The 7 Grandmasters

This really defines a blueprint for this kind of movie: 1) Guy with ridiculous facial hair and/or silly hat wonders through the wilderness,happens upon another guy practicing Kung Fu 2) Brief conversation involving a) a particular technique of one of the silly-haired-guys, b) the number of provinces in which the other silly-haired guy is undefeated 3) Fight, preferably involving some kind of animal-style Kung Fu. 4) Repeat as many times as you can squeeze into a couple of hours.

Throw in a grueling training sequence (though this maybe isn't quite grueling enough in this movie), a bit of betrayal (ideally involving someone killing someone else's master), some slapstick comedy, some bad dubbing (this genre is really the only one where dubbing should be allowed) and there you have it - the perfect Kung Fu movie. I defy anyone not to enjoy it.

Joseph Kuo - you may not have heard the name or be as familiar with it or you may be a fan already. Though I would be surprised why you would need to read a review if that were the case. I have to admit, I have my problems with names. As most martial arts fans, I am more than aware of the big names (Bruce Lee, Jet Li, Sammo Hung and Jackie Chan to mention just a few) and also the Shaw Brothers, who made some crazy movies in their time.

That being said, there were others who made really good movies too and Kuo is one of them. He may be copying a lot of things or you may feel that you have seen certain tropes in other movies, but that is just the way it is. Thankful that certain companies do release the movies I grew up with on Blu Ray - so I was able to watch this one too. It has plenty of action - and while some stunts may feel outdated or aged (especially compared to some recent stuff like what you may have seen from Tony Jaa or Donnie Yen), it still is nice to look at. Especially when it seems that (almost) everyone involved in the fights here, does it for honor and not to kill the opponent.

You have to have a heart for old school kung fu movies - because this is what this is. The pacing and the style may seem uneven at times, but it does work out in the end - no pun intended.

Lee I Min is one of those kung fu actors who never quite made it to the first rank, but combined here with the great direction of Joseph Kuo and action by Corey Yuen it produced a classy film to make kung fu addicts drool. The story has been told above but it can not be emphasised enough that the fights (of which there are many) are superb and wonderfully staged. The ending is fairly obvious but still exciting - with one of the best end fights on film. I liked the understated attraction between Lee I Min and the Masters daughter (the beautiful Nancy Yen) and the believable jealously of the other students. There are a few weaknesses but the story sweeps you along and you look forward to the next fight and twist. The Monkey Kung Fu exponent (Chin Yuet Sang) is an absolute classic. According to the liner notes by Linn Haynes (Media Blasters) this film is based on the life of a real Pai Mei kung fu expert named Cheung Lai-chun who fought and bested top mainland kung fu experts in the mid-1940s at the age of 66. Pai Mei is famous from the Kill Bill films (played by Gordon Liu) but the real story / legend is worth seeking out. One of the best and really worth watching.

The master is about to retire but goes on a journey to prove he is number one. Li Yi-Min stalks him begging to learn. The other students beat him up because he has no kung fu at all. Sifu gets sick. A gang attacks Sifu and Li Yi-Min clumsily but effectively helps. At about 50 minutes in he finally gets a lesson and ten minutes of magic movie time later he is handing out beatings instead of taking them.

My copy is a digital file that seems to be from a Mei Ah laser disk and is English and widescreen as good as it gets for quality.

This is probably the most polite martial arts movie ever made. The Lung brothers really get to showcase their skills. I am adding it to the best ever list.

7 Grandmasters deserves to be a legend of martial arts cinema. Nowhere else, either from this period of cinema or the modern era, have I seen so much variety in fighting styles and such a huge number of quality fight sequences. While the fights may adhere to a '70s fight choreography feel to some extent, they're very fast and fluid, with each fight displaying a unique tone. Monkey style, mantis style, weapon fights, fights between the same styles, an unorthodox fight that will be at home to Jackie Chan fans, and several others. Each style is carefully considered and utilized authentically, not just as a gimmick to add superficial differences to samey choreography. And fortunately the fights are filmed at steady, wide angles with long continuous shots whenever possible to allow the viewer to fully appreciate the action.

The story may seem unusually briskly paced, but this ends up being refreshing after experiencing countless martial arts films with convoluted melodrama, where good martial artists try and fail to act. What story there is explains the motivation for each of the fights without ever holding back the real goal of the movie.

Visually, the film is quite gorgeous, with varied locations and bright, vast environments. The sound effects on the original mandarin audio track utilize wonderful whooshing effects for the fights, as you'd expect.

This is a must-see classic for any fan of martial arts film.