Chewbacca and Han Solo try to get to the Wookiee homeworld of Kashyyyk to celebrate Life Day, but are impeded by an Imperial blockade. Chewie's family passes the time with various forms of e... Read allChewbacca and Han Solo try to get to the Wookiee homeworld of Kashyyyk to celebrate Life Day, but are impeded by an Imperial blockade. Chewie's family passes the time with various forms of entertainment.Chewbacca and Han Solo try to get to the Wookiee homeworld of Kashyyyk to celebrate Life Day, but are impeded by an Imperial blockade. Chewie's family passes the time with various forms of entertainment.
James Earl Jones
- Darth Vader
- (voice)
Bea Arthur
- Ackmena
- (as Beatrice Arthur)
Marty Balin
- Holographic Band Singer
- (as The Jefferson Starship)
Craig Chaquico
- Holographic Band Member
- (as The Jefferson Starship)
David Freiberg
- Holographic Band Singer
- (as The Jefferson Starship)
Paul Kantner
- Holographic Band Member
- (as The Jefferson Starship)
Featured reviews
I was 14 when this thing originally aired. It galls me to this day, and here is why:
A little more than a year earlier, an awesome film with spectacular cinematic production values was released. It was called Star Wars. Not "A New Hope", not "Episode IV"...just..."Star Wars". And it blew everything else away. You can tell when certain films create a defining moment: the science-fiction film genre is neatly divided into 'before Star Wars' and 'after Star Wars'. This was something that even "2001: A Space Odyssey" couldn't do, even if it was (and still is) the pinnacle of writing and directing science-fiction for the big screen. The reason was simple: Star Wars connected profoundly with *every* kid's 'wanna be an astronaut/fireman/policeman when I grow up' youthful fancy, even if the 'kids' were thirty-somethings (or older!). Star Wars, in its pre-episodic release, was a wonderfully simple story, not the muddled-with-forward-and-backward-references, vastly more complex story the saga was to become. It is this simplicity I sometimes miss, perhaps because it reminds me of a time when my own life was less complicated.
When rumors of the 'Holiday Special' began, I recall it actually being looked upon as eagerly anticipated, at least among the people I knew at the time. This was mid-1978, probably when the actual holiday special footage was being recorded. Already the first indications of a new Star Wars film, The Empire Strikes Back, were public knowledge, so this holiday special just *had* to be built along the same production values as the films. Or so I (and a lot of others) thought. I should have known better, the special being for television and not cinema. When the Holiday Special aired, I was ready to be transported to that galaxy far, far away and be dazzled all over again...
The opening was promising, what with Han and Chewie being chased down by Imperial Star Destroyers and so on, yet even this opening teaser had an omen of doom attached, that being when Han said something like "That's the spirit, you'll be celebrating Life Day before you know it!" Han wasn't the only one beginning to get a bad feeling about this. The opening credits are when I actually started to fear the worst. These were NOT film-optical titles! They were video-overlays. The problem is, I just saw a scene obviously shot on film. And why are all these sitcom/variety show actors in the billing? Then it began to hit me: stock footage was going to represent actual Star Wars content, and the rest is going to be a nightmare version of the Carol Burnett Show. This wasn't going to be on the same planet of production values as Star Wars, let alone the same room. And I was exactly right! For the next 2 hours I watched, hoping in vain for some sort of payoff that justified the unfolding tragedy. Today, I remember only two distinct moments in the Holiday Special that got a reaction out of me: 1) I was p***ed off when the Imperial Stormtrooper broke the kid's crystal radio 2) I reasonably liked the animated bit.
After it was all over, I remember being angry. Not because I'd just been subjected to a crappy variety show with the Star Wars nameplate attached, but that this was broadcast nationwide and that a LOT of people (kids my age in particular) weren't going to be able to deal with that ineffable 'spark of magic' that made Star Wars such a delight being doused in a bucket of water. The almost-naive innocence that Luke Skywalker brought forth in all of us was gone forever, because we had just seen the magic turned into crap.
It would be another two years before Empire's release. Only then did most of the harm get undone. But not entirely. ESB is by far the best written of the five theatrical films that exist as of this writing, but with ESB began the complex story telling. And while the story in ESB was well-told, it comes with a price: Luke's actual loss-of-innocence visibly marks the point when Star Wars ceased to be a childhood delight and transcended into epic storytelling. If the Holiday Special had aired after ESB, I wouldn't have been so angry. At least our innocence would have been plausibly lost as we settled into watching a mature story, instead of rudely torn from our souls by a bunch of hack TV writers.
