Mrs. Parker and the Vicious Circle

While watching this film last night on IFC, I found myself appreciating the social, historical and artistic subject matter. Despite Mrs. Parker's obvious and overwhelming psychological dysfunctions, I felt this was a genuine "true to life" expression of one participant's subjective experiences. This was a unique, if not quite legendary, circle of literary talent -- certainly deserving of serious cinematic treatment such as this.

BUT....

There was another side to the story -- a healthier, less appalling, less depressing side. To discover "the rest of the story", I highly recommend Harpo Marx' autobiography "Harpo Speaks". Although Harpo also recalls the scathing insults and practical jokes that were a central part of the story of this Round Table group, his book relates a number of hugely funny and sometimes heart-warming scenes that indicate that at least some of these people truly cared for each other and expressed strong positive feelings in many different settings. In short, Harpo's stories (e.g. several "croquet fanatic" episodes) offer a telling comedic counterpoint to Mrs. Parker's almost continually cynical and self-pitying pathos. Read Harpo's book to balance out the negative. You'll be glad you did.

I love the film. I had read a little of Parkers work before I saw it and fell madly in love afterwards. I was very much impressed with J.J. Leigh's performances and dually noted in regard to M. Broderick and A. McCarthy. Much appreciation is directed towards all involved.

I think that this film was meant to be realist and naturalistic. However,there is the reality that this is an entertainment, and the audience has to hear and understand the lines. Supervigilance is required to do this in this movie. Not only does JJL's imitation of Dorothy Parker's speech affectations make the speech and musing of the main character difficult to understand, but the inclusion of background noise, overlapping dialog, and frequent muttering and mumbling of the performers make every character difficult to even hear, much less understand.

Since so much of this movie is about legendary people mouthing famous aphorisms, it is frustrating to only hear snippets of their lines. I suppose the idea was to toss these famous lines away to add naturalism. However, without spotlighting the conversations of the legendary characters, however contrived this might be performed, this is just a very sad movie about a bitter, unhappy, self-destructive, unproductive writer. Not very easy to watch nor very interesting.

I found this movie totally enjoyable from start to finish. Maybe because Jennifer Jason Leigh is one of the most superb actresses of our time (and of course ignored!!!). Or maybe because I love period pieces with lavish attention to detail in the costumes and production designing. Or maybe because I am always entertained by true stories of humanity. I think in this movie's case, it is all three. This is another portrait of the dark side of fame. Leigh did a wonderful job being Mrs. Dorothy Parker, a 1920s poet and magazine writer who drank (during prohibition New York) and caroused with a large, mouthy group of professionals in the writing and stage business. It's easy for anyone to relate to the lonliness Mrs. Parker feels in this boisterous "circle" of shallow, back-stabbing people. In spite of her gift for smooth, haunting, beautiful poetry (much of it recited in this movie), Mrs. Parker is not happy or fulfilled. Rather she is misunderstood, isolated and self-depreciating. She ends up losing a job over salary disputes, losing her husband to alcohol, and falling deeply and hopelessly in love with the married Charles McArthur (Matthew Broderick), who impregnates and betrays her. Mrs. Parker's only comfort in life is the friendship she has with Bob Benchley (an excellent Campbell Scott). Leigh, speaking with a facinating accent, brings sadness and cynicism to Mrs Parker with perfection.

The movie is episodic and depends too much on the viewer's having prior knowledge of the life of Dorothy Parker and her literary friends. Its saving grace is Jennifer Jason Leigh as Mrs. Parker. Her only flaw is that, in trying to look and sound like Parker, her dialog is often hard to understand. Still, one of the greatest and most under-rated performances by an actress in an American film in the 1990s.