Soon after settling into her new role as governess at the faraway and well-appointed Bly House, Jenny begins to suspect that her young charges, Flora and Miles, have seen something unimagina... Read allSoon after settling into her new role as governess at the faraway and well-appointed Bly House, Jenny begins to suspect that her young charges, Flora and Miles, have seen something unimaginably sinister.Soon after settling into her new role as governess at the faraway and well-appointed Bly House, Jenny begins to suspect that her young charges, Flora and Miles, have seen something unimaginably sinister.
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I was very pleasantly surprised with this adaptation of Henry James novel.It reminds me a little bit Dario Argento's "Suspiria"(1977).Why? Because it's full of wonderful visuals and creepy atmosphere.Some scenes are really chilling without relaying on gore.The acting is pretty good,and Patsy Kensit is really keen on eyes.She is such a beautiful woman!Kudos go also to Rusty Lemonrade-great directing job Rusty,I'm your fan!So if you're in the mood for creepy ghost story don't hesitate to watch it.Recommended!
3JWP
If you are thinking of seeing this movie because you liked the story by Henry James, don't bother. The film-makers took every iota of subtlety out of the story and ended up with an overly obvious portrayal of a sexually repressed naive catholic governess' descent into madness. The spirit of the short novel has been abandoned and only a general adherence to the plot is left. Follow the link to external reviews for a more detailed analysis.
I have never had the pleasure of reading the story or seeing the previous film adaptions from which this movie is based on which probably explains why I liked this film so much. Anyway, the story is about a nanny (Patsy Kensit) who takes charge of a household for a strange man (Julian Sands- in a brief cameo appearance) and his even stranger children who seem troubled by some unknown terror. This is a frightening film with a slow pace that actually works in favor of the film. As a result of the slow pace the terror is allowed to slowly build up to a terrifying climax. Kensit does a respectable job in the lead role.
Rated R; Nudity & Sexual Situations.
Rated R; Nudity & Sexual Situations.
This 1992 adaptation of "The Turn of the Screw" is a strange experience indeed. Taking the Henry James Psychological ghost story masterpiece as a starting point, writer/director Rusty Lemorande makes a film that is ultimately a failure, but a very intriguing failure nonetheless. The director takes the central premise of the well known story about a governess coming to doubt the innocence of the children under her care and realizing slowly that they may be haunted by the ghosts of her malevolent and sick predecessors, and produces a film that is much more modern (and by modern I mean graphic) which turns the story into a much more perverted psycho-sexual story about child abuse, the occult and of course repression (all themes that were addressed in Henry James' novella but in a much more subdued manner). But despite achieving moments of true dread and an overall ominous and doom-laden atmosphere (aided tremendously by the beautifully Gothic locations and the occasionally brilliant cinematography), the director errs by making the story lose all the subtlety that was imbued in the original novella and instead relying too much on graphic sex scenes and overt violence (although these only appear in dream sequences which are somewhat brief) and ultimately as many filmmakers do when adapting a classic story, reading too much into the story in terms of sexual repression and perversion. Although James' novella mainly dealt with issues of sanity, perspective and depravity, the main strength of the story was the ambiguity that James imbued the story with, something which made the story much more frightening and disturbing even a century after it was published. But director Lemorande throws all subtlety out the window by using ear-shattering musical cues, gratuitous blood and sex and by portraying the apparitions as some sort of demonic beings, which are all things that do not correspond with the original tone or intention of the original story. But in the end the film has its merits as Lemorands succeeds in creating some moments of visual ingenuity as well as the aforementioned atmosphere which is truly haunting and unnerving, things which many other adaptations of the same story failed to achieve.
If you know Henry James' novel and if you know Jack Clayton's first-rate adaptation of this subtle psychological subject, beware this poor adaptation from Rusty Lemorande. No tension at all and Patsy Kensit really is no Deborah Kerr.
Did you know
- TriviaAs of 2022, this remains the second and final directorial effort of Rusty Lemorande.
- ConnectionsVersion of Matinee Theatre: The Others (1957)
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