When a young heir inherits a noble title that apparently has a deadly curse to it, Sherlock Holmes is hired to investigate.When a young heir inherits a noble title that apparently has a deadly curse to it, Sherlock Holmes is hired to investigate.When a young heir inherits a noble title that apparently has a deadly curse to it, Sherlock Holmes is hired to investigate.
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My family watched this when it was broadcast by the ABC in Australia and we were enjoying it very much. We were disappointed that we would miss the last instalment as we were going away to stay in a caravan without TV.
Fortunately I'd learnt that a mono FM radio could receive the sound of the ABC TV signal. We tuned in and sat in the caravan mesmerised, like a family in the 1940's listening to a radio drama.
Because we had seen the earlier episodes on TV we could easily imagine the characters and locations, thereby truly experiencing 'theatre of the mind'. It was very special.
Fortunately I'd learnt that a mono FM radio could receive the sound of the ABC TV signal. We tuned in and sat in the caravan mesmerised, like a family in the 1940's listening to a radio drama.
Because we had seen the earlier episodes on TV we could easily imagine the characters and locations, thereby truly experiencing 'theatre of the mind'. It was very special.
I remember this adaptation, made for the BBC's Sunday Classic Serial slot. Tom Baker had just left 'Doctor Who' where he was 'fantastic' (of course!) I think this was the first time he had played the sleuth (he starred as Holmes on stage in 'The Mask of Moriarty' in 1985) but do not remember his performance here! I do remember Terence Rigby as Watson turned in another in a long line of Nigel Bruce impressions.
Thank goodness we soon had David Burke to set a new example for Edward Hardwicke and Ian Hart! What I do remember favourably is Carl Davis' haunting theme music and the animated titles. The music was very much in the vein of Davis' sombre theme for 'Winston Churchill - The Wilderness Years.' The animated titles (following the Hound's shadow from rock to rock over a bleak, dark-skied Dartmoor) would have served well as a storyboard for part of the never yet correctly filmed 'legend of the Hound!' Oh well - we can dream!
Thank goodness we soon had David Burke to set a new example for Edward Hardwicke and Ian Hart! What I do remember favourably is Carl Davis' haunting theme music and the animated titles. The music was very much in the vein of Davis' sombre theme for 'Winston Churchill - The Wilderness Years.' The animated titles (following the Hound's shadow from rock to rock over a bleak, dark-skied Dartmoor) would have served well as a storyboard for part of the never yet correctly filmed 'legend of the Hound!' Oh well - we can dream!
This was like watching a high school senior play in which the teenaged actors were directed by a bored drama teacher to employ every stereotype they had ever seen (or heard) of Holmes and Watson. It's completely understandable that Tom Baker would later apologize for his portrayal. Even by 1982 standards, the production quality was sorely lacking.
Although I enjoyed Tom Baker as Dr. Who, watching him play the same character and renaming it Sherlock Holmes was a bit of a yawn. This film is pretty much unwatchable, especially after seeing the Jeremy Brett version. The only casting of Holmes that is worse was Roger Moore
Peter Duguid can be proud of the efforts he made in adapting this classic to the small screen.
Tom Baker and Terrence Rigby are outstanding as Holmes and Watson, and for once Watson is not the buffoon as portrayed by Nigel Bruce. Baker gives a down to earth portrayal of the great detective, he comes across keen and intelligent, but not so dismissive and patronizing as Jeremy Brett often was in the same role for television.
Woodeson is fine as Sir Henry and Ravenscroft is perfect as the conniving and murderous Stapleton. The doctor, who is a part time archaeologist and collector of skulls, is ably portrayed by Knightley. His apparent willingness to believe in the supernatural dog is offset by his own keen observation and grasp of human nature.
The production values are excellent - typical of a BBC production. THe costumes and sets are very period, as they should be. THe modernized WW II era Holmes portrayed by Rathbone always left me feeling a little unsatisfied. All told, this version is excellent and does not deserve any of the trivial criticism heaped upon it by some. I heartily recommend this film if you can get it on video. I was fortunate to tape it in 1984 and still enjoy it twenty two years later.
Tom Baker and Terrence Rigby are outstanding as Holmes and Watson, and for once Watson is not the buffoon as portrayed by Nigel Bruce. Baker gives a down to earth portrayal of the great detective, he comes across keen and intelligent, but not so dismissive and patronizing as Jeremy Brett often was in the same role for television.
Woodeson is fine as Sir Henry and Ravenscroft is perfect as the conniving and murderous Stapleton. The doctor, who is a part time archaeologist and collector of skulls, is ably portrayed by Knightley. His apparent willingness to believe in the supernatural dog is offset by his own keen observation and grasp of human nature.
The production values are excellent - typical of a BBC production. THe costumes and sets are very period, as they should be. THe modernized WW II era Holmes portrayed by Rathbone always left me feeling a little unsatisfied. All told, this version is excellent and does not deserve any of the trivial criticism heaped upon it by some. I heartily recommend this film if you can get it on video. I was fortunate to tape it in 1984 and still enjoy it twenty two years later.
Did you know
- TriviaTom Baker said of the titular hound: "He didn't want to harm Nicholas Woodeson, who was playing Sir Henry Baskerville. In fact, the bloody dog had fallen in love with Nicholas. Someone had the notion of hiding sausages under the lapels of Nic's dinner jacket, but it was of no use: The dog actually appeared to be blowing kisses at Nic. And then, a member of the camera crew suggested that, 'why didn't we throw Nic at the dog, and then run the film backwards?' Nic Wilson was not amused, but I was. I laughed so much, I hoped that the joke was what I'd been waiting for all these years before I died".
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