The Hound of the Baskervilles

Although I enjoyed Tom Baker as Dr. Who, watching him play the same character and renaming it Sherlock Holmes was a bit of a yawn. This film is pretty much unwatchable, especially after seeing the Jeremy Brett version. The only casting of Holmes that is worse was Roger Moore

This was like watching a high school senior play in which the teenaged actors were directed by a bored drama teacher to employ every stereotype they had ever seen (or heard) of Holmes and Watson. It's completely understandable that Tom Baker would later apologize for his portrayal. Even by 1982 standards, the production quality was sorely lacking.

My family watched this when it was broadcast by the ABC in Australia and we were enjoying it very much. We were disappointed that we would miss the last instalment as we were going away to stay in a caravan without TV.

Fortunately I'd learnt that a mono FM radio could receive the sound of the ABC TV signal. We tuned in and sat in the caravan mesmerised, like a family in the 1940's listening to a radio drama.

Because we had seen the earlier episodes on TV we could easily imagine the characters and locations, thereby truly experiencing 'theatre of the mind'. It was very special.

Tom Baker's performance as Holmes displays mannerisms that could only be called idiosyncratic, and, for me at least, were displeasing. The basic story is well covered, though, and collectors of Holmesiana might like to have a view or a tape if it should come available. The Basil Rathbone film is miles ahead so far as Holmes atmosphere is concerned.

I remember this adaptation, made for the BBC's Sunday Classic Serial slot. Tom Baker had just left 'Doctor Who' where he was 'fantastic' (of course!) I think this was the first time he had played the sleuth (he starred as Holmes on stage in 'The Mask of Moriarty' in 1985) but do not remember his performance here! I do remember Terence Rigby as Watson turned in another in a long line of Nigel Bruce impressions.

Thank goodness we soon had David Burke to set a new example for Edward Hardwicke and Ian Hart! What I do remember favourably is Carl Davis' haunting theme music and the animated titles. The music was very much in the vein of Davis' sombre theme for 'Winston Churchill - The Wilderness Years.' The animated titles (following the Hound's shadow from rock to rock over a bleak, dark-skied Dartmoor) would have served well as a storyboard for part of the never yet correctly filmed 'legend of the Hound!' Oh well - we can dream!