A little more than a year earlier, an awesome film with spectacular cinematic production values was released. It was called Star Wars. Not "A New Hope", not "Episode IV"...just..."Star Wars". And it blew everything else away. You can tell when certain films create a defining moment: the science-fiction film genre is neatly divided into 'before Star Wars' and 'after Star Wars'. This was something that even "2001: A Space Odyssey" couldn't do, even if it was (and still is) the pinnacle of writing and directing science-fiction for the big screen. The reason was simple: Star Wars connected profoundly with *every* kid's 'wanna be an astronaut/fireman/policeman when I grow up' youthful fancy, even if the 'kids' were thirty-somethings (or older!). Star Wars, in its pre-episodic release, was a wonderfully simple story, not the muddled-with-forward-and-backward-references, vastly more complex story the saga was to become. It is this simplicity I sometimes miss, perhaps because it reminds me of a time when my own life was less complicated.
When rumors of the 'Holiday Special' began, I recall it actually being looked upon as eagerly anticipated, at least among the people I knew at the time. This was mid-1978, probably when the actual holiday special footage was being recorded. Already the first indications of a new Star Wars film, The Empire Strikes Back, were public knowledge, so this holiday special just *had* to be built along the same production values as the films. Or so I (and a lot of others) thought. I should have known better, the special being for television and not cinema. When the Holiday Special aired, I was ready to be transported to that galaxy far, far away and be dazzled all over again...
The opening was promising, what with Han and Chewie being chased down by Imperial Star Destroyers and so on, yet even this opening teaser had an omen of doom attached, that being when Han said something like "That's the spirit, you'll be celebrating Life Day before you know it!" Han wasn't the only one beginning to get a bad feeling about this. The opening credits are when I actually started to fear the worst. These were NOT film-optical titles! They were video-overlays. The problem is, I just saw a scene obviously shot on film. And why are all these sitcom/variety show actors in the billing? Then it began to hit me: stock footage was going to represent actual Star Wars content, and the rest is going to be a nightmare version of the Carol Burnett Show. This wasn't going to be on the same planet of production values as Star Wars, let alone the same room. And I was exactly right! For the next 2 hours I watched, hoping in vain for some sort of payoff that justified the unfolding tragedy. Today, I remember only two distinct moments in the Holiday Special that got a reaction out of me: 1) I was p***ed off when the Imperial Stormtrooper broke the kid's crystal radio 2) I reasonably liked the animated bit.
After it was all over, I remember being angry. Not because I'd just been subjected to a crappy variety show with the Star Wars nameplate attached, but that this was broadcast nationwide and that a LOT of people (kids my age in particular) weren't going to be able to deal with that ineffable 'spark of magic' that made Star Wars such a delight being doused in a bucket of water. The almost-naive innocence that Luke Skywalker brought forth in all of us was gone forever, because we had just seen the magic turned into crap.
It would be another two years before Empire's release. Only then did most of the harm get undone. But not entirely. ESB is by far the best written of the five theatrical films that exist as of this writing, but with ESB began the complex story telling. And while the story in ESB was well-told, it comes with a price: Luke's actual loss-of-innocence visibly marks the point when Star Wars ceased to be a childhood delight and transcended into epic storytelling. If the Holiday Special had aired after ESB, I wouldn't have been so angry. At least our innocence would have been plausibly lost as we settled into watching a mature story, instead of rudely torn from our souls by a bunch of hack TV writers.
I've always been a big fan of star wars and I thought I knew a lot about it until my boy friend and his best friend asked me if I have ever seen the holiday special. I didn't even know one existed and I had actually seen both Ewok movies, go figure.
Well as a joke I suppose our friend gave us the movie last night for xmas and we popped it in. It is by far the most heinous piece of crap I have ever seen. I was warned it was bad but, WOW it was terrible. I lost an hour and a half of my life and really nothing happened during that time other than losing any shred of respect I may have had for George Lucas.
The effects are so bad they are hilarious and there seems to be some type of odd porn scene involving Chewbaca's father and some 70's Disco Queen. I watched most of the program with my mouth hanging wide open in utter disbelief. The rest of the time I was laughing at just how awful the whole thing really is.
I still recommend watching the film if only to say that you have. Especially if you claim to be a Star Wars geek. Just make sure you have plenty of alcohol on hand and some friends with an excellent sense of humor.
