In Custody

Another recent DVD through the Merchant & Ivory Collection. A fair movie at best with some notable talent from a fine actor, Om Puri. The comedy picks up towards the end of the movie which is a god send since the rest of the movie is pure farce. Sadly, age has not been kind to Shashi Kapoor or Shabana Azmi and their roles are two dimensional and uninspiring. India yet again steals the show with the beauty of its architecture, glorious sunsets, and colorful people. The direction works well, and the camera seems to capture the mood eloquently. The poetry in Urdu is glorious to listen to even of delivered by Shashi Kapoor. Maybe good for a rainy day when you wish to be alone with a beer.

The first scene of an old man composing a poem, as he looks out the window of his decaying villa at the timeless Indian landscape, establishes that he is a great poet. The rest of the film shows us the price that he has willingly paid for his poetry, and the tragedy of writing in a dying language. The comic efforts of the school teacher to record the old man reading his poetry highlight the tragedy, and as the teacher becomes more and more entangled in the poet's life, he comes to understand (as we do) that none of the poet's sacrifices have diminished him, and that he has no regrets. Perhaps the most poignant scene is the teacher's interview with the poet's young second wife, who (unable to create poetry) performs his poems to music and passes them off as her own. Her response to his charge of plagiarism leaves him speechless, and reveals more about the position of women in Indian society than a dozen feminist studies. Perhaps the reason why this film received poor reviews is that everyone is looking for Hollywood (or Bollywood) stereotypes, and missing a very moving story that is told in a quiet and unpretentious way.

For a certain niche group of cinephiles ever since the release of a film called "Shakespeare Wallah" in 1965, the "Merchant-Ivory" label has become synonymous with high-class rarified taste in cinema in some way associated with India ("A Passage to India", "Heat and Dust"), or, in the later collaborations of this producer-director team, with ultra refined literary adaptations set in Victorian England such as "The Remains of the Day", and "Howard's end". To be brutally frank, since "Merchant-Ivory" productions were never exactly my cup of tea cinematically speaking, (although I made valiant efforts to sit through a number of their films), I never paid enough attention to discern who did exactly what, whether they were both Indian or half-Indian or what -- and merely assumed that they were in some sense co-directors something like their polar opposites, the Coen brothers in the frozen wastes of Minnesota.

From a fascinating 1994 documentary screened here entitled "In Ismail's Custody" by Englishman Derrick Santini, which is basically a biopic about Mr. Merchant, and a takeoff on the name of the one film Merchant directed solo, IN CUSTODY, much of this cloudiness was cleared up. Ivory was a gay American Anglophile based in England and Merchant was an authentic Indian from Bombay. In general Ivory Directed their films and Merchant was the producer. However, "In Custody", is the one and only M&I production where Merchant for once took over the reins actually directing himself and is, for my money at least, the best picture in the entire M&I repertory.

The subject of the film, based on the novel my Anita Desai, is the decline of the Urdu language in India after partition when Urdu became the official language of Pakistan but, as the idiom of the Indian Muslims, began to be looked upon with a baleful eye in India proper.

