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A teacher from a small, depressed town is trying to do something useful.A teacher from a small, depressed town is trying to do something useful.A teacher from a small, depressed town is trying to do something useful.
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"Teaching tugs at the heart, opens the heart, even breaks the heart, And the more one loves teaching, the more heartbreaking it can be." - Parker Palmer, a veteran educator
Daniel Lefebvre (Philippe Torreton) is teacher and director of the école maternelle, a pre-school open to children ages 2 to 6 in northern France. In Bernard Tavernier's deeply moving film, It All Starts Today, the children are the stars. Their faces and loving smiles shine through the grimness of their circumstances. Based on the notebooks of Tavernier's son-in-law Dominique Sampiero, a provincial teacher, the film is about the difficulties and challenges of children but is also a tribute to the courage and commitment of teachers. Lefebvre is a poet whose voice-over narration adds a touching lyricism to the film. "We'll tell our children it was hard", he writes. "Piles of stones placed one by one. We'll tell the children it was hard but their fathers are lords and this is their legacy. A pile of stones and the courage to lift them".
The school is in a town that has been hit hard by the closure of the coal mine, and where unemployment has reached 34 percent. Lefebvre is a gentle and compassionate teacher but a tough administrator who tries to shake the political bureaucracy into providing adequate programs for the school. He protests loudly against budget cuts and insensitive government regulations and the shortage of trained professionals. Lefebvre shows anger and frustration in the scene where he slams the door in the face of a visiting social worker, and when he storms into the Mayor's office to rail against cutbacks in the school lunch program. He is hardest on himself, however, when tragedy befalls an alcoholic mother and her family, and when his common-law wife Valeria's (Maria Pitteresi) young son Remi (Lambert Marchal) gets into trouble, challenging his commitment to return to the school the following year.
The problems of the school are severe but not exaggerated. Being the husband of a pre-school teacher I know the kinds of circumstances that parents and teachers face every day and they are not that different from those shown in the film. Tavernier does not idealize the poor or romanticize their circumstances but shows us conditions as they exist. This is a message film and we do get the message, but it doesn't seem preachy because it comes from a passion that springs naturally from the lives of the characters. But the magic of the film lies in the children themselves. There is no acting or interpretation. The camera zooms around the school with lightning speed catching the spontaneity of the children singing, dancing, talking, playing, and just being themselves. It All Starts Today does not offer any simple solutions and can be dark, but, at the end, when each child comes up to the camera for a final smile I felt only lightness and joy. Being around children and adults with courage will do that.
Daniel Lefebvre (Philippe Torreton) is teacher and director of the école maternelle, a pre-school open to children ages 2 to 6 in northern France. In Bernard Tavernier's deeply moving film, It All Starts Today, the children are the stars. Their faces and loving smiles shine through the grimness of their circumstances. Based on the notebooks of Tavernier's son-in-law Dominique Sampiero, a provincial teacher, the film is about the difficulties and challenges of children but is also a tribute to the courage and commitment of teachers. Lefebvre is a poet whose voice-over narration adds a touching lyricism to the film. "We'll tell our children it was hard", he writes. "Piles of stones placed one by one. We'll tell the children it was hard but their fathers are lords and this is their legacy. A pile of stones and the courage to lift them".
The school is in a town that has been hit hard by the closure of the coal mine, and where unemployment has reached 34 percent. Lefebvre is a gentle and compassionate teacher but a tough administrator who tries to shake the political bureaucracy into providing adequate programs for the school. He protests loudly against budget cuts and insensitive government regulations and the shortage of trained professionals. Lefebvre shows anger and frustration in the scene where he slams the door in the face of a visiting social worker, and when he storms into the Mayor's office to rail against cutbacks in the school lunch program. He is hardest on himself, however, when tragedy befalls an alcoholic mother and her family, and when his common-law wife Valeria's (Maria Pitteresi) young son Remi (Lambert Marchal) gets into trouble, challenging his commitment to return to the school the following year.
The problems of the school are severe but not exaggerated. Being the husband of a pre-school teacher I know the kinds of circumstances that parents and teachers face every day and they are not that different from those shown in the film. Tavernier does not idealize the poor or romanticize their circumstances but shows us conditions as they exist. This is a message film and we do get the message, but it doesn't seem preachy because it comes from a passion that springs naturally from the lives of the characters. But the magic of the film lies in the children themselves. There is no acting or interpretation. The camera zooms around the school with lightning speed catching the spontaneity of the children singing, dancing, talking, playing, and just being themselves. It All Starts Today does not offer any simple solutions and can be dark, but, at the end, when each child comes up to the camera for a final smile I felt only lightness and joy. Being around children and adults with courage will do that.
A kindergarden in a poor zone. Its director working, in hard, passioned and deceived manner for the good of his students. Social problems, burocracy, suicide case and the support of his girlfriend, devasted school and new beginnings.
But, more important, wonderful result of collaboration of Bernard Tavernier and Philippe Torreton.
Obvious, more than a very inspired film, it is a precious testimony about the status and meanings, fights and idealism of teacher.
A great film, with powerful social message, so present in the French cinematography of the last decades , beautiful nuanced , for the lage slices of near reality naked facts, from abuse in different forms, against minors to the obtusity of autorities.
So, must see it ! For understand the pieces defining near reality essence.
But, more important, wonderful result of collaboration of Bernard Tavernier and Philippe Torreton.
Obvious, more than a very inspired film, it is a precious testimony about the status and meanings, fights and idealism of teacher.
A great film, with powerful social message, so present in the French cinematography of the last decades , beautiful nuanced , for the lage slices of near reality naked facts, from abuse in different forms, against minors to the obtusity of autorities.