Well as a joke I suppose our friend gave us the movie last night for xmas and we popped it in. It is by far the most heinous piece of crap I have ever seen. I was warned it was bad but, WOW it was terrible. I lost an hour and a half of my life and really nothing happened during that time other than losing any shred of respect I may have had for George Lucas.
The effects are so bad they are hilarious and there seems to be some type of odd porn scene involving Chewbaca's father and some 70's Disco Queen. I watched most of the program with my mouth hanging wide open in utter disbelief. The rest of the time I was laughing at just how awful the whole thing really is.
I still recommend watching the film if only to say that you have. Especially if you claim to be a Star Wars geek. Just make sure you have plenty of alcohol on hand and some friends with an excellent sense of humor.
Not long ago I attended a party give by my Star Wars group and as a prize in the trivia contest I received - among other things - a VHS copy of The Star Wars Holiday Special. Having now seen it I have begun to wonder if it wouldn't have best been served as the booby prize. Anyone who obsessively bashes Episode I for being too lame, too mamby pamby or too childish obviously has yet to set eyes of this 1978 hunk of Christmas cow flop strung together on the authority of George Lucas' ex wife Marsha. I know they got divorced sometime after this special aired but I'm guessing that is she had it in mind to ruin him, this was the perfect weapon.
It's been 25 years since CBS hoisted this unholy nightmare on the American public and in that time I had never seen it until last night and oh my lord I could have gone another 25, 40, 50, 300 years without ever having it drilled into my brain a second time.
This is without a doubt the most horrific thing I have ever witnessed on screen and I've seen Howard the Duck! What in the world possessed anyone to soil the Star Wars name with this dreck? My friend assured me that the special was actually pretty good if you got past all the Wookie manure - BUT THE WOOKIES TAKE OVER THE WHOLE SHOW!!!!
The story takes place sometime after Episode IV and finds Chewbacca's family waiting for him to come home for something called Life Day (I dunno, maybe it's a day where they worship board games). The wookies are nothing short of nauseating. Mama bear (Chewie's wife) gushes over a picture of her beloved and is forever scolding Chewie's son Lumpy. Lumpy (yes, Lumpy) whines, disobeys and aggravates the stew out of his mother. Sadly, he becomes the central character.
The most curious character is Itchy, the grandfather (where's Scratchy?) a gray haired old codger with a serious under bite and a strange fixation on Diahann Carroll. She plays a character credited as "Holographic Wow". He's given a gift for Life Day that looks something like a hair dryer, the kind you might have found in a beauty parlor when segregation was in effect. This strange device offers gramps a vision of Carroll superimposed on something that looks like a dirty bathtub drain. He gets so excited at one point that he begins beating the chair arm rapidly with his fist. And that's all I have to say about that.
Chewie's family isn't the most repulsive thing in this mess. No, the fingernails-on-the-blackboard award goes to Harvey Korman who plays three ungainly characters, one more jaw-dropping than the last. First, he plays a rather odd looking female robotic chef who hosts a cooking show and gets a little excited when she gets to the part where she is suppose to stir and whip at the same time (the mixture that is). The second is the most bizarre, a robotic instructor who gives Lumpy instructions on how to put an electronic device together and malfunctions in ways that just shouldn't be seen on public television. The third is a strange creature who drinks through a hole in the top of his head and has a fixation on Bea Arthur (don't ask). Bea Arthur by the way plays the Cantina bartender and has to get everyone out because the Empire has imposed a curfew. How does she clear the place? She sings!
In the midst of all the guest star hooey are Mark Hamill smacked with so much eye make-up that he looks like his own action figure. And then there's Harrison "what in the heck am I doing here" Ford and a hopped-up, glassy-eyed Carrie Fisher looking like . . . well there is a Betty Ford joke here but it's just too easy.
I will say that the day is almost saved by an odd but kind of fun animated sequence involving Luke and the droids befriending Boba Fett who is secretly leading them to Vader. It's cute and I would like to have seen more but I have yet to understand why Han's animated face looks like a Clone Trooper helmet (shrug).
3PO appears briefly in this special for recognition sake and truthfully when it was all over I was surprised that he didn't once muse "How did we get into this mess?" I would have asked that question myself.
It's been 25 years since CBS hoisted this unholy nightmare on the American public and in that time I had never seen it until last night and oh my lord I could have gone another 25, 40, 50, 300 years without ever having it drilled into my brain a second time.
