Hangin' with the Homeboys

Hangin' with the Homeboys (1991)

*** 1/2 (out of 4)

Willie (Doug E. Doug) is a black man living on welfare who doesn't see the need for a job because he'll just be a slave to the white man. Tom (Mario Joyner) is an actor trying to make it big, although he doesn't have the talent to do so. His biggest role to date was almost getting a part in the movie Rain Man. Fernando (Nestor Serrano) is a Puerto Rican who pretends to be Italian so that he can get all the women he wants. Johnny (John Leguizamo) is the youngest of the group and he's also a virgin. These seem like four typical people but they are best friends who decide to spend Friday night in Manhattan.

The four friends leave the Bronx heading for Manhattan in hopes of finding some women and wild parties but their night starts off on the wrong track when they wind up at the wrong party and are thrown out on the streets. After wrecking their car, they hit the subway and head to the city where they try to encounter more women and more parties yet nothing seems to be going right. Weighting down the situation is that all four men are having various sorts of problems and when no one else is around the best thing to do is take it out on your friends, which just leads to more problems and more fights.

Hangin' With the Homeboys was released back in 1991 but died a quick death at the box office. This was probably due to the other urban film that year, Boyz N the Hood being a big success so that left this title out in the cold but over the past few years the film has gained a cult following. I wasn't expecting too much out of the film but after viewing it I must admit to now being in that cult group. It's wonderful whenever you enter a film with low expectation but leave it finding a terrific little gem that will hopefully get new fans thanks to this DVD release.

The film was written and directed by Joseph B. Vasquez and his screenplay is something very unique because there are several messages in the film yet he never bashes he viewer over the head with them. Each of the four characters are given their own problems and the film pushes them towards an answer yet the movie doesn't rely on that message and the film ends abruptly with nothing really solved. The biggest highlight of the screenplay is the wonderful dialogue that easily rivals the stuff written by Tarantino. The dialogue brings the four characters to life and while there isn't anything too original here, the dialogue is so refreshing that it's like hearing this stuff for the first time.

All of the dialogue is so natural that it seems this is a documentary rather than an actual film. All the scenes in the movie seem so fresh and real that it seems the actors are improvising rather than speaking from a script. The perfect example of this is a wonderful scene where three of the friends are bashing another member for never having sex. The way the dialogue is given is something that will remind any male viewer of conversations they had with their own friends. Another wonderful section is some fake "ghetto fights", which are staged by the characters to scare the preppy white people that surrounds them in the world.

Bringing this dialogue to life are four wonderful performances and it's no shock that all four actors have gone on to make names for themselves. Doug E. Doug steals the show as the welfare black man refusing to work for the white man who keeps trying to put him down. Everything from his fast talking to his wacky facial expressions just helps bring his character to life. John Leguizamo also turns in wonderful work as the depressed virgin who's always taking heat from his friends. Joyner and Serrano also do nice work in the film.

Hangin' With the Homeboys certainly deserves its cult following and I'm sure it'll get even bigger over the years. I'm sure twenty years from now people will look back on this film the same way they do Diner today. Director/writer Vasquez only made four films before his untimely death and that's a shame because of the wonderful dialogue he brought to his films. This is certainly the film he'll be remembered for and it's a film any male should be able to relate to. We've all had those guys night out and this film brings some of those highlights to life.

This is one of the few comedies that I absolutley love! Everytime it comes on TV, i still got enough nerve to always watch it. Its that good! Sadly, we're not able to see what Vazquez (the director) would have went on to do. But he left us with a well made comic motion picture that will stand the test of time! ****

Joseph Vasquez' portrayal of the lives of four friends as they prowl the night in search of good times predates the ubiquitous Swingers by four years. Hangin' is similar to its more popular cousin in its sweetness and incisiveness as it deals with the heartaches and fatal flaws of its protagonists. However, these nocturnal wanderers also have to deal with some of the more sublime facets of race relation as Nestor Serrano as Fernando, aka Vinnie, a Puerto Rican gigolo tries to convince everyone, including himself, he's Italian, or Doug E. Doug as Willie blames every one of his problems on the fact he is black and moreover accuses other black people he meets of "selling out" or "ignoring {their} African roots" while he has never participated in one rally or learned a single fact about African Nationalism. The film also features one of the earliest hints at the talents of comic/playwright John Leguziamo as sweet, introspective supermarket stock boy Johnny, a subdued, endearing performance by a man who's now known for extravagance. It's just a matter of time before Leguziamo gets that role which will make him a superstar. Mario Joyner completes the foursome as a lovelorn, less confident than he tries to exude, struggling actor, nee telemarketer, in a solid, if not spectacular performance. While this wonderful film rarely lets up on the laugh, it's also intelligent and inspiring, while at times heartbreaking. What's most heartbreaking is what came after this film; after the promise of his debut, Vasquez was given a ton of money and backing for his next feature, but the film had to be shut down after a week of shooting as Vasquez was walking around the soundstage proclaiming himself Jesus, among other insane ramblings. Within a year, Vasquez died of AIDS in relative obscurity, a tragic end to a man who showed signs of genius. Who knows what that genius might have led to, but while this film will never balance off what might have been, at least he was able to leave his mark with one great film. Hopefully more people will get to see it.

Watched this only because of high user ratings, that's generally a good sign for something you've not heard about. It's not really comic in the laugh out loud sense, but keeps you giggling and smiling all the way through. But there's far more to it than that, " Because I'm black " is the line you'll take from this film as it exposes this as an excuse for not even trying. It actually interests you in the characters, all well played, because they have so many faults. Why better than Spike Lee, because it stands alone without any racial undertones.

To me, this movie seems less of a "comedy which makes you think", and more of a powerfully in depth character study, which is always making you laugh. But enough pigeon-holing.

This movie is all characters. The key element, for mine, is the symmetry between them. Four guys. Two black guys, two Hispanic. Two with (pathetic) jobs, two without. Two with more than women on their minds, two without. Because the symmetrical dynamic is always switching, we are always privy to meaningful dialogue, and witness powerful confrontations. That is, the director doesn't just make his point in the first 30 minutes, but is always reevaluating his characters, and their struggles.

Each viewer will no doubt have a favourite character, and his journey will be of most interest and focus. The beauty of this movie, however, is that none of the characters are developed at the expense of another. All are richly detailed, and, if you are like me, your focal character may change with every viewing.

None of the characters are overly likeable; we are always confronted with scenes which really demonstrate their failings and shortcomings. Herein lies the strength of the film. Unlike so many other "cool" and "wacky" comedies, these characters have real depth, and we can't. as honest viewers, think any one of the characters are summed up by the words "cool" or "wacky" or any other simplistic assessment that can easily be applied to characters in so many other movies (and fairly, too). They are all distinct in many ways. The most notable example is each character's technique in dealing with the inherent racism of their society. The most fascinating character here is Vinnie, as he chooses rather than confronting this difficult problem, to deny it even applies to him: "He thinks he's Italian".

My only request when seeing this movie, is not to fall into the trap of missing an appreciation of its depth. Sure, it's got a "cool" title, they just cruise around doing cool stuff ("Jose sent me" is such a good idea!), and they say cool one liners. But beyond that, the characters are at once frustrating and liberating, enjoyable and unlikeable, but most of all, they are all very human, very real.