For the record the plot of "In Custody runs like this: A literary editor asks Deven (Om Puri), a teacher who loves Urdu poetry, to interview a famous Urdu poet, Nur Shahjehanabadi, (Shashi Kapoor) an aging, fumbling,alcoholic, whale of a man not far from death's door. Deven goes to Bhopal from Mirpur to meet the cantankerous Nur, of whom he is in absolute awe. He finds him living with two feuding wives, and constantly visited by sycophants who drink his whisky and eat his food. Deven desperately wants to record Nur for posterity and manages to scrape up the funds to buy an aged tape recorder, to bribe Safiya, the elder wife, to get Nur into a room at a brothel for a week for the recording, and to feed Nur's pals who, whenever they show up, disrupt the recording sessions with their drunken carousing. Moreover, Deven's young technical assistant is an irresponsible deadbeat who feels he is being overworked for a pointless project and keeps messing up the tapes or failing to turn the machine on when the drunken poet finally gets around to reciting from his works. Meanwhile Nur's beautiful second wife, Imtiaz (Shabana Azmi), wants to be taken seriously as a poetess herself, but Dever dismisses her offhandedly while ignoring his own wife and child much as Nur does. In the end, hardly any of the precious recitations by Nur have been preserved as he drinks himself into the grave. In the course of the film, however, much of the melodious Urdu verses recited by Kapoor are actually heard in this boisterous requiem for a dying language. The three principals, Om with his heavily pitted but oh so soulful face, Kapoor with his massive extroverted personality, and Azmi, with her striking beauty, are all memorable as are the numerous supporting actors, particularly a very withered old woman in white whose occasional appearances punctuate the proceedings. Since Urdu was Bombay born Merchant's native language it is clear that he had a special feeling for the subject matter at hand and therefore wanted to do this picture himself. The result is a remarkably moving film which makes one wonder why he didn't do more directing. In fact, based on this one directorial effort I could not escape the feeling that some of the Ivory directed sleeperoos might have been a lot more lively if Jim and Ismail had just switched roles every now and then.

Alex, River to River Indian Film Festival, Florence: Dec. 17, 2005

In Custody is the adaptation of the novel by Anita Desai and revolves around a poet Nur Sahjahanabadi.

Deven(OM Puri) is a Hindi teacher and is in love with the Urdu language and poetry. He wants to take an interview of Nur Shahjehanbadi, the renowned poet. But there are several obstacles in his path. Nur is living a silent life with well wishers but not in a good condition. He refuses to give interview and says Urdu is taking its last breath. So now, what will Deven do?

The movie is an important movie for a lot of reasons. How a declining language affects people, the poet who was once an eminent poet is now almost forgotten. How the family of poet suffer and the feelings of a poet.

Shashi Kapoor as the poet Nur, is just terrific. He is completely convincing and just by looking at him we feel that we are seeing Nur Shahjehanbadi in front of us. He makes us feel that the character of Nur is so real. There is that pain and emotion that reflects on his face.

Om Puri as the college professor is just superb. Shabana Azmi as Nur's wife is terrific. She plays the part of dominating and irritating wife with perfection.

But it's Shashi Kapoor's movie all the way. He just stals the show from all the actors and dominates the screen with his voice, body language and mannerism.

Riding on amazing performance, this movie is an important movie both for cinema lovers and poetry lovers.

Merchant Ivory Productions's adaptation of Anita Desai's novel, 'In Custody' is rawer and grittier than their previous films. Not to put down their previous works, which are gems in their own rights, but such treatment wouldn't have worked for a story like 'In Custody'. Merchant gives it a very lyrical and subtle toned down look. The art direction and props look very authentic. Cinematography has always been a strong point in Merchant Ivory films and here too it is no less stunning.

The film's key theme is that of deterioration. This is reflected in the dying out of the Urdu language that Deven desperately tries to keep alive through Nur's poetry; in Nur's own life (once he was a celebrated poet and now he's merely an over-eating alcoholic has-been who's resented by his own wife) and seeks momentary comfort in his supposed 'fans' who drop by, uninvited, for their own convenience; in Choti Begum who's become the breadwinner as she continues to plagiarize her husbands poems and performs in front of the sleazy men of the village. With Choti Begum, the issue of feminism is touched. When she tells Deven how men were always praised for their poetry while women were merely seen as the object of desire, this does ring true to an extent.

The first rate performances are very natural. Shashi Kapoor performs effortlessly. In a way, 'In Custody' also reflects the deterioration of his physical health. Shabana Azmi also turns in a remarkable performance and Om Puri leads the film with élan.

The poetry is superb. It contributes beautifully. Not only is it a part of the film, but to me the entire picture felt like one poem.