This is without a doubt the most horrific thing I have ever witnessed on screen and I've seen Howard the Duck! What in the world possessed anyone to soil the Star Wars name with this dreck? My friend assured me that the special was actually pretty good if you got past all the Wookie manure - BUT THE WOOKIES TAKE OVER THE WHOLE SHOW!!!!
The story takes place sometime after Episode IV and finds Chewbacca's family waiting for him to come home for something called Life Day (I dunno, maybe it's a day where they worship board games). The wookies are nothing short of nauseating. Mama bear (Chewie's wife) gushes over a picture of her beloved and is forever scolding Chewie's son Lumpy. Lumpy (yes, Lumpy) whines, disobeys and aggravates the stew out of his mother. Sadly, he becomes the central character.
The most curious character is Itchy, the grandfather (where's Scratchy?) a gray haired old codger with a serious under bite and a strange fixation on Diahann Carroll. She plays a character credited as "Holographic Wow". He's given a gift for Life Day that looks something like a hair dryer, the kind you might have found in a beauty parlor when segregation was in effect. This strange device offers gramps a vision of Carroll superimposed on something that looks like a dirty bathtub drain. He gets so excited at one point that he begins beating the chair arm rapidly with his fist. And that's all I have to say about that.
Chewie's family isn't the most repulsive thing in this mess. No, the fingernails-on-the-blackboard award goes to Harvey Korman who plays three ungainly characters, one more jaw-dropping than the last. First, he plays a rather odd looking female robotic chef who hosts a cooking show and gets a little excited when she gets to the part where she is suppose to stir and whip at the same time (the mixture that is). The second is the most bizarre, a robotic instructor who gives Lumpy instructions on how to put an electronic device together and malfunctions in ways that just shouldn't be seen on public television. The third is a strange creature who drinks through a hole in the top of his head and has a fixation on Bea Arthur (don't ask). Bea Arthur by the way plays the Cantina bartender and has to get everyone out because the Empire has imposed a curfew. How does she clear the place? She sings!
In the midst of all the guest star hooey are Mark Hamill smacked with so much eye make-up that he looks like his own action figure. And then there's Harrison "what in the heck am I doing here" Ford and a hopped-up, glassy-eyed Carrie Fisher looking like . . . well there is a Betty Ford joke here but it's just too easy.
I will say that the day is almost saved by an odd but kind of fun animated sequence involving Luke and the droids befriending Boba Fett who is secretly leading them to Vader. It's cute and I would like to have seen more but I have yet to understand why Han's animated face looks like a Clone Trooper helmet (shrug).
3PO appears briefly in this special for recognition sake and truthfully when it was all over I was surprised that he didn't once muse "How did we get into this mess?" I would have asked that question myself.
As many other posters stated, I had been warned. And the legends are true! And like the Nazis, once you remove the cover to the Ark, you have to deal with the consequences. I paid 13 bucks for it, and it is a pile of crap. For the stouthearted who choose to soldier on, I have two recommendations:
1. Do not watch this alone! Like any other emotional trauma, the support of friends is crucial to survival. By the end, you will either want to climb a steeple with a rifle, or go into the garage and start the car.
2. Do not operate while unimpaired. An altered level of consciousness can cushion your psyche. I tried it straight, but within ten minutes I was forced to seek the companionship of my foamy 12 ounce friends.
At any rate, this helping of dog goo brings to light painful questions about Chewbacca and his people long ago in a galaxy far, far away. Questions probably better left unasked. Such as, despite the treetop setting, why does their dwelling place resemble a 70's ski lodge with an Astroturf floor?
Why does the local trader wear black plastic Earth glasses? How were the Wookies able to convert an ordinary cassette player into a Holograph projector? And, regarding said projector, why is the youth Lumpy (who is probably yelling "Franks and Beans!" in Wookie), so fascinated with the freakish flailings of a poor man's Cirque de Soleil? Finally, why in God's name does the patriarch of the clan, Itchy, get so aroused over a pseudo Irene Cara performing a sickening disco song and dance? It was highly disturbing.
Those are the questions that torment me. The other posters have done a far better job than myself covering the horrid sequences with Starship, Bea Arthur (shudder), Harvey Korman and Art Carney. But I must add this: I thought the animated sequence sucked. The story with decent artists probably would have been a cool comic book, but the animation and artwork was terrible. Too cartoony. Artoo physically jumping, his rigid metallic body curving about. And something about Han's head looking like it had been run over by a truck, all squashed...
Like Lot's wife, you have been warned...
