Arena

Hey, flailing writers of movies, know how to make a good Sci-Fi movie. Just take a genre, and re-write it as a space movie.

This is a better film that it deserves to be in that it stole a bunch of Clichés from fight movies, and it was made in Italy (almost never a good sign when everyone in the closing credits has a name that ends in the letter "i". )

So what are its good points? Well, it has three actors known for their roles in good Science FIction. Claudia Christian from Babylon 5, and Marc Alaimo and Armin Shimmerman from Star Trek:Deep Space Nine. They take what could be cardboard characters and breathe some life into them.

The special effects are vintage pre-CGI, and some of the creature effects look good, others look kind of hokey.

So not Shakespeare or even Star Wars, but frankly, I found more sympathy for these characters than any of the people standing in front of Green Screens in the Phantom Menace wondering what their motivation was...

All bets are off at a corrupt intergalactic fighting competition where a system removes the fighter's advantage, no matter what species and puts them on an even standing.

Made and released in the UK in 1989, like Robot Jox, Crash & Burn, Oblivion and other Charles Band productions the lack of money is obvious but this B-film captures the imagination which many larger budgeted films fail to do. Arena taps into a time when fighting films had peaked and Rocky was deep rooted in the conciseness along with WWF specials. Director Peter Manoogian offers plenty of showdowns. His direction is fine and many of the makeup and special effects still hold up.

In a cast of outlandish aliens Claudia Christian features as Quinn and the Christopher Reeve-a-like Paul Satterfield's Steve Armstrong works as the stereotype hero.

Despite its clichés and the fact it was never going to win any Oscars its many references to other science fictions and fresh concept makes it an enjoyable low budget science fiction.

I remember watching Arena back in the day when I was nothing but a sprog, it stuck with me but I long since forgot the name of the film.

I came across it again today and the nostalgia came flooding back. They often tell you not to rewatch the classics from your childhood as they could not possibly meet your expectations based on how it made you feel at the time. On this occasion, it's as good as I remembered.

With goofy Star Trek-esque alien races, Jim Henson looking monsters and a cast including Armin "Buffy/Deep Space Nine" Shimerman and Claudia Christian this is a fun little gem of an 80's movie.

It tells the story of a young man who finds himself becoming a hero for Earth when he joins an intergalactic fighting tournament. But as if he doesn't have enough to worry about on the mat, there are powers that be behind the scenes that don't want him to win.

Sure it does follow a real tried and tested "Fight movie" formula, but it doesn't take itself seriously at all. It's silly, it's over the top, and it's a lot of fun.

To me this will always be a classic, a cheesy cheesy classic.

The Good:

Fantastic creature effects

Really fun movie

The Bad:

Could have used additional time

When I was 10 I loved this film. It's a bit like Kickboxer meets Star trek meets Rocky. I managed to get a copy a few years back now and watched it again with a few friends.

To say it was weird was an understatement. It's actually rather funny at how bad the acting and effects are. i remember it being really exciting and packed with action. Watching it now I realised it was slow with little action and what action there was was just actually very funny.

To be honest they could do a remake which if done properly could be really good.

If you like sci-fi 'B' movies then this is the one for you.

Good old 80/90's fun!

Held in a space station is an intergalactic fighting competition that pits all kind of species in the arena of endurance, ability and strength. There hasn't been a human victor in over 50 years and Steve Armstrong decides to take up the challenge, after his friend finds himself in trouble. However to take that crown of champion he must defeat the hideously cocky Horn and overcome attempts by a devious promoter Rogor. Who's trying to stop Steve's advancement through the competition.

I really wanted to relish in "Arena", because for an extremely low budget production (it simply tells), it illustrated a colourful universe and a magnificent range of distinguishable species (think of Star Wars). Sure it doesn't have state of the art visuals, but those limitations didn't worry it and the overall junky and tackiness of it play into its own hands. Who produced this low-end Sci-fi romp? Well, no other than full moon's Charles Brand. So the campy richness and b-grade fixtures were assured from the get-go.

Though, I guess I better get to the point to why I found it to be lacking poise. From very beginning we know how the standard storyline will play out. An underdog theme trumps in as we watch our protagonist start small with obstacles standing in his way and then eventually end a big high note. This predictable pattern is made more foreseeable with the good guys vs. bad guys context. It's pretty old-hat stuff, but one gets used to after a while even if there's a change of scenery to the mix. But this was lesser of its worries. Its main showpiece was the arena and fighting competition itself. Too bad the fight scenes were too few and goofily staged. I was disappointed on this aspect. They lacked any real sort of adrenaline, force and at times completely drag with the same repetitive activity. The only real fight that stood out for me took place outside the arena, when Steve shows us what his made of. I wouldn't blame someone who thinks this is more so a costume show, as Steve is in one fancy looking nappy outfit.

Peter Manoogian's direction is workably sub-par, but lacks flair in his vision. The photography is quite stuffy and trumping in is Richard Brand's cornball music score. Those filming techniques might not blow you away, but they are acceptably achieved. John Carl Buechler's make-up is detailed (though not always perfect) and adds the to the film's spirit. The cold script is flooded with ineptness, but thankfully it's laced with agreeably witty banter. The performances aren't anything special, but solid enough. Paul Strathfield makes a likable working class heroine, if not much else. There's the familiar face of the succulent and biting Claudia Christian. Eye candy is in the shape of Shari Shattuck. Marco Alaimo goes out of his way to look and act real sinister as Rogor. Hamilton Camp and Armin Shimerman play the supporting roles in mostly a comical tone.

Dreams can come true, but that wasn't entirely the case here. Rather than be exciting, it's diverting at best.