So, must see it ! For understand the pieces defining near reality essence.
In a region devastated by the closing of coal mines, and where one worker out of three is unemployed, Bertrand Tavernier tells us the problems of a nursery school's director who wants to improve the social conditions of those people.
He is the only hope for depressive parents but bureaucrats want him to look only after the easy cases forgetting about the problem children.
The challenge of throwing more than thirty 3 to 6 years old kids in the scramble as been taken up: their natural is convincing... and it goes for the director too.
I took part wholeheartedly with the pains and joys of the characters and lived it as if it was real life.
He is the only hope for depressive parents but bureaucrats want him to look only after the easy cases forgetting about the problem children.
The challenge of throwing more than thirty 3 to 6 years old kids in the scramble as been taken up: their natural is convincing... and it goes for the director too.
I took part wholeheartedly with the pains and joys of the characters and lived it as if it was real life.
It always happens. When things get tough, local, State, and the federal government save money on the backs of the poor first. Who, besides the poor suffer, the teachers, of course? This is a magnificent story of pre-school teachers coping with abuse, neglect, incest, and all forms of child abuse while the government agencies that are supposed to help just make excuses.
The school is falling apart and being broken into for food, and the school board, and the police do little or nothing to help. Families are coping with 34% unemployment and the resulting depression. Sound familiar? It is also happening all over America, not just in France.
The teacher training even tells new teachers that they will be social workers more than teachers. It is difficult to understand how learning can take place with children who are hungry, cold, and abused.
Philippe Torreton does an excellent job as Daniel Lefebvre in writer/director Bertrand Tavernier's film. His frustration and anger shows whether he is throwing out a child welfare worker or yelling at the Mayor for cutting lunches. All the while he has to deal with problems at home and his ailing father.
The school is falling apart and being broken into for food, and the school board, and the police do little or nothing to help. Families are coping with 34% unemployment and the resulting depression. Sound familiar? It is also happening all over America, not just in France.
The teacher training even tells new teachers that they will be social workers more than teachers. It is difficult to understand how learning can take place with children who are hungry, cold, and abused.
Philippe Torreton does an excellent job as Daniel Lefebvre in writer/director Bertrand Tavernier's film. His frustration and anger shows whether he is throwing out a child welfare worker or yelling at the Mayor for cutting lunches. All the while he has to deal with problems at home and his ailing father.
A very mediocre French series "l'instit" contributed to giving the audience a false picture of the schoolteacher.In that poor sitcom ,actor Gerard Klein was some kind of superhero (on a motorcycle!) who acted like a pacifist Zorro or K2000.
Bertrand Tavernier and his wonderful thespian ,Philippe Torreton,de la Comédie Française set the record straight.First of all,this is a true story,inspired by a schoolteacher's books.And Tavernier is an artist whose best works ("l'horloger de Saint-Paul" "la mort en direct" and his masterpiece" la vie et rien d'autre")deal with the dignity of man. And as the title says "the future begins today" as everything is possible when the man's young can still wonder,discover,and ... perhaps love the world before he discovers the darker side of it.Because ,for most of the children we meet in this movie,the darker side is at their door,inside their houses,and School is the only way for them of getting away with a somber future.There are courageous lines against the Champagne socialists -When the movie was released,there were commies in the French government-"I could have expected more from a communist mayor!" the teacher says to the notable who closes the canteen to the children whose family is no longer able to pay.There is a very realistic scene between the teacher and his inspector.Although the former 's work is admirable,the state employee slags him off because he's blind and deaf to the world outside him,all he wants to do is to climb the upper rungs of the social ladder .Never the inspector hints at the children's plight,his narrow-minded view remains abstract and completely mindless:how could a group of four year old toddlers be autonomous?
A Tribute to the teachers ,who now more than ever need gratefulness and understanding,Tavernier's movie is deeply moving and deserves to be highly recommended.He equals Kenneth Loach here,not a small feat.
Bertrand Tavernier and his wonderful thespian ,Philippe Torreton,de la Comédie Française set the record straight.First of all,this is a true story,inspired by a schoolteacher's books.And Tavernier is an artist whose best works ("l'horloger de Saint-Paul" "la mort en direct" and his masterpiece" la vie et rien d'autre")deal with the dignity of man. And as the title says "the future begins today" as everything is possible when the man's young can still wonder,discover,and ... perhaps love the world before he discovers the darker side of it.Because ,for most of the children we meet in this movie,the darker side is at their door,inside their houses,and School is the only way for them of getting away with a somber future.There are courageous lines against the Champagne socialists -When the movie was released,there were commies in the French government-"I could have expected more from a communist mayor!" the teacher says to the notable who closes the canteen to the children whose family is no longer able to pay.There is a very realistic scene between the teacher and his inspector.Although the former 's work is admirable,the state employee slags him off because he's blind and deaf to the world outside him,all he wants to do is to climb the upper rungs of the social ladder .Never the inspector hints at the children's plight,his narrow-minded view remains abstract and completely mindless:how could a group of four year old toddlers be autonomous?
A Tribute to the teachers ,who now more than ever need gratefulness and understanding,Tavernier's movie is deeply moving and deserves to be highly recommended.He equals Kenneth Loach here,not a small feat.
Did you know
- TriviaCo-screenwriter Dominique Sampiero was Bertrand Tavernier's son-in-law. He was also a headmaster and drew on over 20 years experience for the screenplay.
- ConnectionsFeatured in In the Shadow of Hollywood (2000)
- How long is It All Starts Today?Powered by Alexa
Details
Box office
- Gross US & Canada
- $12,348
- Opening weekend US & Canada
- $2,639
- Sep 29, 2000
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