American Pimp

I've always had a guilty curiosity about the life of a pimp. Of course, we have those "pimp stereotypes" in films like "The Mack" and "Willie Dynamite." But do we really, really know ALL about this lucrative, though immoral, profession? Thanks to the Hughes Brothers, now we do.

First of all, this well-made documentary doesn't glorify the life of street pimps. I'm sure a lot of you out there (especially women) will take one look at a film like this, and say to yourself, "Why the hell do I want to watch a movie about greedy, heartless, misogynistic 'mack daddies' who make a living at degrading women for their own financial pleasure?" The Hughes Brothers don't try to take sides. In fact, the film opens with a montage of opinions (mostly negative) from everyday people about these pimps. Whether you condone the industry or condemn it, that's not the issue.

Allen and Albert Hughes do a wonderful job at intercutting the views and "days in the lives" of real pimps with clips from seventies blaxploitation flicks and topping it off with a vivid soundtrack filled with classic soul music. The film starts out by showing the more luxurious, darkly comic side of pimping. It's interesting to learn what real pimps really have to say. Of course, their vocabularies practically consist of three words: "ni**a," "motherf**ker" and "b**ch." But hey, that's how they talk. Am I going to blame the Hughes Brothers for writing an excessively profane script? They didn't write a script! This is how these pimps really talk!

As the film goes on, we learn the more serious side of pimping. We learn the pimping REALLY ain't easy. But at the same time, they're not completely heartless. When one of their "hos" die or get sucked into drug addiction, they can't go on with their lives like nothing happened. And it's interesting to see how different pimps took different paths. Some decided to quit the business and concentrate on raising their families, some ended up in the penitentiary and some (believe it or not) found religion. But some still feel that pimping is the way to go, and though it's immoral, they don't necessarily think it's wrong. We even get a brief introduction into the lives of "legal pimps." You know, those clean-cut white guys with the fancy whorehouses with quality hookers who will do anything they please for a large sum of money.

Expect to see gratuitous close-ups of female rear ends. At times, you feel as if you're watching a 2 Live Crew video. This is another film that I can consider a feminist's nightmare. Nevertheless, it's wonderfully done, eye-catching, compelling, funny and sometimes heartfelt. The Hughes meant to explore the subject without patronizing it. And I found it quite fascinating. If there happened to be a filmmaker who explored the world of pimping before these guys, then let me know. Until then, I give Allen and Albert two thumbs up for taking on daring subject matter involving an underworld of people often overlooked--or broadly portrayed--by the average filmmaker.

My score: 7 (out of 10)

You have to hand it to Albert and Allan Hughes, two fearless film makers, that take us along to see how the other half live. The world of the pimp, in this case, American pimps, is something no one had dared to explore up to now. Whether it's worth your while to take a look, or not, is ultimately, up to the viewer.

We are presented several men who make a living out of women. These men that are showcased in the documentary appear to be well adjusted to their status. They are all successful in what they do, otherwise, one can't explain how they have stayed around for such a long time. Their stories, which obviously are spontaneous, tend to bore us eventually. After all, how many times can one hear them repeat themselves again and again using the same derogatory tones for the women they exploit.

What the Hughes didn't show is the other side of the coin: how these women exploited by their pimps. They only present a few prostitutes who appear to appreciate the role of this element in their lives. The directors also tend to glorify, in a way, the sleekness of the pimps' style, which tend to make them dress in outrageous costumes that only them can wear in our society.

The film is an eye opener about an underclass we know little, or nothing about. One can only hope they will not be role models for others to follow in their footsteps.

if you are a fan of blaxploitation films, american pimp is a must. it's got all the style and pimp ass swagger of all of those films, and on top of that it's hilarious (think ike turner). to top it all off it has about as good a pimpin soundtrack as there is with james brown "the boss" one of my favorite songs. while i don't think this film if perfect or works on every level (the white pimp?), it surely did not deserve the lashing it received at the hands of many critics. this was the most entertaining hour and a half so far this year. preferable to all of the condescending bull**** that hollywood puts out each year about black people (can you say green mile? how bout remember the titans?) well thats a whole other story. please see this film, it will entertain and enlighten you to what it means to be a real pimp.

8/10

First of all, this documentary is well edited, well photographed, and features a kick-ass soundtrack. The subject in itself is interesting, at least from a sociological and psychological perspective.

Having said that, I agree with a previous review that stated that it was boring. There's only so much "You know what I'm sayin', b*tch" that I can take before I start to yawn.

What they should have done is interview more than just the pimps. They should have interviewed social workers, street workers, police officers, doctors, etc. Then we would have had a greater and more meaningful perspective on the world of pimps and hookers.

I realize that the Hughes bros. wanted to focus only on the pimps themselves, but after 10 minutes, we already know that these are uneducated, manipulative egocentric slimeballs with a maximum vocabulary of maybe 10 words. These are not deep thinkers with lots of interesting observations to make. At the start of the film, we see a one minute vignette of different white people giving their stereotypical view of what pimps are. This film proves them right.

The Hughes Brothers look into the world of pimping in America. They interview pimps and `ho's' from New York, Hawaii and all over the USA. Pimps share about how they came into the game, what they do, how they are perceived and what they are needed for among other topics.

I have watched many documentaries into the sex industry and have seen good and bad ones. The best ones are objective and they let the bad side and the good sides of any subject just come out without forcing the point or judging them. Louis Theroux is one of the better ones at this – he has done documentaries on pimps, porn and hip hop and has simply let his subjects talk – basically feeding them the rope as they want it till they eventually hang themselves without even knowing it!

With the Hughes Brothers attached to this documentary I had hoped it would be this type of thing. So I wasn't surprised when it started out glamorising the life. But I waited for the film to show me something that would hang the subjects on the bad sides of their lives. Even when the pimps talked about beating girls etc they were allowed free reign to defend themselves and were never pushed for details. Are they trying to be ironic I wondered? But no, instead the bad sides is only skated across when you compare to how much screen time is sent defending and glamorising the lifestyle.

The pimp life can't be too difficult to expose as cruel and exploitative can it? But here this documentary manages to do neither. Women are interviewed but only in the segments where their contributions are used to defend or support the glamorised version of events. But when the pimps talk about beating girls – no girls are there to put their side! Likewise I would like to hear more girls talk about how they feel to have the one man in their life called them `b*tches' all the time and taking their money.

The pimps all come out of it well despite being honest at times. The fact that all but one of the pimps are black made me wonder if it is only a black thing in America. Maybe this is the reason for the Hughes brothers bias – they are middle class and maybe their guilt makes them believe their `brothers' when they say `it was my only way up' etc. They manage to be so in awe of their subjects that they fail to bring anything of value out of this film. I know they must have been being careful not to judge or look down on their subjects, but their approach simply allows the pimps to talk – so do you really think we're going to get a full and honest picture about this business?

Overall I gained nothing from watching this and at best it bored me. The pimps simply talk game to cameras for 90 minutes and at the end of it I felt that they had been allowed to used me just like they use their `b*tches'. I expected more from the Hughes brothers.