Scenes from a Mall

Even though the movie is pretty much everything that Woody Allen is not, it's still somewhat enjoyable to see him paired with the amazing Bette Midler. The story is interesting to say the very least: it's their anniversary, and Nick (Allen) decides to share a secret. It so happens that they are located in a mall, and the drama is surrounded and contrasted by hundreds of neons, stores, billboards, colors, and excitement. In the midst of all this, a life shared for years is crumbling down, as Nick is not the only one with a secret. The movie, being interesting as it is, has its flaws. The dynamic between Deb (Midler) and Nick is sometimes unbearable as it shifts drastically from one side to another. They are both on two separate rollercoasters, and it's can be annoying. Perhaps the most charming feature is its never-ending symbolism. Every little thing can be interpreted as many different things in the movie, and I don't think the movie should be taken in as it is. There are many interesting aspects in the movie, and as always, Woody Allen delivers with his almost-there-over-the-top performance. All in all, it's probably not the easiest and not the best thing Allen has been a part of, but it's still worth it to see him yelling and talking about sex...because it always is.

In Annie Hall, Alvy Singer observes that the only cultural advantage of living in California is that you can make a left on a red light. Here. in the thick of it, Woody's character is a committed Los Angelean with designer suits, fast-talking business deals but still with that underlying angst. There's a lot to recommend this relatively stagey effort from Paul Mazursky - the screenplay, the leads and the unique setting - although Kevin Smith has done it better since in Mallrats. What is perhaps missing here is any new revelation or insight into the characters who remain pretty much two-dimensional throughout. It is alas predictable fare but still worth a look for a touch of Woody as he might have been if California had enticed him over.

Now I remember when Scenes From A Mall first came out, it got absolutely atrocious reviews. I wasn't old enough to see it then, but I loved the idea of a movie with two of my comedy heroes, Woody Allen and Bette Midler. In fact, I had almost forgotten about this movie until I read a review of the newest Woody Allen movie, "Small Time Crooks" in which the reviewer said that Allen hadn't had as good chemistry as he had with Tracey Ullman with another actress since Scenes From A Mall. So I went out and found the movie, and the reviewer was definitely correct. The two stars have masterful chemistry, although it's almost ridiculous to believe Woody Allen and Bette Midler would be together, but then again isn't that it in most of his movies. I mean does anyone believe he could have gone to bed with Mira Sorvino, Julia Roberts, Juliette Lewis, Elisabeth Shue, I mean even Judy Davis is a big stretch. Well whatever. The problem I had with the movie is that it is more like an absurdist play than a real movie. This married couple go to the mall on their anniversary and both reveal they have had affairs. The film is believable except for the wild and sudden reactions that Bette Midler's character has to Allen's revelations. She knees him in the groin and screams at him. Now nobody enjoys Bette Midler's antics more than I do (think the phone call scene in Ruthless People) but I just didn't buy it. It was like Bette Midler was dying to have moments of big ballsy comedy inserted into a more serious film. Then of course they make up, which isn't very believable either, nor is it funny. Then she reveals her affair and Allen overreacts. At this point I was like in disbelief that anyone would expect us to swallow such a hackneyed and predictable reaction and story set up. Of course they're more fighting, and an annoying mime (hello? they stole it from tootsie) and lots of garish on again off again reactions. Gee I wonder what happens at the end? It's not a hard one to predict folks. It was perfectly enjoyable though, but when you think about it in your head you realize it's really not such a with it piece of work. The movie reminded me of Midler's more recent film "That Old Feeling" where she again overreacts with big screaming fights that are supposed to be hysterical. The couple in that movie also go do an on again off again thing with lots of screaming in between. Like I said, they're both enjoyable and Midler radiates charm but why does she keep saying yes to this terrible s**t? She's a good actress, and she should be doing better comedy's not this terrible lowbrow material, (hello Drowning Mona was beyond embarrasing, its already the worst film of the year). All in all, scenes from a mall is worth it for the great chemistry between the two stars and its pretty cute. But why anyone would think that we would enjoy seeing Woody Allen in a ponytail is beyond me.

He lives in Southern California. He spends time in a mall. He carries a surfboard. He wears a ponytail. Is this really Woody Allen, or an imposter? This movie received a critical beating when it came out, but it's really not that bad. In fact, I sort of got a kick out of seeing Woody in this. He is well matched by Bette Midler, who reprises her Down and Out in Beverly Hills character. Director Paul Mazursky, who usually makes either Southern California or Manhattan-set social comedies, brings Woody out to the Beverly Hills that he's trashed in so many movies (the most obvious being Annie Hall), and plucks him into the center of '80s and '90s California consumerism--the mall. The story involves Allen and Midler discussing their infidelities in various mall settings, but the dialogue is merely a clothesline for the idea. It was a hard idea to pull off, but I, being the Woody Allen fan that I am, enjoyed it.

I enjoyed this a lot, but more in the way you enjoy a play than a film. I can see how this would annoy some people, but I quite like it when film mimics theatre- for instance, by restricting virtually all the dialogue to two characters, and virtually all the action to one, claustrophobic, location. The plot is slow and unlikely, but the writing is good, and the acting superb. Particularly fine is Midler's murderous side-long glance at the word 'zombies'. Actually, I don't think I've ever seen Allen have better chemistry with his leading lady. So, not a film for laughing out loud at, but engrossing, well done, and fun to watch. Best thing about it: A mime gets punched. Worst thing: Woody Allen in a white jacket and- God help us- a pony-tail.