IMDb RATING
6.7/10
1.9K
YOUR RATING
Krishna is very loyal to his master and treats him like God. Unfortunately, he gets thrown out of the house and the master becomes a pauper. But loyal Krishna returns to change things for th... Read allKrishna is very loyal to his master and treats him like God. Unfortunately, he gets thrown out of the house and the master becomes a pauper. But loyal Krishna returns to change things for the master.Krishna is very loyal to his master and treats him like God. Unfortunately, he gets thrown out of the house and the master becomes a pauper. But loyal Krishna returns to change things for the master.
Madhavi
- Mrs. Janki Kumar
- (as Maadhavi)
Bhagwan Palav
- Cameo (song "Filmon Ke Saare Hero")
- (as Bhagwan)
Arun Bakshi
- Director
- (as Arun Baxi)
Yunus Parvez
- Gardener
- (as Yunus Parwez)
Shehnaz Kudia
- Deepa
- (as Shahnaaz)
Mushtaq Merchant
- Thief
- (as Mustaq Merchant)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Khanna, in one of his later roles, delivers a masterclass in restrained anguish, his eyes conveying volumes where dialogue falters. Govinda, pre-celebrity as the 90s' "Hero No. 1," showcases surprising nuance, balancing his trademark humor with tender vulnerability. Their dynamic evolves organically, from wary tension to paternal affection, avoiding clichéd sentimentality. Juhi Chawla, though underutilized, radiates warmth, her character serving as the moral compass bridging two disparate worlds.
Dhawan's direction here is uncharacteristically somber, favoring muted visuals and deliberate pacing that mirror the protagonist's internal stagnation. The film's aesthetic-shadowy mansions contrasted with vibrant street scenes-reflects the clash between privilege and authenticity. Lahiri's soundtrack, particularly the soulful "Kaate Nahi Kat Te", transcends era-specific synth beats, becoming a narrative device that underscores pivotal emotional shifts.
Dhawan's direction here is uncharacteristically somber, favoring muted visuals and deliberate pacing that mirror the protagonist's internal stagnation. The film's aesthetic-shadowy mansions contrasted with vibrant street scenes-reflects the clash between privilege and authenticity. Lahiri's soundtrack, particularly the soulful "Kaate Nahi Kat Te", transcends era-specific synth beats, becoming a narrative device that underscores pivotal emotional shifts.
Bravo to Govinda and to Late Rajesh Khanna.
These days we salivate to watch a dynamic duo of this calibre. Yesteryears is when one was actually putting out a performance compared to now which is all about glamour and most of all very little of acting, or rather with any substance, if any.
I must have watched Swarg a hundred time without getting bored. Rajesh Khannas performance as usual fantastic, however I think Govinda stole the show for me. The scene where Govinda is accused of robbery and told to leave, has left an everlasting memory which I can't forget. And I haven't seen the film since 1993. I don't know, it maybe just me but I had a tear in my eye. Govinda has since been one of my favourite actors; however, his recent films have not done justice to his acting ability.
The overall story will not be remembered as a classic as this type of stories have been done a lot of times before, nevertheless I'd still watch it for Govinda's and Rejesh Khanna's performances.
6/10
The overall story will not be remembered as a classic as this type of stories have been done a lot of times before, nevertheless I'd still watch it for Govinda's and Rejesh Khanna's performances.
6/10
10alokc
Rajesh Khanna plays the lead role in the movie.The movie is a tear jerker and a dramatic movie. The movie has Govinda, a popular star then, having more footage than Rajesh Khanna but he cannot compete with the mastery of Rajesh Khanna who has performed the role in his true style which reminds us of the old Rajesh Khanna Super Star. His certain scenes are memorable and the Director could have given a lot more footage to his role. The movie was a hit but could have had much better music and the production values could have been better. It is a one of the last movies of Rajesh Khanna which was a commercial success and with his fans coming out of the movie satisfied by the performance of the great superstar of the 1970s and 1980s who then decided to get into politics and forgot about films. A must see.
I never knew David dhawan who is known for directing comedy films had made an emotional family drama titled Swarg.
It narrates the story of Kumar Saab(Rajesh Khanna), a successful industrialist living happily in his mansion named Swarg with his wife Janaki(Madhavi) along with his step siblings whose mother he had promised that for their well being he won't have his own child. He also has a servant Krishna (Govinda) who is very loyal towards him.
All the happiness disappears when Kumar's business rival Dhanraj(Paresh Rawal) puts fire in his factory leading him to severe financial loss. After his failure, the step brothers started showing their true colors by not lending him any kind of support.
When the brothers blame Krishna for stealing their sister Jyoti's (Juhi Chawla) necklace, Kumar despite knowing Krishna's innocence with a heavy heart throws him out of the house so that he could move on in life instead of being a part of their suffering. Despite being thrown out Krishna still has respect towards his master and hopes to return to him successful.
When the swarg mansion gets auctioned, janaki dies heartbroken and Kumar and jyoti shift to an old house. Krishna later enters films and becomes a successful actor. Rest of the film is how Krishna brings back his master's lost glory.
The biggest plus point of swarg is Rajesh khanna and Govinda's performance. Rajesh khanna gives a dignified performance as Kumar Saab. Govinda proves that he is not just king of comedy but also king of emotions. His performance in emotional scenes can move anyone.
The drawback I felt is that the director showed Krishna's journey towards stardom like a bed of roses. He easily gets a home to live, gets easily a job as a spotboy enters film and instantly becomes superstar. Also most of the scenes gives you a feeling of a TV serial.
On the whole if you watch swarg with a mind that this was made in 90s which was fine at that time then you would like it.
Did you know
- TriviaDavid Dhawan's first hit with Govinda and perhaps one of Rajesh Khanna's last hits.
- ConnectionsReferences Awaara (1951)
- How long is Swarg?Powered by Alexa
Details
Contribute to this page
Suggest an edit or add missing content