Gun Shy

Stress. It comes in many shapes and sizes, to many totally different people. Liam's character, Charlie was stressed to the max, but who wouldn't be, if your life is always on the line because of your chosen profession. Working for DEA, not the job for me, working for the Columbian Cartel, not for me, working for the Mafia, again, NOT FOR ME. Put these three groups of people together to launder money with an over the top type from wallstreet and you get a movie with a wonderful story line and an even more incredible ending. OLIVER PLATT, I LOVE YOU!!! He is one of Canada's best exports and very believable in whatever part he plays. Sandra Bullock shines in her character and turns out to be what Liams character, Charlie needs, period. The Columbian "lovers" cracked me up. I was reading other user comments and read that the script was non consistant because one minute the character is showing pictures of his wife and kids, but really he's gay. MANY men keep that part of themselves hidden in a homophobic world, especially when your father is one of the heads of the Colombian Cartel. The group therapy sessions, show that all people go through stressful moments, dosen't matter who you are. I recommend this movie to people who have suffered from stress, anxiety, and or depression. We're not alone!!!

'Gunshy' tries to mingle too many things into one and fails. There's the whole 'psychology' aspect, the friends-with-the-gangster theme, the thriller aspect and so on and all try to be part of one story. Blakeney's fails to give it the energy and slickness that it needed. The story drags too much. The romantic track between Judy and Charles is poorly developed. Liam Neeson demonstrates a flair for comedy but it is Oliver Platt and Mary McCormack who steal the show. Their scenes together are some of the best moments of the film. I was also amused by the sequences that involved Charles and his group therapy buddies and the final sequences with the two gay Colombians. Sandra Bullock does not get much scope (ironically, she produced the film). In addition, I loved the soundtrack which is an impressive eclectic mixture.

This is the story of a neurotic anti-drug agent, who has to go on with his job, against his fear and his instincts. Good premises for a situation comedy, good actors - however the overall impression is one of disappointment. Not even the stars in the credits can save the movie from getting deep into incredibility and vulgarity. What a waste for talents like Bullock and Nelson.

GUN SHY is a peculiar movie, one that purports to have a significant storyline but one that splinters ideas all over the place, leaving the viewer wondering what all the fuss is about.

'Charlie' Mayeaux (Liam Neeson) is a bummed out DEA agent fresh from a bungled case yet given an important assignment to break a Columbian drug cartel represented by Fidel (José Zúñiga) and his boyfriend Estuvio (Michael DeLorenzo). Also caught up in this mélange is the Mafia represented, however reluctantly, by Fulvio Nestra (Oliver Platt), a nerdy but vicious bungler whose temper is uncontrollable, partly due to his insipid belittling wife Gloria (Mary McCormack) whose father demands Fulvio's crime life importance. Charlie is a mess, meets a psychologist who introduces him to group therapy (where Charlie idiotically relates all the DEA secrets openly) and to gastroenterology where nurse Judy (Sandra Bullock) administers a barium enema then other more herbal-sided treatments while she and Charlie become bonded. People are maimed (gunshot castration), killed, made to look foolish, all to the end of supposedly belly laughs on the part of the audience.

True, Neeson shows a flair for comedy and Platt manages to convey a breakthrough role for him, but the rest is a jumbled mess. Made in 2000 with the Twin Towers of New York frequently visible during talk against Arabs and the Middle East, it is easy to see why the timing of this 'yet another Mafia vs law' film contributed to its short theater run (how many have even heard of it?). But in the final analysis it probably failed on its own merits - sad for a film filled to the brim with very fine actors. Grady Harp

GUN SHY (2000) ** Liam Neeson, Oliver Platt, Sandra Bullock, Jose Zuniga, Michael DeLorenzo, Andy Lauer, Richard Schiff, Paul Ben-Victor, Mitch Pileggi, Gregg Daniel, Ben Weber, Mary McCormack, Michael Mantell.

Liam Neeson may not be known for his comic flair in spite of his wide dramatic range in serious films but here he displays a low underwhelming charm that has a distinct world-weary sarcasm that helps make his nearly burnt out federal undercover agent Charlie a somewhat put-upon likable good guy.

Charlie is on the verge of some kind of nervous breakdown ever since a botched assignment nearly got him killed and an aversion to watermelon (he was forced in a compromising position a la a roasted pig during the melee), that unless he can pull himself together the next job may send him over the edge.

That's why while en route to his debriefing for a small-time made man in New York he makes small talk on the plane with a man who turns out to be a therapist and before he knows it is on the couch and later in group therapy with a quartet of stressed businessmen who seem to all share a common thread: fear of repercussions and termination.

Charlie is so bent out of shape in his recovery from his life-threatening incident and the upcoming ploy to oust the violent tempered Fulvio Nesstra (Platt, one of our best comic actors playing it to the hilt a la Paul Sorvino) that the therapist recommend him to a gastrointestinal clinic where in arguably the oddest meet-cute in film history is ministered by the sunny Judy Tipp (wholesomely sexy Bullock, who also produced the comedy) and wind up falling in love with her post-enema treatment (!) What makes the film its own is its blend of the out-of-sort comic elements of Charlie's high stressed work and the group therapy's oddball patients , especially Richard Schiff (best know as the human wishbone in 'The Lost World: Jurassic Park' and currently on tv's dramedy 'The West Wing') who is so beyond frazzled at his workplace he has to resort to some bizarre tactics to avoid blurting out a Tourette's Syndromelike spurt of vitriol (at least until the film needs it as a closure).

Maybe because of the unusual hybrid of comedy a la 'Analyze This' with the broad character of Platt's Fulvio and the somewhat sardonic tone of Neeson's Charlie does it mesh often on the mark. Yet the film suffers from trying to balance too much on its scales to begin with but comes across as a game effort with a fine ensemble and clever screenplay by new filmmaker Eric Blakeney.

Give it an A for effort in attempting to make an original spin on a chestnut like the screwball comedy and fish out-of-water genre.