Thiruda Thiruda

I usually dont write reviews but felt like writing one for this movie as I enjoyed and also likes a couple of songs in it. I found it strange that there are so many negative reviews for this movie. I wouldnt call it a master piece but at the same time is way better than the majority of the tamil movies out there. Its got a good plot and good music to go along with it.

Can some movies with no star cast become commercial hits? Yes,if the director is able to provide the right elements that most of the audience needs at a point.

Thiruda Thiruda by Mani Ratnam, with P.C.Sriram and music by A.R.Rahman. It was one of those movies that had no significant and was purely entertainment movie at least for its time. Obviously the director is trying to make the frontbenchers happy.

But if u did not get t o appreciate its technical finesse at the time of its release, u will do so years later. The cinematography is astounding excellence by maniratnam and PC Sriram, considering this move was released in 1993.With the advent of large screen High definition screens. This movie comes alive again even better than it used to before after watching it again on original remastered DVD Undoubtedly Ar Rahman's music in this move is clearly the best in his career . Pure and bold experimentation that gave us a unique experience.

If not for the movie, watch for songs. The attempt is worth it but the A class audience of Mani had watched many similar Hollywood movies like this made it a failure, I guess.

I have to admit, though I am a huge Mani Ratnam fan, I was reluctant to watch this film, mainly because the impression I got was that it was a bad film. But i kept reading about the use of lighting and the cinematography, and i thought i'd give it a go.

This is probably the least Mani Ratnam-esquire film I have seen, the first 10 minutes i kept seeing homages to Sholay (the initial train sequence and the motorbike the police use) and i mainly put that down to RGV writing. The film gathers pace, characters get introduced, u have the fun chase sequences, some nice little exchanges, and before u realise it the film has finished. The result, a nice little commercial film, which I think is much better than most of the films of this genre made in 2005 in Bollywood. But then again this is Mani Ratnam we are talking about.

The really good things about this film; Brilliant songs, brilliant cinematography, you have to watch the song sequence of Chandralekha simply superb. Technically it is a good film. Well directed.

The bad things about this film; well i have to say, at times the film just looks really low-budget (especially when it comes to the special effects), the lead actors are a little disappointing i thought, apart from one of the actresses ( her character was called rasathi) the lead actors just lack charisma and anu agrawal at times looked a little overweight. the love-triangle was a little a pointless and the fact that it remained unresolved was disappointing.

i do recommend this film, but be aware that this is not a typical Mani Ratnam film so do not start watching the film with expectations of brilliant dialogues, a film grounded in realism, because you will feel a little disappointed.

Mani Ratnam's adroit transposition of the Butch and Sundance story into a quirky rural setting with a distinctively Indian sensibility is ceaselessly entertaining, if eventually a little too long. You can find in it the major elements of Indian commercial cinema -- set-piece action scenes and dance numbers--but the film distinguishes itself with stylish camera work, superb music and, above all, a deliciously maverick, fantastical tone embellished with sparkling humor, very reminiscent of Terry Gilliam (Monty Python, Time Bandits, Adventures of Baron Munchhausen) in his prime.

The film borrows liberally from "Butch Cassidy and the Sundance Kid", both in letter and spirit. The more-or-less irrelevant plot involves two small-time thieves who inadvertently end up in control of the vast loot resulting from a major heist. Hot on their heels are the original mastermind of the heist, and a frantic police force led by an overweight, deceptively slow detective (S.P. Balasubramanian in the role of his life). Predictable complications ensue, but the pleasure is in the perceptive, droll sense of humor and the Indiana Jones-esque sense of adventure with which the story is told.