A community of magical shape-shifting raccoon dogs struggle to prevent their forest home from being destroyed by urban development.A community of magical shape-shifting raccoon dogs struggle to prevent their forest home from being destroyed by urban development.A community of magical shape-shifting raccoon dogs struggle to prevent their forest home from being destroyed by urban development.
- Awards
- 3 wins & 1 nomination total
Shinchô Kokontei
- Narrator
- (voice)
Makoto Nonomura
- Shôkichi
- (voice)
Yuriko Ishida
- Okiyo
- (voice)
Norihei Miki
- Seizaemon
- (voice)
Shigeru Izumiya
- Gonta
- (voice)
Takehiro Murata
- Bunta
- (voice)
Shôzô Hayashiya
- Ponkichi
- (voice)
- (as Kobuhei Hayashiya)
Akira Fukuzawa
- Ryûtarô
- (voice)
Yorie Yamashita
- Otama
- (voice)
Beichô Katsura
- Kinchô Daimyôjin the Sixth
- (voice)
- (as Beichou Katsura)
Bunshi Katsura VI
- Yashimano Hage
- (voice)
- (as Bunshi Katsura)
Hiroko Suzuki
- Female Tanuki
- (voice)
Akira Kamiya
- Tamasaburô
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Takahata's best work for Ghibli
This is a Ghibli film by the studio's 'other', less famous, director, Takahata, who in Japan is still best known for doing the 'Heidi' television series in the 1970's, and who probably had his swan-song with Ghibli with the 1999 box-office disaster 'Tonari no Yamada-kun' ('My Neighbours the Yamadas').
Nevertheless, I think history will judge that his 'Pom Poko' is one of Studio Ghibli's finest works: breathtakingly imaginative and looney, wry, complex, sentimental but un-dogmatic, unapologetically Japanese in its outlook and references. I would in fact rate it higher than Miyazaki's highly-regarded 'Mononoke Hime,' which takes itself a bit too seriously and becomes slightly tiresome as a result.
Nevertheless, I think history will judge that his 'Pom Poko' is one of Studio Ghibli's finest works: breathtakingly imaginative and looney, wry, complex, sentimental but un-dogmatic, unapologetically Japanese in its outlook and references. I would in fact rate it higher than Miyazaki's highly-regarded 'Mononoke Hime,' which takes itself a bit too seriously and becomes slightly tiresome as a result.
Weirdest Ghibli movie, probably
I take back what I said about "The Cat Returns" being the weirdest Ghibli movie. "Pom Poko" gets that award instead.
If you watch this movie, you should know beforehand that it is heavily based in old Japanese folklore about the Tanuki, magical raccoon/dogs capable of transforming themselves and other things who like to do mischief to humans (and yeah, they use their nutsacks). So if you don't know that before watching this film (like me), you'll have a really weird time.
This movie's message is completely about deforestation and how animal life gets affected by that matter. They handle it well, but it's really on-the-nose throughout the whole movie, and if it wasn't evident enough, they break the fourth wall to say it themselves. Anyway, they don't portray humans as some devilish, selfish creatures who want to destroy the raccoon's... eh, sorry... the Tanuki's home. Actually, the Tanukis are way eviler when it comes to attacking humans.
As I said before, I had a really weird time watching this, and I was wondering if it was actually a kid's movie. Yes, it's entertaining, fun, and deep, but there are a lot of bizarre moments.
Overall, for Ghibli fans, this is a movie worth checking out, due to its ecologic theme, entertaining story, and charming animation, but too bizarre for casual anime watchers (even though most anime nowadays are way more bizarre than this one).
If you watch this movie, you should know beforehand that it is heavily based in old Japanese folklore about the Tanuki, magical raccoon/dogs capable of transforming themselves and other things who like to do mischief to humans (and yeah, they use their nutsacks). So if you don't know that before watching this film (like me), you'll have a really weird time.
This movie's message is completely about deforestation and how animal life gets affected by that matter. They handle it well, but it's really on-the-nose throughout the whole movie, and if it wasn't evident enough, they break the fourth wall to say it themselves. Anyway, they don't portray humans as some devilish, selfish creatures who want to destroy the raccoon's... eh, sorry... the Tanuki's home. Actually, the Tanukis are way eviler when it comes to attacking humans.
As I said before, I had a really weird time watching this, and I was wondering if it was actually a kid's movie. Yes, it's entertaining, fun, and deep, but there are a lot of bizarre moments.
Overall, for Ghibli fans, this is a movie worth checking out, due to its ecologic theme, entertaining story, and charming animation, but too bizarre for casual anime watchers (even though most anime nowadays are way more bizarre than this one).
Great ecological animation.
Most anime fans remember Isao Takahata best for his wonderful tearjerker, "Grave of the Fireflies", will find interesting this title as well. This lavishly animated tale about raccoons battling for their homeland isn't so dramatic as "Grave of the Fireflies" but is an interesting amalgam of humor, drama, and action delivered instead. At times, the viewer gets treated to scenes which recall the tragic elements , but even though the tone of the movie is somber, a handful of lighthearted moments elevate the overall production out of depression.
As this is a Studio Ghibli film, production values are spectacular. Backgrounds are painted with a tasteful mixture of simplicity and art, and the raccoons are as cuddle-some as you would expect. (If you're scratching your head while reading this, don't be alarmed--according to Japanese folklore, raccoons have the power to transform into anything--including human beings) The actual animation is as colorful and imaginative as you might expect from a Ghibli movie(and there is one scene where we are treated to cameo appearances by Porco Rosso, Kiki, and Totoro.)
