Tombés du ciel

This is a story of a man, Arturo who lives in Canada. He must spend the Christmas and New Year holidays with his wife, Suzana who lives in Paris. For this, he must catch the flight Montréal-Paris. Unfortunately, his identity papers are stolen and the customs officer refuses to let him go out of the airport. As a consequence, Arturo is put in transit. There, he'll discover a world of the airport that he didn't know at all and will strike a relationship with others persons that have been waiting for days, weeks, months...

This is precisely Philippe Lioret's goal in this movie. He wants to show us the other world of the airport, a world that the traveler doesn't know. Lioret reached his goal and he made a pleasant movie that contains nice moments. It's only a pity that the comic situations are often unfinished.

But "Tombés du ciel" is a movie that is worth seeing just for Jean Rochefort's subtle (although sometimes inexpressive) performance. In a way, the movie is very similar to another French movie released the same year: "la joie de vivre" (1993). The quoted movie was saved thanks to Michel Bouquet. Both are minor movies saved by two terrific actors.

Lioret directed his best picture, that won the Silver Seashell and OCIC award in Donostia (San Sebastian). Jean ROCHEFORT is excellent, Ticky HOLGADO is great! Laura del Sol is just correct. The role played by Sotiqui KOUYATÉ is also great! Marisa PAREDES is the only one I don't like. The story of people that live stuck-ed in an airport is really interesting. Spielberg took it and made a stupid picture with Tom HANKS named "The Terminal"; he tried to copy LIORET but failed instantly! This movie is one of my favorites. Fine cast, very good script and an excellent directing. But what happened to that movie? I can't find it in shops, either in internet. It looks like it's been erased from the earth! that's terrible! I think that the only way of getting it is going to France, for buying it. If somebody knows how to purchase it, please, let me know.

Instant classic; 8 out of 10.

What I really like about this movie is the way it transcends the border of ordinary drama, entering a mythical region. It tells a sort of a modern fairy tale – a big airport becomes a strange, enchanted castle.

The main character, a man in white socks and without shoes, is detained in the international section of the airport because together with his shoes all his documents were stolen. Unsympathetic officials prevent him from entering the „outer world", he has to remain „en sous-douane". This means, literally translated, in the sub-customs-area, but the way the expression is used it really sounds like a special state of mind and existence in which one ceases to be entirely human and becomes a kind of a ghost. Of course, the movie wants to make it plain, that it can happen to anyone.

The hero meets other people who are in a permanent state of „sous-douane", a little international crowd, a tiny microcosm. They are like some kind of brownies or kobolds who know the airport inside out, passing their time going rabbit hunting between the runways or exploring the entrails of the huge substructure of the airport. The hero gets released from the castle he is forced to haunt, nobody saves the others who remain behind.

Tombés du ciel (fallen from the skies) is a good drama with an excellent international cast and many real airport locations that is not easily forgotten.

After the 9pm news on TV5 they sometimes show a film. Last night they chose "Les Tombees du Ciel" with Jean Rochefort, one of my favourite actors.

Like so many French films, it showed how hard life can be and in the end it just left me with a sense of hope, a feeling of lightness.

Shot almost entirely at Roissy Charles de Gaulle airport, Paris, it portrayed the life of the people trapped between states. They really do exist - I've seen them at Sheremetzavo 2 in Moscow.

Films say so much about the society that makes them - often in ways that were never intended by the director. This film just confirmed the reasons I spend so long and I work so hard to learn French.

I really loved this film which was charming and intriguing. It was a shame it did not achieve wider distribution, and that that terrible Tom Hanks vehicle took the same (English) title. It provided a wonderful insight into the way that people could lose their freedom to determine their own lives, as well as sending up the vagaries of French bureaucracy. Jean Rochefort is a wonderful actor; I would be happy to see him in almost anything but this was an especial joy. It even gave me a perverse yearning to stay in one of those automated French hotels that are guyed at some point. It is several years since I saw this film but a number of vignettes remain clearly in my mind.