Space Island One

This is a show that some may think a bit too dry. There are no cool graphics or sound effects. All there is is a good plot and characters with depth. It is not a show to just watch one of -- you will be confused.

One of the things that I like about it is that there are very few people and they are within a limited space. Not a lot of visitors or other distractions. Most of the show is how the group acts within itself and to some outside stimuli. It is definitely more of a character study than anything else.

If you are looking for flashy, this is not for you. If you want something that has substance, then it may be.

... And the sets were on par with early Dr Who rather than anything high-tech like Bab5 or Star Trek, but damn, I loved those people, and I was SO ready for Season 2. Which never happened. If there were a DVD I'd buy it in about a second.

The little robots, the "roams", and their creator the Scots mechanical genius Lyle Campbell were great comic relief; the pilot Shannon and the station commander Kathryn McTiernan were a wonderfully tense pairing, the simply competent Brit and her over-the-hill Yank second-in-command and pilot. "Harry" Escherbach and her foil in the lab, Paula Hernandez were another study in subtle contrasts.

The show was very much character-driven ... but the plots were not bad either. As I say, I've been looking for DVD for about 8 years now.

This show did not have a big budget, or action packed stories, but it captured the feeling of the old British sci-fi shows of the 80's.

I liked the show for it's distinctive atmosphere, and the easily-likeable characters. It was a good break from Star Trek clone shows (although I generally do like those shows too :).

If you liked shows like Blake's 7, this show is for you, although the special effects are distinctly better than the effects in Blake.

Great concept, engaging cast, excellent production (for its time)... It all added up to much less than it could have, but was still very watchable if you took it with a grain of salt.

I had the feeling that the original intent was to do a truly 'realistic' space show, and that someone chickened out. It seemed like as soon as the first ratings came in, undoubtedly low, increasingly fantastic elements started to creep in to the series. These were fun, but more of a nod to the Doctor Who crowd than at all consistent with the original premise of Space Island One: life on a space station.

Still, I found the series to be an important 'island' of innovation in a perpetually childish and overwrought TV SF landscape. If you want to see a better show built on similar lines, try to track down the 1980s series Star Cops. Or the 1970s series Moonbase 3. Clearly, these low-key SF tend to come out of the UK every decade or so... We're overdue for another!

It's a shame this show only lasted for two seasons. It wasn't brilliant by any means, but it was surprisingly easy to get into, and after watching a number of episodes I became quite hooked on it. In Australia it was shown at two o'clock on Wednesday mornings, but I found it was the perfect show to have with breakfast on a Saturday and taped it regularly. Unfortunately, I discovered too late that there were only a limited number of episodes, and the show could not be found on video, so I didn't manage to keep any of them.

The show itself is quite remarkable. Unlike most science fiction programmes, it is set in the near future and almost everything used in the series is something that could conceivably be created today. The story lines and acting are a little too cartoonish for the show to be overly believable, but there is a stronger element of believability to this programme than many other science fiction offerings. Produced as a co-operative exercise between England and Germany, with German, British and American actors and characters from Germany, GB, the US and Russia, there is more than one 'double meaning' behind the Space Station's name: Unity (incidentally, the name of one of the modules of the International Space Station). The possible issues of corporate ownership is explored in detail in this series, as are the tensions that arise from isolating a small group of people in a confined space. I wouldn't call the series ground-breaking, but it has it's high points and is worth more attention that it received.