1. Do not watch this alone! Like any other emotional trauma, the support of friends is crucial to survival. By the end, you will either want to climb a steeple with a rifle, or go into the garage and start the car.
2. Do not operate while unimpaired. An altered level of consciousness can cushion your psyche. I tried it straight, but within ten minutes I was forced to seek the companionship of my foamy 12 ounce friends.
At any rate, this helping of dog goo brings to light painful questions about Chewbacca and his people long ago in a galaxy far, far away. Questions probably better left unasked. Such as, despite the treetop setting, why does their dwelling place resemble a 70's ski lodge with an Astroturf floor?
Why does the local trader wear black plastic Earth glasses? How were the Wookies able to convert an ordinary cassette player into a Holograph projector? And, regarding said projector, why is the youth Lumpy (who is probably yelling "Franks and Beans!" in Wookie), so fascinated with the freakish flailings of a poor man's Cirque de Soleil? Finally, why in God's name does the patriarch of the clan, Itchy, get so aroused over a pseudo Irene Cara performing a sickening disco song and dance? It was highly disturbing.
Those are the questions that torment me. The other posters have done a far better job than myself covering the horrid sequences with Starship, Bea Arthur (shudder), Harvey Korman and Art Carney. But I must add this: I thought the animated sequence sucked. The story with decent artists probably would have been a cool comic book, but the animation and artwork was terrible. Too cartoony. Artoo physically jumping, his rigid metallic body curving about. And something about Han's head looking like it had been run over by a truck, all squashed...
Like Lot's wife, you have been warned...
OK, if you are reading this, you have probably already heard about the nightmarish details of this film. Carrie Fisher sings, badly, an "inspirational" version of the Star Wars theme. Art Carney shows way too much skin. Mark Hammill looks like a drag queen, and Harrison Ford looks like he was dragged on set against his will by a gang of thugs.
The "musical numbers" are bizarre, irrelevant, and bear no resemblance to anything else. I think I speak for everyone when I say that I hope that mysterious orifice on the top of Harvey Korman's head has one, and only one, use.
But, gentle reader, I do not criticize the painful individual moments of this disaster, no matter how many there are. I do not even criticize the fact that Wookies are made to look like either obnoxious twits or creepy perverts. No, I want to talk about pacing, or in this work's case, p-a-c-i-n-g...
Taken as a whole, there was about enough plot here for a 30 minute network special. But, that would not be long enough. So, the viewer gets 20 minutes of wookie-speak, which goes nowhere. And dance numbers, which go nowhere... And Bea Arthur singing, which might go somewhere we don't want to know about... The fact is, amazingly little happens during this thing's excruciatingly long running time.
Having a martini handy is a must. Just do not drink every time you get bored.
The "musical numbers" are bizarre, irrelevant, and bear no resemblance to anything else. I think I speak for everyone when I say that I hope that mysterious orifice on the top of Harvey Korman's head has one, and only one, use.
But, gentle reader, I do not criticize the painful individual moments of this disaster, no matter how many there are. I do not even criticize the fact that Wookies are made to look like either obnoxious twits or creepy perverts. No, I want to talk about pacing, or in this work's case, p-a-c-i-n-g...
Taken as a whole, there was about enough plot here for a 30 minute network special. But, that would not be long enough. So, the viewer gets 20 minutes of wookie-speak, which goes nowhere. And dance numbers, which go nowhere... And Bea Arthur singing, which might go somewhere we don't want to know about... The fact is, amazingly little happens during this thing's excruciatingly long running time.
Having a martini handy is a must. Just do not drink every time you get bored.
Did you know
- TriviaAccording to Carrie Fisher, George Lucas gave her a copy of the special as a gift for recording the DVD commentary for Star Wars: Episode IV - A New Hope (1977). She claimed that she played it at parties when she wanted her guests to leave.
- GoofsIn the original film, the Millennium Falcon's flight deck had room for five people to be in the same shot together, a back panel of flashing lights, and a distinctive round blue VDU display high above Chewbacca's left shoulder. The flight deck is much smaller in this show, and the backdrop is obviously just a painted wall. The television special was filmed, on video tape, on a soundstage in Burbank, Hollywood, while the original Millennium Falcon set footage was filmed on 35mm film at Elstree film studios in England.
- Quotes
Chef Gormaanda: Stir, whip, stir, whip, whip, whip, stir, beat.
- Crazy creditsR2-D2 as R2-D2
- SoundtracksStar Wars Themes
by John Williams
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Star Wars Holiday Special
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
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