A slick New York assassin accepts an unusual hit: a woman who not only is expecting him, but who is more than willing to be murdered.A slick New York assassin accepts an unusual hit: a woman who not only is expecting him, but who is more than willing to be murdered.A slick New York assassin accepts an unusual hit: a woman who not only is expecting him, but who is more than willing to be murdered.
Philip Maurice Hayes
- F.B.I. Agent
- (as Philip Hayes)
Claudio Masciulli
- Partygoer #2
- (as Claudio De Victor)
Justine Priestley
- Masseuse
- (as Justine Priestly)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Lapaglia is tremendous as the icy hitman who not only thaws from the heat of passion, but burns to a cinder in the process! Mimi Rogers is good as the object of his obsession. This modern noir film should not be missed. Lapaglia stunning performance runs the gambit of emotion and melts the screen!Don't miss it!
A Must See! Anthony LaPaglia, Peter Boyle and Matt Craven do a terrific job. However, it's Mimi Rogers outstanding and shocking performance of desperation, resignation, and the ability to play 'the game' on her terms using powerful emotion and sex, with the shady characters that makes this movie awesome. She does this from start to finish and you can be the judge if she's doing this out of necessity or out of pleasure, or "just to play the game". The plot is complete and has twists and turns. Originally it was released as "Bulletproof Heart". Great character study and human nature teeming with emotion in all the characters. The assassin, the old friend who's now a driver, will make you twitch while you watch this movie, and the Boss. The Boss who pushes the assassin to clean up his act with this new hit, since his last assassination was blotched up. It weaves together to create a super movie, you'll never forget!
Before the Sopranos went on air we have a hired gun, a maffiosi, a killer who doubts the real meaning of it all. In fact he wonders the meaning of meaning. Without being to psychological it is a good thriller with the question 'Will he kill her'. Possibly a little too soon it is obvious whether he will or not but as a whole it is definitely worth watching albeit just for Mimi Rogers who till the end keeps you asking whether she - as an actress - is really terminally ill or just pulling everbody's strings
I've searched for a copy of this movie on DVD in stores, on-line for 10 years and finally located a VHS copy from Amazon.
I truly do NOT understand why this movie isn't listed in Mimi Roger's or Anthony Lapaglia's Wikis as I regard it as their best work. I plan to copy the VHS to DVD ands share it on torrent sites.
No one else seems to give a flip about marketing it on DVD or I'd have ordered it by now.
Never play leapfrog with a Unicorn.
I'd rather have a bottle in front of me than a frontal lobotomy.
There's your ten lines, Bubba.
I truly do NOT understand why this movie isn't listed in Mimi Roger's or Anthony Lapaglia's Wikis as I regard it as their best work. I plan to copy the VHS to DVD ands share it on torrent sites.
No one else seems to give a flip about marketing it on DVD or I'd have ordered it by now.
Never play leapfrog with a Unicorn.
I'd rather have a bottle in front of me than a frontal lobotomy.
There's your ten lines, Bubba.
Hitman Mick is approached by small time mobster George to do a rush job that night on a woman (Fiona) who has stolen a lot of money from various people. However when Mick arrives he finds that she is not only expecting him but is ready to be killed. Mick is enticed by her and starts to get to know her falling under her mysterious spell and eventually finding what he feels is love in his otherwise dead world. However the time must come.
This film is very stylish. It begins with a `hit' that is slow and quiet while `love is all around' plays in the background. This style stays with the whole film as it manages to feel both stagy but also be a cool and slick piece of film. The problem is that this style isn't fully carried into the plot or the characters. While the story of a hitman falling for his victim or finding love isn't new I still want something more than the usual.
This is too straight forward and expects us to make huge leaps way too quickly in the film. The slick direction almost helps to conceal this but not quite. The lack of character development in the two lead roles also weakens the film. LaPaglia can stare into the distance and act detached all he wants but his sudden fall into love is not easy to swallow at any point. He almost manages to hide this by `looking deep and lost' but not totally. Rogers swings from bubbly to scared to ready every 5 minutes and we never get to go beneath the surface with her. Boyle is OK if only because his performance brings the strengths out in his role without exposing the weaknesses.
Overall a stylish directing job and several really nice touches do not a great film make. The weakness in plot and character are evident from 15 minutes in ans stay there for the rest of the film. It's a shame a better developed script and characters would have made this a much better film. Good but flawed.
This film is very stylish. It begins with a `hit' that is slow and quiet while `love is all around' plays in the background. This style stays with the whole film as it manages to feel both stagy but also be a cool and slick piece of film. The problem is that this style isn't fully carried into the plot or the characters. While the story of a hitman falling for his victim or finding love isn't new I still want something more than the usual.
This is too straight forward and expects us to make huge leaps way too quickly in the film. The slick direction almost helps to conceal this but not quite. The lack of character development in the two lead roles also weakens the film. LaPaglia can stare into the distance and act detached all he wants but his sudden fall into love is not easy to swallow at any point. He almost manages to hide this by `looking deep and lost' but not totally. Rogers swings from bubbly to scared to ready every 5 minutes and we never get to go beneath the surface with her. Boyle is OK if only because his performance brings the strengths out in his role without exposing the weaknesses.
Overall a stylish directing job and several really nice touches do not a great film make. The weakness in plot and character are evident from 15 minutes in ans stay there for the rest of the film. It's a shame a better developed script and characters would have made this a much better film. Good but flawed.
Did you know
- TriviaFeature directorial debut for American playwright and screenwriter Mark Malone. Although he wrote the screenplay, Malone only receives a "from story" credit; in order to qualify for a Canadian tax shelter, the film's producers instead gave sole screenwriting credit to the pseudonymous Canadian writer Gordon Melbourne.
- How long is Bulletproof Heart?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Asesino a sueldo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $297,415
- Opening weekend US & Canada
- $3,406
- Jan 1, 1995
- Gross worldwide
- $297,415
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
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