Astronauts, and their robotic dog AMEE (Autonomous Mapping Evaluation and Evasion), search for solutions to save a dying Earth by searching on Mars, only to have the mission go terribly awry... Read allAstronauts, and their robotic dog AMEE (Autonomous Mapping Evaluation and Evasion), search for solutions to save a dying Earth by searching on Mars, only to have the mission go terribly awry.Astronauts, and their robotic dog AMEE (Autonomous Mapping Evaluation and Evasion), search for solutions to save a dying Earth by searching on Mars, only to have the mission go terribly awry.
- Awards
- 1 nomination total
Featured reviews
Both movies were hastily put together, not out of any creative impulse, but purely to capitalize on the spike in public interest in Mars exploration after the 1997 Pathfinder mission with its Sojourner rover. Both involve manned missions to Mars in spin ships, both expeditions encounter some sort of disaster in Mars orbit in order to kill off a few characters and inject some drama, and both involve the discovery of alien life on the surface. Both premises are highly derivative with cookie cutter dialogue and plot structure hastily adapted to a Mars theme.
Both were also staples of my childhood, but I can honestly say that I did not remember the dialogue in this film being so utterly pathetic. It's as if they didn't have time to write a proper screenplay so they just unboxed a premade 'action adventure movie script', slapped a Mars theme on it, and called it a day. This is some real straight-to-video stuff. There's very little abuse of scientific jargon because they don't even attempt to use scientific jargon. The ship gets hit by a 'solar storm' and it's just 'dead in the water'. Sure, that's sufficient information...
The CGI is somewhat worse than Mission to Mars. At least they tried to hide it tastefully in that movie, here they're trying to make it the main attraction, 10 years too early.
Mission's soundtrack is pretty pretentious but at least it's not total garbage. Red Planet gives us 90's club music. This movie would have been better with less audio in general, let us take in the few worthwhile panoramic shots in peace.
OK, OK, OK. The bit where the Russian lander has a little distressed cartoon bear cosmonaut is pretty memorable for its originality. I mean, it's sort of unintentionally hilarious, but it's memorable. The design of the killer robot is also pretty iconic, totally impractical, but iconic. And the scene where the bug creatures move in unison across the plain is pretty interesting. So this movie has its moments. But on the whole, pretty bad.
If you're a fan of science fiction, looking for more realistic spaceflight stuff, watch Red Planet .
Set in the mid twenty first century, Earth is dying, and humanity has turned to Mars as a potential replacement. An unmanned terraforming experiment has been attempted (according to the introductory narration) Months later, it appears to have failed, so a group of astronauts are sent out to investigate. They are surprised and excited to discover not only breathable air but the existence of life on the barren cold red world. When their space craft shuts down however, not only are they stranded, but they become threatened by the malfunctioning of their navigator droid 'Amee'. These few individuals must survive to carry the news back to Earth which proves that man can live on the Red Planet.
I think the story works decently as a nifty sci-fi thriller. Mars in this film looks quite convincing, because the terrain closely resembles the photographs taken by the Pathfinder in 1997. The color scheme is made up of browns and tans, rather than the over saturated red from Mission to Mars.
Ret Planet was received better than Brian De Palma's movie, and I can see why. Although neither of them are examples of great filmaking, I would recommend them both.
This enjoyable picture blends Science Fiction and adventure genre , developing an intelligent script that disseminates the clues to maintain the interest and tension of the viewer and reflect on the eternal theme of the confrontation between man and nature , as well as the struggle between faith and scientific reason . Adding other philosophical themes as crew doubts , fears and questions about God and divine providence , man's destiny and the nature of the universe turn defining elements in their fates . Filmmaker Anthony Hoffman spent a long period at NASA's Johnson Space Center in Houston (Texas) with the goal of researching Mars and space travel and studying photography to see how light behaves in the atmosphere. The result is a feature film narrated with rhythm enough, with careful production design and a sober touch on the scenes in which the dazzling special effects created by the Cinesite Inc. Company also responsible for ¨Deep Blue Sea¨ and ¨Matrix¨stand out . It is an interesting and thought-provoking motion picture , though typical routine -at times- space odyssey that goes wrong when some astronauts find death , one by one , in diverse strange forms . On the way , they encounter problems you've seen in other , better-done sci-fi flicks . In the film there're chilling set pieces , suspense , body-count , intrigue and visual wizardy , but the very used plot and indifferent interpretations undermine whatever it was attempting to accomplish. Red Planet (2000) follows the style of other 2.000's films in which expeditions on Mars get in trouble , such as : ¨Mission to Mars¨ by Brian de Palma with Gary Sinese, Tim Robbins and the subsequent¨The Last Days on Mars (2013)¨ by Ruairi Robinson with Liev Schreiber , Elias Koteas , Romola Garai , Olivia Williams . Although the greatest rivalry and competence was ¨Brian De Palma's Mission to Mars¨, being made at the same time . The biggest claim of this space epic ¨Red Planet (2000)¨ is its cast , headed by Val Kilmer (The Saint) as a mechanical systems engineer who goes from being in the background at the beginning to gain more relevance throughout the film and Carrie-Anne Moss as valiant and risked commander Bowman at the head of the expedition , along with Tom Sizemore, Benjamin Bratt and Terence Stamp.
Highlights the mysterious and suspenseful musical score by Graeme Revell . As well as colorful , though dark at times cinematography by cameraman Peter Suschitzky , David Cronenberg's regular cinematographer . The yarn was adequate and professionally directed by Anthony Hoffman , though with no originality , because copying other films . Being Hoffman film debut , he's presently working on an ambitious feature film that he wrote and with direct for 20 Century Fox, 'Fox Hunt' that will shoot in Hong Kong and Los Angeles, in addition a ten part series 'The Keepers' set in the world of illegal animal poaching across the globe. Rating : 6.5/10 . Well worth watching . The pic will appeal to Val Kilmer and Carrie Anne Moss fans.
6 out of 10
Did you know
- TriviaIn her report back to Earth, Bowman (Carrie-Anne Moss) refers to the state of HAB as being "tango uniform". This is phonetic military slang for "tits up", meaning dead or destroyed.
- Goofs(at around 1h 3 mins) Burchenal says he is an expert in genetics, yet he refers to the 4 DNA nucleotides as A, G, T and P. They're actually A, C, G, and T. It's corrected in the German dubbed version.
- Quotes
Chantilas: [Suppose] we just finished poisoning the earth and everyone was dead in a hundred years. Then what was the point of anything? Art, beauty-all gone-the Greeks, the Constitution, people dying for freedom, ideas. None of it meant anything? What about religion? Do we give up on God too?
Gallagher: You didn't just give up being a scientist one day, did you?
Chantilas: I realized science couldn't answer any of the really interesting questions. So, I turned to philosophy. I've been searching for God ever since. Who knows, I may pick up a rock and it'll say underneath, "Made by God." The universe is full of surprises.
- Crazy creditsIn the credits, Pettengill is spelled Pettengil (one "l").
- SoundtracksWhen the World Is Running Down (You Can't Go Wrong)
Written by Sting
Published by Magnetic Publishing Ltd.
Administered by EMI Blackwood Music, Inc.
Performed by DifferntGear vs. The Police
Courtesy of A&M Records/Pagan Records
Under license from Universal Music Enterprises
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Planeta rojo
- Filming locations
- Coober Pedy, South Australia, Australia(surface of planet Mars)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $17,480,890
- Opening weekend US & Canada
- $8,721,296
- Nov 12, 2000
- Gross worldwide
- $33,463,969
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1