A government fakes the death of a criminal to turn this young woman into a killer on its service.A government fakes the death of a criminal to turn this young woman into a killer on its service.A government fakes the death of a criminal to turn this young woman into a killer on its service.
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I thought this flick was good, and I'm SO glad that the film didn't resort to the typical Hollywood ending that other American remakes do (though it differed just a bit from the original "Nikita").
Admittedly, I'm biased in that I'm getting to be a big Bridget Fonda fan. And I agree with another reviewer that Fonda played a more likable character than the one in the French original.
Plus, the DVD's sound is great, though the picture is grainy.
All in all, a good film that doesn't deserve all the mudslinging it has gotten.
Admittedly, I'm biased in that I'm getting to be a big Bridget Fonda fan. And I agree with another reviewer that Fonda played a more likable character than the one in the French original.
Plus, the DVD's sound is great, though the picture is grainy.
All in all, a good film that doesn't deserve all the mudslinging it has gotten.
This movie is also called The Assassin. I have never seen the original, Nikita, from Luc Besson, but I was looking for it, instead I stumbled on this film in the rental store and it turned out to be a remake. I thought, with Bridget Fonda as a gunslinging babe, plus Gabriel Byrne and Harvey Keitel in the supporting cast, and in the director's chair John Badham, of Wargames, Bird on a Wire and The Hard Way fame, what can go wrong? Everything!
The camerawork is plain mediocre and not any action scene seems to have any choreography, the whole movie lacks style and elegance while it should have those above everything else. I think, if it would have been a good movie, every scene would have been either very thrilling and exciting to watch or involving. The scene with the arrest in the beginning and the training scenes could have been so much better with a little imagination. The same for the other "action" scenes. The whole movie is very uninspired and a huge waste of talent. For those who like the chix-with-guns genre, which still seems a bit underused, I recommend The Long Kiss Goodnight with Geena Davis and Samuel L. Jackson which is far superior and has a better plot to boot. Or if you want to see a really good film with Bridget Fonda go watch A Simple Plan.
I give this film 4 out of 10 because it had so much more potential. Were it a B-movie I had been more forgiving, but it wasn't. It was, however, executed as badly as a B-movie.
The camerawork is plain mediocre and not any action scene seems to have any choreography, the whole movie lacks style and elegance while it should have those above everything else. I think, if it would have been a good movie, every scene would have been either very thrilling and exciting to watch or involving. The scene with the arrest in the beginning and the training scenes could have been so much better with a little imagination. The same for the other "action" scenes. The whole movie is very uninspired and a huge waste of talent. For those who like the chix-with-guns genre, which still seems a bit underused, I recommend The Long Kiss Goodnight with Geena Davis and Samuel L. Jackson which is far superior and has a better plot to boot. Or if you want to see a really good film with Bridget Fonda go watch A Simple Plan.
I give this film 4 out of 10 because it had so much more potential. Were it a B-movie I had been more forgiving, but it wasn't. It was, however, executed as badly as a B-movie.
I've never seen the French film, Nikita, on which this is based, but it sounds superb. What drew me into this film was the presentation of the story, which focuses less on her as a professional killer and more on her humanity. In the French film, Nikita looks very forceful and aggressive. Fonda in "Point" seems more sensitive and feminine. I'm just going to have to see the French one. I'm not easy to impress and this film drew me in. Nikita must be awesome.
BRIDGET FONDA has a face one can just stare at for hours. It's a restrained performance. She plays a very conflicted character full of paradox. A proposal from her lover cause tears to well up in her eyes as she peers down the scope of her rifle at her latest target. She manages to keep a straight face when her friend is killed in front of her. She even manages a smile and says, "I never did mind about the little things." Fonda has such talent that she's able to portray pure calm with every muscle in her face while her eyes swim in terror and heartbreak.
HARVEY KEITEL is Victor, the Cleaner. His face is a stone. No smiles, frowns, or grimaces. He is heartless and emotionless. As he kills, his face remains stone cold. He says no unnecessary words. His answers are short, to the point. Superb. His performance is understated brilliance.
GABRIEL BYRNE has a knack for making his characters believable. He's harsh, yet sympathetic. He alone makes this movie worth watching.
BRIDGET FONDA has a face one can just stare at for hours. It's a restrained performance. She plays a very conflicted character full of paradox. A proposal from her lover cause tears to well up in her eyes as she peers down the scope of her rifle at her latest target. She manages to keep a straight face when her friend is killed in front of her. She even manages a smile and says, "I never did mind about the little things." Fonda has such talent that she's able to portray pure calm with every muscle in her face while her eyes swim in terror and heartbreak.
HARVEY KEITEL is Victor, the Cleaner. His face is a stone. No smiles, frowns, or grimaces. He is heartless and emotionless. As he kills, his face remains stone cold. He says no unnecessary words. His answers are short, to the point. Superb. His performance is understated brilliance.
GABRIEL BYRNE has a knack for making his characters believable. He's harsh, yet sympathetic. He alone makes this movie worth watching.
The English version of the French movie La Femme Nikita. I think it is quite well done, and I enjoyed it.
A druggie girl kills a cop and is sentenced to death. She is given the "opportunity" to live, if she does what they say, and becomes an assassin. To the rest of the world she died.
She is determined, and she doesn't play well with others, but if she doesn't start playing their game, she really will be in her grave.. I'm not giving away any more.
But I would recommend it, it's worth seeing. Especially if you like Bridget Fonda, who kicks arse in this movie.
A druggie girl kills a cop and is sentenced to death. She is given the "opportunity" to live, if she does what they say, and becomes an assassin. To the rest of the world she died.
She is determined, and she doesn't play well with others, but if she doesn't start playing their game, she really will be in her grave.. I'm not giving away any more.
But I would recommend it, it's worth seeing. Especially if you like Bridget Fonda, who kicks arse in this movie.
Yes, it's a bad remake of La Femme Nikita--yes, it's overly violent and amoral (but so was the original)--yes, it's REALLY stupid, but I enjoyed it. It moves quickly, Fonda manages to give out a pretty good performance and it's certainly never boring. If you can turn off your brain, and sit through bursts of graphic violence (and a really sick sequence involving Harvey Keitel as "The Cleaner") you should be able to enjoy it. No great movie, just a really good bad movie. Critics predictably hated this movie. There's a now infamous review from the "New Yorker" magazine that's only 9 words long--"The end of French cinema as we know it." Ignore them--this is lots of fun.
Did you know
- GoofsBob's recollection of the location of Maggie's plot in the cemetery is inconsistent. He first said "Plot 48, row 12" and later: "Row 48, plot 12"
- Alternate versionsBecause the original version was rated "Not under 18" in Germany, the film had to be cut to receive a "Not under 16" rating for video release and television broadcast. All scenes in which Victor kills somebody with his pistol were cut out. Also some fighting scenes with Maggie were shortened.
- SoundtracksWild Is the Wind
Written by Ned Washington and Dimitri Tiomkin
Performed by Nina Simone
Courtesy of Polygram Special Markets, a division of Polygram Group Distribution, Inc.
Details
Box office
- Gross US & Canada
- $30,038,362
- Opening weekend US & Canada
- $7,160,389
- Mar 21, 1993
- Gross worldwide
- $30,038,362
- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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