While Pom Poko has a story to tell and a meaningful message for one to think about, its character and plot aspects may come across as a bit off-putting to viewers expecting a typical animated feature. Indeed, while some raccoons identify themselves with distinguishable names and/or personalities (for example, Gonta is a burly, rough-and-ready raccoon who is always looking for a fight, while Oroku is the "wise woman" of the tribe), the story offers little in the way of character development. In fact, most of the action in the story is narrated (by Maurice LaMarche in English, Kokondei Shinchou in Japanese), which elevates the overall effect of the movie to that of a semi-documentary. For the most part, this approach works to a very interesting degree and is a refreshing change of pace. However, there were some scenes in the movie where I wished the narration could have been reduced a little bit, as it sometimes gets in the way of appreciating the beauty of the visuals on screen.
Unfortunately, most of the attention that this movie received were some silly controversies about the fact that the movie shows the testicles of the male raccoons, but that was a minor detail if you compare with the charm and the originality of the story. Even when it is not perfect (Some consider this movie a inferior work of Ghibli )this movie was funny enough for me, and is one of the my favorite animes.
As this is a Studio Ghibli film, production values are spectacular. Backgrounds are painted with a tasteful mixture of simplicity and art, and the raccoons are as cuddle-some as you would expect. (If you're scratching your head while reading this, don't be alarmed--according to Japanese folklore, raccoons have the power to transform into anything--including human beings) The actual animation is as colorful and imaginative as you might expect from a Ghibli movie(and there is one scene where we are treated to cameo appearances by Porco Rosso, Kiki, and Totoro.)
While Pom Poko has a story to tell and a meaningful message for one to think about, its character and plot aspects may come across as a bit off-putting to viewers expecting a typical animated feature. Indeed, while some raccoons identify themselves with distinguishable names and/or personalities (for example, Gonta is a burly, rough-and-ready raccoon who is always looking for a fight, while Oroku is the "wise woman" of the tribe), the story offers little in the way of character development. In fact, most of the action in the story is narrated (by Maurice LaMarche in English, Kokondei Shinchou in Japanese), which elevates the overall effect of the movie to that of a semi-documentary. For the most part, this approach works to a very interesting degree and is a refreshing change of pace. However, there were some scenes in the movie where I wished the narration could have been reduced a little bit, as it sometimes gets in the way of appreciating the beauty of the visuals on screen.
Unfortunately, most of the attention that this movie received were some silly controversies about the fact that the movie shows the testicles of the male raccoons, but that was a minor detail if you compare with the charm and the originality of the story. Even when it is not perfect (Some consider this movie a inferior work of Ghibli )this movie was funny enough for me, and is one of the my favorite animes.
One of my favorites from Ghibli
This a very different, more dynamic film than a lot of other Ghibli works. Although it bears some thematic resemblance to "Mononoke" and "Naussica" in its nature vs. man plot, it plays out much differently through its use of humorous protagonists. Though on the surface the tanuki may look like cuddly teddy bears, they are fierce in their war with the humans. The animation of the transformation scenes and the action shots make this a very appealing film and the characterization is first rate (especially the three old masters)!
It may be helpful for non-japanese audiences to do a little reading on japanese folklore. I caught a lot of the references but much of it went over my head.
It may be helpful for non-japanese audiences to do a little reading on japanese folklore. I caught a lot of the references but much of it went over my head.
Great movie with lots of good action and humor.
This movie is one of my all time favorite Studio Ghibli movies (although I loved every single one I've seen). The way that Takahata portrayed the raccoons as how they acted when humans weren't around was great. It completely changed my view of raccoons.
The plot was very strong and also made you aware of modern day construction and how our forests are being destroyed. It also had great characters with many differences. There were smart ones, rough ones, calm ones, and ones that could pull through in times of hardship. Many showed compassion, and many didn't think anything through.
I also loved the human reactions to the raccoons. The raccoons made many very funny attempts to scare the humans and.. well I'll just leave it at VERY funny.
If you didn't like this movie, it may have been from the lack of understanding the portrayal of the raccoons, or because the humor isn't just your type of humor. I do believe that anyone, especially a Studio Ghibli fan (like me) would love this movie. It is great for the family, kids, or just adults.. There is definitely humor for all of them.
The plot was very strong and also made you aware of modern day construction and how our forests are being destroyed. It also had great characters with many differences. There were smart ones, rough ones, calm ones, and ones that could pull through in times of hardship. Many showed compassion, and many didn't think anything through.
I also loved the human reactions to the raccoons. The raccoons made many very funny attempts to scare the humans and.. well I'll just leave it at VERY funny.
If you didn't like this movie, it may have been from the lack of understanding the portrayal of the raccoons, or because the humor isn't just your type of humor. I do believe that anyone, especially a Studio Ghibli fan (like me) would love this movie. It is great for the family, kids, or just adults.. There is definitely humor for all of them.
Did you know
- TriviaOfficial submission of Japan for the 'Best Foreign Language Film' category of the 67th Academy Awards in 1995.
- GoofsThe English-dubbed version incorrectly refers to the tanuki as "raccoons". Tanuki are actually "raccoon dogs" - they are in the canid branch of mammals.
- Alternate versionsThe English dubbed version censors all references to testicles.
- ConnectionsFeatured in AMV Hell 3: The Motion Picture (2005)
- SoundtracksAjia no Kono Machi de
(In this Town of Asia)
Lyrics by Kôryû
Music by Yôko Ino
Vocals & Performance by Shang Shang Typhoon
Details
Box office
- Gross US & Canada
- $372,405
- Opening weekend US & Canada
- $107,909
- Jun 17, 2018
- Gross worldwide
- $1,282,394
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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