Liam Neeson plays an undercover cop, who has gotten anxiety attacks. Will going to a therapy group and getting treatment by a nurse (Sandra Bullock) cure his fears?
The bad: this story is simply too silly for my taste. There is a limit to how much silliness I can stumach and this movie crosses that line.
More bad: it's lacking in good jokes as well, although some of the dialogues are quite witty.
Not any good? It has it moments, but only a few good moments. I think actor Oiver Platt was the real comedy actor that made me smile a few times. The rest of the acting performances were mediocre.
The story: Liam Neeson plays an undercover cop, who has gotten anxiety attacks. Will going to a therapy group and getting treatment by a nurse (Sandra Bullock) cure his fears?
GUN SHY (2000) ** Liam Neeson, Oliver Platt, Sandra Bullock, Jose Zuniga, Michael DeLorenzo, Andy Lauer, Richard Schiff, Paul Ben-Victor, Mitch Pileggi, Gregg Daniel, Ben Weber, Mary McCormack, Michael Mantell.
Liam Neeson may not be known for his comic flair in spite of his wide dramatic range in serious films but here he displays a low underwhelming charm that has a distinct world-weary sarcasm that helps make his nearly burnt out federal undercover agent Charlie a somewhat put-upon likable good guy.
Charlie is on the verge of some kind of nervous breakdown ever since a botched assignment nearly got him killed and an aversion to watermelon (he was forced in a compromising position a la a roasted pig during the melee), that unless he can pull himself together the next job may send him over the edge.
That's why while en route to his debriefing for a small-time made man in New York he makes small talk on the plane with a man who turns out to be a therapist and before he knows it is on the couch and later in group therapy with a quartet of stressed businessmen who seem to all share a common thread: fear of repercussions and termination.
Charlie is so bent out of shape in his recovery from his life-threatening incident and the upcoming ploy to oust the violent tempered Fulvio Nesstra (Platt, one of our best comic actors playing it to the hilt a la Paul Sorvino) that the therapist recommend him to a gastrointestinal clinic where in arguably the oddest meet-cute in film history is ministered by the sunny Judy Tipp (wholesomely sexy Bullock, who also produced the comedy) and wind up falling in love with her post-enema treatment (!) What makes the film its own is its blend of the out-of-sort comic elements of Charlie's high stressed work and the group therapy's oddball patients , especially Richard Schiff (best know as the human wishbone in 'The Lost World: Jurassic Park' and currently on tv's dramedy 'The West Wing') who is so beyond frazzled at his workplace he has to resort to some bizarre tactics to avoid blurting out a Tourette's Syndromelike spurt of vitriol (at least until the film needs it as a closure).
Maybe because of the unusual hybrid of comedy a la 'Analyze This' with the broad character of Platt's Fulvio and the somewhat sardonic tone of Neeson's Charlie does it mesh often on the mark. Yet the film suffers from trying to balance too much on its scales to begin with but comes across as a game effort with a fine ensemble and clever screenplay by new filmmaker Eric Blakeney.
Give it an A for effort in attempting to make an original spin on a chestnut like the screwball comedy and fish out-of-water genre.
Liam Neeson may not be known for his comic flair in spite of his wide dramatic range in serious films but here he displays a low underwhelming charm that has a distinct world-weary sarcasm that helps make his nearly burnt out federal undercover agent Charlie a somewhat put-upon likable good guy.
Charlie is on the verge of some kind of nervous breakdown ever since a botched assignment nearly got him killed and an aversion to watermelon (he was forced in a compromising position a la a roasted pig during the melee), that unless he can pull himself together the next job may send him over the edge.
That's why while en route to his debriefing for a small-time made man in New York he makes small talk on the plane with a man who turns out to be a therapist and before he knows it is on the couch and later in group therapy with a quartet of stressed businessmen who seem to all share a common thread: fear of repercussions and termination.
Charlie is so bent out of shape in his recovery from his life-threatening incident and the upcoming ploy to oust the violent tempered Fulvio Nesstra (Platt, one of our best comic actors playing it to the hilt a la Paul Sorvino) that the therapist recommend him to a gastrointestinal clinic where in arguably the oddest meet-cute in film history is ministered by the sunny Judy Tipp (wholesomely sexy Bullock, who also produced the comedy) and wind up falling in love with her post-enema treatment (!) What makes the film its own is its blend of the out-of-sort comic elements of Charlie's high stressed work and the group therapy's oddball patients , especially Richard Schiff (best know as the human wishbone in 'The Lost World: Jurassic Park' and currently on tv's dramedy 'The West Wing') who is so beyond frazzled at his workplace he has to resort to some bizarre tactics to avoid blurting out a Tourette's Syndromelike spurt of vitriol (at least until the film needs it as a closure).
Maybe because of the unusual hybrid of comedy a la 'Analyze This' with the broad character of Platt's Fulvio and the somewhat sardonic tone of Neeson's Charlie does it mesh often on the mark. Yet the film suffers from trying to balance too much on its scales to begin with but comes across as a game effort with a fine ensemble and clever screenplay by new filmmaker Eric Blakeney.
Give it an A for effort in attempting to make an original spin on a chestnut like the screwball comedy and fish out-of-water genre.
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Did you know
- TriviaDespite being the female lead, Sandra Bullock doesn't appear on screen until 32:21 mark.
- GoofsWhen Charlie is getting an enema from Judy, he's on his right side. Enemas are typically given with the patient laying on their left side as this is thought to anatomically facilitate passage. Western hemisphere storytelling theories suggests that visual imagery is read from left to right. This may have brought the filmmakers to put Charlies face "first" and bottom "last" to put draw larger focus towards the human interaction rather than the procedure.
- Quotes
Fulvio Nesstra: I'm very good at reading what's in a person's eyes.
Charlie: That's nice.
Fulvio Nesstra: I'm reading yours right now.
Charlie: Yeah? What do they say?
Fulvio Nesstra: They say you're sleepy. But I can't figure out is it's too much drugs sleepy, too much work sleepy, or I'm so fucking bored sleepy. Maybe you've got that weird fucking sleepy disease. Narco-sleepy. Something sleepy.
- Crazy creditsShortly into the credits there is a brief scene of Fulvio picking a nicely grown tomato.
- ConnectionsReferenced in Atraco a las 3... y media (2003)
- SoundtracksBlue Skies for Everyone
Written & Performed by Bob Schneider
- How long is Gun Shy?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Супершпигун
- Filming locations
- Paramount Ranch - 2813 Cornell Road, Agoura, California, USA(Set built for Nesstra's Sicilian farm house)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $1,638,202
- Opening weekend US & Canada
- $703,109
- Feb 6, 2000
- Gross worldwide
- $3,284,444
- Runtime
- 1h 41m(101 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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