Mesmer

"Mesmer" is a pretty good film. It's interesting, assuming that the film was based on some facts, to watch the increasing interest in the human mind and proverbial heart, especially their effect on the body, in the 1700s, which led up to the word of Freud and Jung a century later. The more interesting that Mesmer's perceived nonsense is in fact becoming very popular today in alternative medicine coming from the East: animal magnetism (Reiki), the harmony of the universe (Taoist belief) and the mind's effect on the body.

Amanda Ooms was good in her role as Maria Therese. Fortunately they made it easy for her to be blind by not having her walk obstacle courses. It was a pleasure to see Jan Rubes in a role other than in the children's show he did. As for the star, Rickman, it was a pleasure to see him in a title role. He's quite seductive in the film, and he uses his hands, one of this actor's greatest assets, very well. In the end, I found myself regretting very much that F.A. Mesmer had no effect on the medical profession of his day. He could have prevented a lot of suffering.

The first time I watched this movie, I was totally hooked. Alan Rickman does a phenomenal job of portraying the eighteenth century doctor. His appearance is so entrancing, and the way he treats his patient is so seducing. With him being my favorite actor of all time, I would love being treated by him. Just the way he caressed the girl and was so gentle with her. The bottom line is, this movie was totally AMAZING, and I LOVED IT!!!!!!!!!!!! Great Job, Alan! :)

'Mesmer' is an odd movie. On the face of it you'd think it would work quite well – beautiful period setting, interesting character, a score by Michael Nyman and Rickman, who makes a very charismatic lead. Unfortunately it went a bit wrong somewhere down the line and, as others have pointed out, it is quite hard to define where.

For me the two main players of the cast did a great job. Rickman presented Mesmer as charming but complex; Ooms brought plenty of emotion to her role as the blind pianist. Beyond this, however, there seemed little character development not helped by the relatively short runtime.

The plot just seemed...well...dull. There was very little feeling of direction and most of the scenes were very static affairs. There also seemed to be lots of duplication of material as Mesmer treated numerous people in, what looked like, very similar ways. Occasional slapstick moments, one in particular involving a certain throat complaint coming at the end of one of the most absorbing scenes in the movie, somewhat destroyed the tone. Another was a brief appearance of a very caricatured Marie Antoinette. Both seemed rather out of place and had the effect of pushing the extraordinary events of the story into absurdity.

Watch this film for the cast alone. As for the plot: if you know a little about Mesmer before watching you may find it more absorbing but for a novice like me there seemed very little substance beneath that beautiful period setting.

The jacket looked interesting and the subject matter is definitely interesting, but.....I found the movie disappointing....True, the main characters had situations that should have kept the viewer intent on the outcome, but.....the way it was handled left me, yes, disappointed. Also, there are many parts in the movie where the dialog is presented at so low a volume that I could not catch it all, a lot was almost mumbled....??? why??? for intimacy? I could not understand just exactly WHAT Mesmer's theory really was, except for the fact that in the end he confesses that as a child he saw that all of creation was in harmony except for people and he tried to relieve the pain and suffering he saw in humanity.....The psychological state of the blind pianist was indeed interesting though. The costumes of the period ARE worth seeing and by watching the way mental illness was handled in that day, one comes away thankful the same conditions do not exist now. Doctor Mesmer reacted to the suffering of others and was out of the norm in his treatment of them, but something was missing. It does show his empathy.

Rickman saves the film. What can you say about a visually elegant, period piece with an unworthy script? It's a shame, because the glass armonica (a Ben Franklin invention) is authentic-looking and sounds eerily lovely. This film is worth renting just for that feature! I saw an armonica player at Colonial Williamsburg and was -- er -- mesmerized. It's a long, glass instrument that is played by spinning it in water. Hard to explain but so haunting, you'll never forget it. Also, there's a compelling scene when Mesmer leads a group of the lame and blind in a circle, so full of hope, and yet so very lost. Rickman looks wonderful whirling about in all those natty cloaks. He's the perfect Mesmer, in search of a script worthy of his gifts.