A stubborn man past his prime reflects on his life of strict independence and seeks more from himself.A stubborn man past his prime reflects on his life of strict independence and seeks more from himself.A stubborn man past his prime reflects on his life of strict independence and seeks more from himself.
- Nominated for 2 Oscars
- 5 wins & 10 nominations total
Carl J. Matusovich
- Wacker
- (as Carl John Matusovich)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
7uhu
Newman is acting just perfectly in this small town movie in his role as a 60 years old man who has not achieved much in his life, but begins to realize this when his son, whom he hasn't seen since he left his family, shows up with his kids, Newman's grandsons. The complicated (or maybe not so complicated) married life of Willis and Griffith add to the plot. Some quite witty scenes and lines make you laugh heartily, although the film's general tone is more on the serious side.
Paul Newman's (Oscar-nominated) amazing performance as a small-town man who tries to bring his somewhat meaningless life together is a real triumph in this fine motion picture from director Robert Benton. Newman is exploited throughout by boss Bruce Willis, but takes it all in stride as he flirts with Willis' beautiful wife (Melanie Griffith). When son Dylan Walsh and his family moves back to town, Newman must finally come to terms with his family and take responsibilities that he has ignored for the duration of his life. Jessica Tandy shines in her swan song. A really great homage to Newman, one of Hollywood's very best from any era. 4.5 out of 5 stars.
What a gem! Apparently this film did have a theatrical run, but I had never heard of it until I saw it on cable a few years ago. Paul Newman was, as always, masterful. So was Jessica Tandy. As unlikeable as Bruce Willis is, he is a great actor and does very well here. And even though it was a fairly small part, I think this is Melanie Griffith's best work ever. The script, directing, everything came together seamlessly. I highly rcommend this film. Grade: A
In my eyes quite possibly one of the most perfect movies ever made with a stellar cast acting as you would expect them to when you want them to and acting completely out of character when you'd least expect it and enjoy it most. Look for a brilliant Melanie Griffith, a brilliant Bruce Willis, a fantastic ensemble all around, and at the centre the wonderful Jessica Tandy and the immortal Paul Newman in the role of his life. There is a point to this movie, painted in such subtle brush strokes that you just have to exclude all else and - what can I say - enjoy it, and let it warm your heart.
Newman uses a lifetime of acting experience to give a burnished, affecting portrayal of Sully, a dysfunctional father and husband who is basically well-intentioned but has never been able to connect with anyone or live up to his responsibilities. His family arrives back in town and he begins the long-delayed process of reconnecting with his son and grandsons.
Like "Mr. & Mrs. Bridge" of a few years back, this is a low-key, slice-of-life drama, a type of film that can be deadly dull in the wrong hands but which in this case, under director Robert Benton's guidance, and aided by a fabulous script and wonderful cast, is totally engrossing.
The script is spare and lean and all the more effective for that. It never goes for heavy emotional effects, but makes its points in a powerfully understated way. The many moments of humor stand out in high relief. Excellent acting all around (this was one of Jessica Tandy's last films; also in the cast are Bruce Willis, a better actor than he is generally given credit for, and Melanie Griffith). The feeling of life in a down-at-the-heels northeast U.S. town in midwinter is superbly brought across; the movie has a real 'lived-in' atmosphere.
A definite A+.
Like "Mr. & Mrs. Bridge" of a few years back, this is a low-key, slice-of-life drama, a type of film that can be deadly dull in the wrong hands but which in this case, under director Robert Benton's guidance, and aided by a fabulous script and wonderful cast, is totally engrossing.
The script is spare and lean and all the more effective for that. It never goes for heavy emotional effects, but makes its points in a powerfully understated way. The many moments of humor stand out in high relief. Excellent acting all around (this was one of Jessica Tandy's last films; also in the cast are Bruce Willis, a better actor than he is generally given credit for, and Melanie Griffith). The feeling of life in a down-at-the-heels northeast U.S. town in midwinter is superbly brought across; the movie has a real 'lived-in' atmosphere.
A definite A+.
Did you know
- TriviaBruce Willis reportedly agreed to a substantial pay cut to appear in the film, accepting the SAG-AFTRA scale of $1,400 per week at a time when the actor was earning roughly $15 million for his action movies.
- GoofsWhen Sully and Peter are stealing the snowblower from the Tip Top construction yard, Peter has to climb the fence to get in. Once in, Sully throws him a bolt cutter to cut the chain holding the snowblower. Why didn't they just use the bolt cutter to get in instead of climbing the fence? And if that wasn't possible, how did they get the snowblower out?
- Quotes
Carl Roebuck: Sixty years old and still getting crushes on other men's wives. I would hope by the time I'm your age, I'm a little smarter than that.
Sully: Can't hurt to hope. You sure are off to a slow start.
- Crazy creditsBouquets by Christine... florist for Hattie's funeral at St.Luke's cemetery in Beacon, NY
- SoundtracksCall Me Irresponsible
Written by Sammy Cahn and Jimmy Van Heusen
Performed by Patti Page
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
Details
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $39,491,975
- Opening weekend US & Canada
- $92,838
- Dec 26, 1994
- Gross worldwide
- $39,491,975
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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