A shot criminal son comes to his dad for the first time in years to offer him a deal. Before the night is over, bodies are scattered everywhere. The hospitalized dad tells two cops what happ... Read allA shot criminal son comes to his dad for the first time in years to offer him a deal. Before the night is over, bodies are scattered everywhere. The hospitalized dad tells two cops what happened.A shot criminal son comes to his dad for the first time in years to offer him a deal. Before the night is over, bodies are scattered everywhere. The hospitalized dad tells two cops what happened.
Goûchy Boy
- Lawrence
- (as Gouchy Boy)
A.C. Peterson
- Frayerling
- (as Alan C. Peterson)
Hardee T. Lineham
- Detective Berkley
- (as Hardee Lineham)
Danielle McNichol
- Emma White
- (as Danielle Webb)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
5.3843
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Featured reviews
It had height and width, but no depth.
This was not a terrible film. It was merely a poor execution of current noir film styles. The pacing was slow. The script was melodramatic in places. It is unfortunate that the dramatic pause has become an overused device. The lighting was film school quality at best. Just because the subject matter is "dark" doesn't mean that I should be unable to see the actors. The editor seemed to be overly entertained by nifty but superfluous techniques. Much like a verbal pause, the film pause can become tiresome and overused. I cannot blame the actors for their flat delivery, I have seen them all in other films giving dynamic and believable performances. If the actors were doing what they were told, then we have to blame the director. The plot was very contrived. It took elements from a number of hit movies (Usual Suspects and City on Fire among them) and smothered them. A number of clichés were employed in an attempt to make us care about the characters. They all failed. In a three dimensional world, two dimensional plots get you nowhere.
Not bad but confused
Only some gunfights scenes are worth in this UK crime flick. Directing is so confused, so is the story telling, and acting totally lousy. Sometimes I got bored, sometimes not, it is very difficult to pronounce some opinion, good or bad. This is a first film, and in very fashion in the early 2000's, in the Guy Ritchie mode. It remained more or less this way during the decade, and even further. With lesser results. John Hurt presence doesn't help at all. But you can try.
What really happened -- I still don't know
Trying to follow all the plot twists made my brain hurt. A day later, I still can't figure out what really happened, with all the lies told along the way by the characters.
I *think* there are some plot holes; if things really happened the way it turns out they did, then some things don't make sense. Either that, or the plot is just too convoluted for most people to follow.
Either way, the film left me feeling a bit puzzled. While the acting was good, the film as a whole was disappointing. I voted it 4 (out of 10) for the IMDB.
I *think* there are some plot holes; if things really happened the way it turns out they did, then some things don't make sense. Either that, or the plot is just too convoluted for most people to follow.
Either way, the film left me feeling a bit puzzled. While the acting was good, the film as a whole was disappointing. I voted it 4 (out of 10) for the IMDB.
Boring and predictable
This was a real stinker. Boring and predictable from beginning to end. And worst of all a complete waste of a great cast including John Hurt, Joe Pantoliano, Carrie-Anne Moss (Cypher and Trinity from The Matrix) and Nick Moran. The center plot revolves around a man (Hurt) whose daughter needs a new heart. They don't seem to be able to find one, until the man's son (Moran) pops up, offering his heart in exchange of his fathers services. The father has to play the part of a kidnapped millionaire who was accidentally killed by Moran's gang. But he can't tell that to his boss and his 'businesspartners' (Pantoliano and Moss). This goes on for a while until the movie wraps up nicely and predictably after a grotesque shootout. 3/10
Story telling at its best
Quite how this great little movie has slipped undetected is a mystery. A great cast bring real life to a wonderfully twisty narrative that whilst inevitably drawing comparisons to Tarantino and Guy Richie by the nature of the genre, appears fresh and exciting. Don't be put off by the straight to video title, Hurst's ability as a writer is more than matched by his skill behind the camera and he never loses his grip on a story that in other hands might have become a tedious and confusing mess. This is story telling at its best.
Did you know
- TriviaAfter already being hired for the movie, Nick Moran was denied permission to enter Canada for the shoot, because of an old drunk driving conviction. The Canadian consulate told him no one can enter the country with a criminal record. After several weeks of trying to get a waiver for his conviction, he finally got it, and was able to film the movie.
- Crazy creditsGood luck Mike. Love Tiger
- ConnectionsReferenced in It's Always Sunny in Philadelphia: The Gang Makes Paddy's Great Again (2018)
Details
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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